Getty Art + Ideas

During its heyday from the first to third centuries CE, the ancient city of Palmyra flourished as a crossroads of Eastern and Western people, goods, and cultures. The unique blend of Eastern and Western influence on Palmyrene society remains visible in the elaborate funerary relief portraits carved to commemorate loved ones. In this episode, we tour an exhibition of Palmyrene funerary portraiture, on loan from the Ny Carlsberg Glyptotek in Copenhagen and Stanford University, with curator of antiquities Ken Lapatin and Getty guest scholar Rubina Raja, who is professor of classical archaeology at Aarhus University, Denmark.

Before the Getty Center opened to the public in 1997, photographer Robert Polidori captured the half-installed galleries and impressive architecture of the museum while on an assignment from The New Yorker. With brilliant colors and beautiful light, these images provide striking behind-the-scenes views of the curatorial process. In this episode, Polidori discusses these photographs of the Getty, touching on his artistic philosophies, creative process, and career.

In the late 1990s, Old Master drawings expert Julien Stock made an incredible discovery—a previously unknown Michelangelo drawing. Hiding in an unmarked book at England’s Castle Howard, the study of a mourning woman from early in Michelangelo’s career had not been seen for generations. This drawing is now part of the Getty Museum’s collection. In this episode, Stock tells the story of this discovery and the process of verifying the authenticity of his remarkable find.

In this episode, curator Scott Allan discusses two artist biographies: one of Édouard Manet by author and art critic Émile Zola and the other of Vincent van Gogh written by his sister in law Jo van Gogh-Bonger. Both artists proved controversial or difficult during their lifetimes, and these accounts, written by people who knew them well, provide insight into their lives and their art. These texts have recently been published as short books as part of the Getty Publications Lives of the Artists series. Scott Allan is curator of paintings at the J. Paul Getty Museum.

In 1902, Austrian poet Rainer Maria Rilke visited sculptor August Rodin in Paris to write an essay on the artist for a new series of German monographs. Writing with his usual intensity, Rilke’s poetic language and passion for Rodin’s art make this an engaging account of the artist’s life and work. Curator Anne-Lise Desmas discusses this text and Rodin’s career, addressing the personal relationship between the two men, Rodin’s unusual artistic process, and the reception of Rodin’s art in his time. Rilke’s 1902 essay has recently been published in a short book as part of the Getty Publications Lives of the Artists series. Anne-Lise Desmas is senior curator of sculpture and decorative arts at the J. Paul Getty Museum.

A towering sarcophagus for a man with a Grecian name, an ancient medical scroll that details Mycenaean cures in Egyptian hieroglyphics, and a Roman mosaic illustrating scenes from the Nile are just a few of the incredible objects that tell the story of sustained trade and cultural exchange between Egypt and Classical Greece and Rome. The Getty Center exhibition Beyond the Nile: Egypt and the Classical World centers on this artistic exchange and in this episode, exhibition curators Timothy Potts and Jeffrey Spier explore some of the exhibition’s highlights. Timothy Potts is director of the J. Paul Getty Museum; Jeffrey Spier is senior curator and department head of antiquities at the Getty Museum.

Dutch artist Rembrandt Harmensz van Rijn was a well-known and somewhat controversial artist in his time, and many historians, critics, and artists wrote about his work and life during and shortly after his lifetime. In this episode, curator of paintings Anne Woollett discusses three short biographies of the artist: one by German painter Joachim von Sandrart; the second by Italian painter Filippo Baldinucci; and a third by Dutch painter and printmaker Arnold Houbraken. All three biographies were written within fifty years of Rembrandt’s death and have recently been published together in a short book as part of the Getty Publications Lives of the Artists series.

Giorgio Vasari’s book Lives of the Most Excellent Painters, Sculptors, and Architects from Cimabue to Our Times, first published in 1550, is widely considered to be the ideological foundation of the discipline of art history. In this episode, senior curator of paintings Davide Gasparotto discusses the structure and history of Vasari’s Lives and explores three biographies in particular—those of Giovanni Bellini, Raphael, and Michelangelo. These texts have recently been republished as individual books in Getty Publications’ new Lives of the Artists series.

The husband and wife team Charles and Ray Eames produced some of the most iconic designs of the mid-twentieth century. This episode engages with a wide range of topics, from Charles and Ray’s training and inspiration, to their collaborative design process, to the challenges of preserving and conserving modern architecture. Recorded at the Eames’ home and studio in the Pacific Palisades neighborhood of Los Angeles, this episode brings together in conversation Eames Demetrios, the grandson of Charles and Ray Eames, director of the Eames Office, and chairman of the Eames Foundation; Thomas Hines, a renowned architectural historian; and Susan Macdonald, head of field projects at the Getty Conservation Institute.

How do we understand the seemingly senseless destruction of monuments during World War I? How does art history dovetail with military history? In this episode, Thomas Gaehtgens’ explores these questions through the lens of Reims Cathedral. He traces the history and symbolism of this iconic gothic building through the war and after, investigating the roles of culture, scholarship, and media in shaping our understanding of WWI and its legacy. Gaehtgens is Director Emeritus of the Getty Research Institute and his new book from Getty Publications is titled Reims on Fire: War and Reconciliation between France and Germany.