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This week, Rob Long reminds us that nobody likes to work for free — which is why, more often than not, writers find themselves in a tricky predicament. In an ideal world, a writer gets hired off a pitch. But other times, the writer ends up drafting a script on spec, a.k.a for free. And even when a writer does sell a pitch, the executives who buy it likely won’t be around long enough to actually produce the script, thus rendering it no different from a spec (minus the small upfront fee). It’s enough to make a writer want to be a producer. Free money! Just ask Rob.
Transcript here. Subscribe here to The Ankler.
Learn more about your ad choices. Visit megaphone.fm/adchoices
4.9
451451 ratings
This week, Rob Long reminds us that nobody likes to work for free — which is why, more often than not, writers find themselves in a tricky predicament. In an ideal world, a writer gets hired off a pitch. But other times, the writer ends up drafting a script on spec, a.k.a for free. And even when a writer does sell a pitch, the executives who buy it likely won’t be around long enough to actually produce the script, thus rendering it no different from a spec (minus the small upfront fee). It’s enough to make a writer want to be a producer. Free money! Just ask Rob.
Transcript here. Subscribe here to The Ankler.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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