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Today on Art + Ideas, we’re bringing you an episode from Getty’s new podcast, Recording Artists. In season one, Radical Women, host Helen Molesworth uses archival interviews to explore the lives of six women artists—Alice Neel, Lee Krasner, Betye Saar, Helen Frankenthaler, Yoko Ono, and Eva Hesse. Molesworth also speaks with contemporary artists and art historians to make sense of what it meant—and still means—to be a woman and an artist.
This episode focuses on Lee Krasner (1908–1984). Artists
Ray Kappe’s buildings, frequently featuring extensive spans of glass and warm wood, are known for their embrace of their often unusual sites and the California landscape. But Kappe’s impact on Southern California extends well beyond his own architectural practice. His work as an educator and as founding director of the Southern California Institute of Architecture (SCI-Arc) ensure that Kappe’s unique approach to building continues to inspire generations of architects. In this episode, Ray Kappe, joined by his wife, Shelly, and their son Finn, discusses his long career. This episode was recorded at the home Kappe designed for his family in the Pacific Palisades, which was completed in 1967 and which is discussed in detail in the episode.
From painted cave temples in China to pyramids in Egypt to earthen cathedrals in Peru, the Getty Conservation Institute (GCI) works globally to conserve artworks, architecture, and cultural heritage sites. An integral part of this effort is conducting scientific research, developing tools and educating and training professionals to manage conservation projects in situ. In this episode, John E. and Louise Bryson Director of the GCI, Tim Whalen, discusses past initiatives as well as what the future holds for the institution.
This episode commemorates the hundredth anniversary of the opening of the Bauhaus, the influential school founded in 1919 by Walter Gropius in Weimar, Germany. Revered for its experimental art and design curriculum, the Bauhaus sought to erode distinctions among crafts, the fine arts, and architecture through study centered on practical experience and a variety of traditional and experimental media. Two exhibitions from the Getty, one of which is online, explore the Bauhaus curriculum from the point of view of the instructors and students, largely through pedagogical exercises, notebooks, and images. In this episode, Getty curator Maristella Casciato, research assistant Gary Fox, and head of web and new media at the Getty Research Institute Liz McDermott discuss these exhibitions, Bauhaus Beginnings and Bauhaus: Building the New Artist.
Since the Ice Age, humans have been using their imaginations to create objects of great artistry and skill, many of them destined for spiritual or religious functions. Exploring the stories these objects tell and the shared narratives they reflect helps us to understand the nature of belief and the complex relationship between faith and society. In this episode, former British Museum director, Neil MacGregor, discusses these ideas, which are the topic of his recent book Living with the Gods: On Beliefs and Peoples.
Impressionist painter Edgar Degas (1834–1917) is well known for his gauzy paintings of dancers, his motion-filled images of horses, and his striking portraits. But the artist also lived a fascinating life—from a privileged upbringing to family bankruptcy, from defending Paris alongside Manet during the Franco-Prussian War to feuding with the same artist over a portrait. Getty Publications has recently published two biographical essays, both titled “Memories of Degas.” One is by the Irish writer and critic George Moore and the other by the Munich-born, London-based artist and critic Walter Sickert. Both Moore and Sickert were Degas’s contemporaries and write from personal experience with the artist. In this episode, Getty associate curator Emily Beeny discusses the life of Degas as it is revealed in these two essays.
Buried by the 79 AD eruption of Vesuvius and rediscovered in the 1750s, the Villa dei Papiri in Herculaneum is one of the best-preserved ancient Roman villas. This expansive waterfront home of Rome’s elite contained bright wall frescoes, bronze and marble statues, delicate mosaics, and a library of over one thousand papyrus scrolls that were uniquely preserved by the volcanic debris. The Villa dei Papiri is also the model that J. Paul Getty used for his Malibu museum, now home to the Getty’s antiquities collection. In this episode, curator Ken Lapatin and conservator Erik Risser discuss the exhibition Buried by Vesuvius: Treasures from the Villa dei Papiri at the Getty Villa, which brings sculptures, papyri, frescoes, and other artifacts from the Villa dei Papiri to Malibu.
Growing up in the UK, Ian Hodder was surrounded by artifacts of ancient societies. He participated in his first organized archaeological dig in his hometown of Cambridge at the age of 13, and since then he has worked at archaeological sites around the world. Over his long career, he has pushed the field in important new directions, promoting ethnoarchaeology (the study of the relationship between material culture and people) in the 1970s and 80s and more recently exploring how digital tools can further archaeological research and knowledge sharing. In this episode, Hodder discusses his training, his decades-long work at the Turkish site of Çatalhöyük, and his recent Getty Foundation–funded project, Çatalhöyük Living Archive.
Islam is the second largest religion in the world, with 1.8 billion adherents who follow many different sects and traditions. One sect, Wahhabism, has grown tremendously in recent decades, in large part due to Saudi Arabia’s financial backing. Wahhabism’s message is one of intolerance—including towards practitioners of other interpretations of Islam—and this has inspired much of the global terrorism today, including the recent attacks in Sri Lanka, which were claimed by ISIS. In this episode, author Terence Ward discusses Saudi Arabia’s influence and Wahhabism’s impact. This is also the topic of his recent book The Wahhabi Code: How the Saudis Spread Extremism Globally.
Mid-twentieth century Los Angeles architect Pierre Koenig (1925–2004), was a skillful constructor of modernist homes. The most famous of these were two case study houses produced wholly of glass, wood, and steel and evocatively photographed by Julius Shulman. Yet despite these early successes, Koenig was largely forgotten by the 1980s. Architectural historian Neil Jackson’s recent book Pierre Koenig: A View from the Archive utilizes the Getty Research Institute’s near-complete archive of Koenig’s papers and drawings to cement the legacy of this important LA figure. In this episode, Jackson discusses Koenig’s career and most notable works.
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