Gold Minds

While Miami has cemented itself as the new epicenter for pop art and commerce, the neighborhood of Wynwood within it, may then be the epicenter of street art and graffiti. Sadly "street art," as it were, which can at times be both terrible and awe inspiring, still owes its very existence to graffiti. With it now so dominant, commercial and otherwise, a few individuals dedicated to celebrating the roots of the artform have joined forces to launch the Museum of Graffiti. 

The brainchild of Alan Ket, Mare 139 (both veterans in the game and international ambassadors of the culture) and their partner, pro-graff attorney Allison Freidin. Dedicated to educating the public, bringing top tier talent and elevating the culture, their journey is still in its infancy. Even during the lockdown, they're working on virtual exhibits and nightly art talks. 

Give a listen to a pre-pandemic and decidedly more upbeat chat that Claudia recorded a week before lockdown on location in Miami about the museum and its assertions. 

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Hugo Martinez is one of the most controversial figures in graffiti. A polarizing figure, yes - yet so, so crucial. His vision of what seminal graffiti represented, as well as what it could be, helped to shape its evolution. He influenced the public, but also writers themselves, by imbuing the sense that this was, indeed, "real" and important art. Born in New York City, that art, and those writers, now identifying as artists, became the archetype of what has become a worldwide cultural phenomenon, forever altering our view and appreciation of what art is and can be.

Find out more: http://www.martinezgallery.com/

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