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John-Paul Hurley joins us to discuss an excerpt from Sabbath’s Theater by Philip Roth. How can writers make the readers feel lost in memories? We also discuss unlikeable protagonists.
Other links from this week:
Good Writing is a podcast where two MFA friends read like writers and lay out craft ideas for fellow writers to steal. Co-hosted by Emily Donovan and Benjamin Kerns.
Twitter: @goodwritingpod
Email: [email protected]
We always bring ourselves with us wherever we go, even into our writing. Even if we think that writing is about something completely other to ourselves, it is impossible for that wherever to escape whoever we are. Megan Boyle takes this to the farthest extent in her autofiction piece Liveblog in which she attempted to write down every single thing that happened to her over the course of a few months. The result is a deeply personal, funny, moving and intellectually fearsome book that is completely unlike anything else.
Good Writing is a podcast where two MFA friends read like writers and lay out craft ideas for fellow writers to steal. Co-hosted by Emily Donovan and Benjamin Kerns.
Twitter: @goodwritingpod
Email: [email protected]
The co-editors in chief of Alien Literary Magazine join us to talk about two of their favorite pieces from a recent issue. We talk about the magazine’s reading process and two elements of craft that made these submissions stand out: momentum and juxtaposition.
Other links from this week:
Good Writing is a podcast where two MFA friends read like writers and lay out craft ideas for fellow writers to steal. Co-hosted by Emily Donovan and Benjamin Kerns.
Twitter: @goodwritingpod
Email: [email protected]
Emily has Ben read an Anton Chekhov short story about a sad lady’s sad day and discuss occasion for story. Why is this the day that you tune into your character’s life? How can we as writers make a story feel complete?
On the way, Ben and Emily get derailed by a difference of opinion sparked by George Saunders’s analysis of the story. Should you consider the reader’s interpretation and anticipate the reader’s reaction to your story as you’re writing? Ben says no. Emily says absolutely yes. Tune in for the pros and cons!
Other recommendations from this week:
Good Writing is a podcast where two MFA friends read like writers and lay out craft ideas for fellow writers to steal. Co-hosted by Emily Donovan and Benjamin Kerns.
Twitter: @goodwritingpod
Email: [email protected]
We discuss Richard Brautigan’s novel Trout Fishing in America and the way he seems to have no interest in following any sort of rule when he’s writing. The phrase “Trout Fishing in America” can be anything; a character, a place, the phrase itself, or maybe even something more, something spiritual. Ben and Emily talk about why that’s cool and why it’s weird.
Good Writing is a podcast where two MFA friends read like writers and lay out craft ideas for fellow writers to steal. Co-hosted by Emily Donovan and Benjamin Kerns.
Twitter: @goodwritingpod
Email: [email protected]
How can we make sure our readers pick up on key information when our narrator is cagey or not willing to admit the full truth?
We look at how a master, Sofia Samatar, does it in her short story "Walkdog." It has both a reluctant narrator ("Emilybait") and a weird form ("Benbait"). We also discuss the "line" between "literary fiction" and "science fiction and fantasy."
Other links from this episode:
Good Writing is a podcast where two MFA friends read like writers and lay out craft ideas for fellow writers to steal. Co-hosted by Emily Donovan and Benjamin Kerns.
Twitter: @goodwritingpod
Email: [email protected]
Sentence length can be used to pull the reader into the text, and a long sentence can force them to stay there. Fernanda Melchor’s Hurrican Season presents the reader with a seemingly impenetrable block of text that keeps their eyes locked the page, even whenthey might want to turn away.
Good Writing is a podcast where two MFA friends read like writers and lay out craft ideas for fellow writers to steal. Co-hosted by Emily Donovan and Benjamin Kerns.
Twitter: @goodwritingpod
Email: [email protected]
The Good Writing podcast gets its mind blown by the author of Pearl Death, Negative Space, and Amygdalatropolis; B.R. Yeager!
We discuss Blake Butler’s 2014 novel 300,000,000 and how it uses a single page to break down the barriers between book and reader, author and audience, and maybe even reality and fiction
Good Writing is a podcast where two MFA friends read like writers and lay out craft ideas for fellow writers to steal. Co-hosted by Emily Donovan and Benjamin Kerns.
Twitter: @goodwritingpod
Email: [email protected]
The Good Writing podcast welcomes its first guest, short story writer and fellow MFA friend Cherri Buijk, to discuss historical fiction.
What makes historical fiction feel authentic? We discuss freewriting about the parts of history that you can’t wrap your head around and resisting the temptation to moralize.
Good Writing is a podcast where two MFA friends read like writers and lay out craft ideas for fellow writers to steal. Co-hosted by Emily Donovan and Benjamin Kerns.
Twitter: @goodwritingpod
Email: [email protected]
We all love a witty protagonist with quips. But how can a writer stay true to an ironic voice while still getting the characters and readers to care about the story?
We discuss Gideon the Ninth, a fantasy debut novel about lesbian necromancers in space with a hilarious and irreverent point-of-view character. Ben and Emily also share two of their wilder “Florida Man” stories.
Good Writing is a podcast where two MFA friends read like writers and lay out craft ideas for fellow writers to steal. Co-hosted by Emily Donovan and Benjamin Kerns.
Twitter: @goodwritingpod
Email: [email protected]
From the publisher's feed