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In this week's episode of the Get Lit Minute, your weekly poetry podcast, we spotlight the life and work of Korean American poet, translator, columnist, and advocate for bilingual artists, Tanya (Hyonhye) Ko Hong. She is the author of four poetry collections featuring pieces in both English and Korean. Her first book, Generation One Point Five, was published in 1993 in Korean with English translations. Most recently, Hong released The War Still Within: Poems of the Korean Diaspora with KYSO Flash Press in 2019. Grounded in the true stories of Korean “comfort women,” the more than 200,000 women forced into sexual slavery by opposing forces during World War II, Hong’s first-person poems seek to recenter the voices of Korean and Korean-American women in the narrative of their own history. 

This episode includes a reading of her poem, “Second Period”, featured in our 2023 Get Lit Anthology.

“Second Period”

I got called in to a little dark room,

windowless.

Mrs. Lopez showed me a picture book.

Khang, I say.

No, river, she says.

Liver, I say.

Not liver, it’s river, she says.

That’s what I said, river, river, river, khang—

It’s a khang!

She shook her head.

Look at my mouth, she says, RRRRR

VVVVVVVVVVVVVVV

River.

River, I said.

Then shut my mouth.

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In this week's episode of the Get Lit Minute, your weekly poetry podcast, we spotlight the life and work of poet, Lawson Fusao Inada. A third-generation Japanese American, his collections of poetry are Before the War: Poems as They Happened (1971); Legends from Camp (1992), winner of the American Book Award; Just Into/Nations (1996); and Drawing the Line (1997). Both jazz and the experience of internment are influences in Inada’s writing. The section titles of his Legends from Camp reveal these ongoing concerns: Camp, Fresno, Jazz, Oregon, and Performance. Inada edited the anthology Only What We Carry: The Japanese Internment Experience (2000), a major contribution to the record of the Japanese American experience. He narrated the PBS documentaries Children of the Camps and Conscience and Constitution and is featured in the video What It Means to Be Free: A Video About Poetry and Japanese American Internment and the animated film Legends from Camp, made with his son Miles Inada. One of his poems is inscribed on a stone at the Japanese American Historical Plaza in Portland, Oregon. Source

This episode includes a reading of his poem, “Healing Gila”.  You can find more poems like this in our Get Lit Anthology at www.getlitanthology.org .

“Healing Gila”

     for The People

The people don't mention it much.

It goes without saying,

it stays without saying—

that concentration camp

on their reservation.

And they avoid that massive site

as they avoid contamination—

that massive void

punctuated by crusted nails,

punctured pipes, crumbled

failings of foundations . . .

What else is there to say?

This was a lush land once,

graced by a gifted people

gifted with the wisdom

of rivers, seasons, irrigation.

The waters went flowing

through a network of canals

in the delicate workings

of balances and health . . .

What else is there to say?

Then came the nation.

Then came the death.

Then came the desert.

Then came the camp.

But the desert is not deserted.

It goes without saying,

it stays without saying—

wind, spirits, tumbleweeds, pain.

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In this week's episode of the Get Lit Minute, your weekly poetry podcast, we spotlight the life and work of poet, librarian, and memorist, Toyo Suyemoto. During her early years, Suyemoto published under her husband’s surname as Toyo Kawakami, Toyo S. Kawakami, and Toyo Suyemoto Kawakami, though later in life she preferred to be remembered only by her family name. Suyemoto was trained from an early age to be a poet. Her mother taught Japanese literature to her and her eight siblings as children, and also recited Japanese translations of Shakespeare. Suyemoto’s own work in haiku and tanka is the direct result of her mother’s influence, though she was also worked in conventional English lyric forms. Suyemoto herself began publishing poems in Japanese American community papers when she was a teenager, and she continued writing during her years of incarceration as a young woman in Topaz. During her lifetime, Suyemoto published a reference book for librarians, Acronyms in Education and the Behavioral Sciences, as well as poems in Yale Review, Common Ground and the anthology American Bungaku (1938). Interest in her work increased in the 1970s and 80s, however, and Suyemoto’s work soon appeared in the anthologies Speaking for Ourselves: American Ethnic Writing (1969), Ayumi: A Japanese American Anthology (1980), and Quiet Fire: A Historical Anthology of Asian American Poetry 1892-1970 (1996) as well as in the magazines Many Mountains Moving and Amerasia Journal. Four years after her death in 2003, Rutgers University Press published her memoir I Call to Remembrance: Toyo Suyemoto’s Years of Internment (2007). Source

This episode includes a reading of her poem, "Barracks Home".  You can find more poems like this in our Get Lit Anthology at www.getlitanthology.org .

"Barracks Home"

This is our barracks, squatting on the ground,
Tar papered shacks, partitioned into rooms
By sheetrock walls, transmitting every sound
Of neighbor's gossip or the sweep of brooms
The open door welcomes the refugees,
And now at least there is no need to roam
Afar: here space enlarges memories
Beyond the bounds of camp and this new home.
The floor is carpeted with dust, wind-borne
Dry alkalai, patterned with insect feet,
What peace can such a place as this impart?
We can but sense, bewildered and forlorn,
That time, disrupted by the war from neat
Routines, must now adjust within the heart.

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