Glasstire

Christina Rees and Brandon Zech have an honest conversation about some realities they’re happy to get a break from.

“It’s terrific that we’re getting a vacation from these things.”

Watch a video version of this conversation: https://glasstire.com/2020/05/14/top-five-may-14-2020-things-we-dont-miss-about-the-art-world/

Brandon Zech and Christina Rees talk about Marina Abramović, the Kennedy assassination, and why conspiracy theories and art don't tend to mix.

"People in the art world are kind of Teflon about this. There's a lot of skepticism. It just doesn't tend to circulate in the industry that we work in. So when it happens it's really strange."

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Brandon Zech and Christina Rees take an optimistic view of a more collaborative future for Texas art, artists, and institutions, and their more appreciative audiences.

"There’s a lot of sweat equity that artists are willing to put into their own shows if you give them the space in a museum."

Brandon Zech and Christina Rees discuss how artists and arts workers will adapt to and navigate our new landscape.

"The only people who are going to be making art are people who really are artists and really want to make art. And they'll have to do it without thinking that they're going to make a living off of it."

Brandon Zech and Christina Rees discuss the difficulties faced by museums and nonprofits, the government stimulus bill, and the possible closure of art schools as a result of the pandemic.

"This is still early days. I was talking to somebody on the phone who knows a lot about higher education, and he was sounding the alarm, essentially saying that he thinks a number of universities are going to shut because of this."

This week’s podcast is supported in part by The Modern Art Museum of Fort Worth and their program 'Being There: Revisiting Tuesday Evenings' at the Modern, a rebroadcast of past Tuesday Evenings lectures on YouTube. Terri Thornton, Curator of Education, will introduce each presentation, with an online chat to follow. Join the museum, as usual, on Tuesdays from 7-8 PM for the program. For more information, go here: bit.ly/2UJaOoD

Brandon Zech and Christina Rees discuss the effect of the novel coronavirus on Texas-based galleries, museums, and artists. 

"I’m most afraid for mid-tier galleries and nonprofits."

Christina Rees talks with Michael Auping, the Modern Art Museum of Fort Worth's Chief Curator from 1993 to 2017, about the Modern's presentation of his current exhibition 'Mark Bradford: End Papers.'

"I was feeling like abstraction had really dried up, that it had really come to the end of the line. And then I found Mark Bradford. And I thought, ‘Ah ha, here’s another rabbit hole that we can really go down.’"

In this podcast, Glasstire's Christopher Blay and William Sarradet interview attendees at the Dallas Museum of Art's exhibition 'Speechless: Different by Design' during a recent DMA Late Night opening.

"It's interesting to be in a museum space and have all of the exhibitions have to do with touch. It's an interesting feeling, almost like you’re doing something you shouldn’t be doing."

Brandon Zech and Christopher Blay discuss whether artists make good critics, why blue-chip artists won't write criticism, and the difficulties of text art.

"You don’t see Jeff Koons writing a review about an exhibition for Artforum."

Christina Rees talks to Terri Thornton, Curator of Education at the Modern Art Museum of Fort Worth, in celebration of the 25th anniversary of her long-running, acclaimed guest lecture series Tuesday Evenings at The Modern.

"I have a real fondness for the brains of artists. People laugh about artists not being good communicators and I just think that’s a load of crap."