Pollyanna Rhee, assistant professor of landscape architecture at the University of Illinois, Urbana-Champaign (USA), discussed her book Natural Attachments: The Domestication of American Environmentalism, 1920–1970 (University of Chicago Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 28 April 2025.

A massive oil spill in the Pacific Ocean near Santa Barbara, California, in 1969 quickly became a landmark in the history of American environmentalism, helping to inspire the creation of both the Environmental Protection Agency and Earth Day. But what role did the history of Santa Barbara itself play in this? As Pollyanna Rhee shows, the city’s past and demographics were essential to the portrayal of the oil spill as momentous. Moreover, well-off and influential Santa Barbarans were positioned to “domesticate” the larger environmental movement by embodying the argument that individual homes and families—not society as a whole—needed protection from environmental abuses. This soon would put environmental rhetoric and power to fundamentally conservative—not radical—ends.

Josh Nygren, Associate Professor of history at the University of Central Missouri (USA), discussed his book The State of Conservation: Rural America and the Conservation-Industrial Complex since 1920 (University of North Carolina Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 7 April 2025.

In the twentieth century, natural resource conservation emerged as a vital force in US politics, laying the groundwork for present-day sustainability. Merging environmental, agricultural, and political history, Joshua Nygren examines the political economy and ecology of agricultural conservation through the lens of the “conservation-industrial complex.” This evolving public-private network—which united the US Department of Agriculture, Congress, local and national organizations, and the agricultural industry—guided soil and water conservation in rural America for much of the century. Contrary to the classic tales of US environmental politics and the rise and fall of the New Deal Order, this book emphasizes continuity. Nygren demonstrates how the conservation policies, programs, and partnerships of the 1930s and 1940s persisted through the age of environmentalism, and how their defining traits anticipated those typically associated with late twentieth-century political culture.

The conservation-industrial complex promoted a development-oriented brand of conservation that aided the rise of large-scale, capital-intensive agriculture which continues today. It also reshaped the physical and political landscapes of the country, leading to impressive conservation victories and spectacular failures by privileging some environments, degrading others, and intensifying farm depopulation. In the name of environmental protection, agricultural conservation made rural America less equal.

Christian Long, media studies scholar at University of Queensland (Australia), discussed his book Infrastructure in Dystopian and Post-apocalyptic Film, 1968–2021 (University of Chicago Press, 2024) in the Greenhouse environmental humanities book talk series on Monday, 31 March 2025, at the special start time of 11am Central European time (7pm AEST in Queensland).

Dystopian and post-apocalyptic movies from 1968 to 2021 usually conclude with optimism, giving the audience a window into what is possible in the face of social dysfunction. The infrastructure that peeks through at the edges of the frame surfaces some of the concrete ways in which dystopian and post-apocalyptic survivors have made do with their damaged and destroyed worlds. In this book, Christian B. Long argues that if the happy endings so common to mass-audience films do not provide an all-encompassing vision of a better world, the presence of infrastructure, whether old or retrofitted or new, offers a starting point for the continued work of building toward the future.

Film imaginings of energy, transportation, water, waste, and their combination in the food system reveal what might be essential infrastructure on which to build the new post-dystopian and post-apocalyptic communities. We can look to dystopian and post-apocalyptic movies for a sense of where we might begin.

Sasha Gora, cultural historian and Project Director of “Off the Menu” at University of Augsburg (Germany), discussed her book Culinary Claims: Indigenous Restaurant Politics in Canada (University of Toronto Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 24 March 2025.

Culinary Claims explores the complex relationships between wild plants and introduced animals, Indigenous foodways, and Canadian regulations. Blending food studies with environmental history, the book examines how cuisines reflect social and political issues related to cultural representation, restaurants, and food sovereignty.

L. Sasha Gora chronicles the rise of Indigenous restaurants and their influence on Canadian food culture, engaging with questions about how shifts in appetite reflect broader shifts in imaginations of local environments and identities. Drawing on a diverse range of sources – from recipes and menus to artworks and television shows – the book discusses both historical and contemporary representations of Indigenous foodways and how they are changing amid the relocalization of food systems.

Gina Caison, Associate Professor of Southern Literature at Georgia State University (USA), presented Erosion: American Environments and the Anxiety of Disappearance (Duke University Press, 2024) in the Greenhouse environmental humanities book talk series on Monday, 17 March 2025.

In Erosion, Gina Caison traces how American authors and photographers have grappled with soil erosion as a material reality that shapes narratives of identity, belonging, and environment. Examining canonical American texts and photography, including John Steinbeck’s The Grapes of Wrath, Octavia Butler’s Parable series, John Audubon’s Louisiana writings, and Dorothea Lange’s Migrant Mother, Caison shows how concerns over erosion reveal anxieties of disappearance that are based in the legacies of settler colonialism. Soil loss not only occupies a complex metaphorical place in the narrative of American identity; it becomes central to preserving the white settler colonial state through Indigenous dispossession and erasure. At the same time, Caison examines how Indigenous texts and art such as Lynn Riggs’s play Green Grow the Lilacs, Karenne Wood’s poetry, and Monique Verdin’s photography challenge colonial narratives of the continent by outlining the material stakes of soil loss for their own communities. From California to Oklahoma to North Carolina’s Outer Banks, Caison ultimately demonstrates that concerns over erosion reverberate into issues of climate change, land ownership, Indigenous sovereignty, race, and cultural and national identity.

Kylie Crane, Professor of British and American Cultural Studies at University of Rostock (Germany), will discuss her book Concrete and Plastic: Thinking Through Materiality (Bloomsbury Academic, 2024) in the Greenhouse environmental humanities book talk series on Monday, 3 March 2025.

Plastic and concrete are two of the most ubiquitous materials of the modern age. This open access book traces inventions, inventories and interventions of these materials as they pervade our day-to-day lives across various forms.

By proposing we think of the ways materials configure ‘future artefacts’, and by recognizing the various ways in which materials shape our encounters with the world, the book explores the productive tensions implicit in, and between, concrete and plastic. Drawing ona wide range of sources, including novels, essays, travel and nature writings, films, poems, souvenirs, advertisements, policy documents, environmental art, wrapping,and (popular) science writing, the book attends to all kinds of cultural artefacts to trace imaginative entanglements with disparate others in the Anthropocene.

Anne Berg, Assistant Professor of History at the University of Pennsylvania (USA), will discuss her book Empire of Rags and Bones: Waste and War in Nazi Germany (Oxford University Press, 2024) in the Greenhouse environmental humanities book talk series on Monday, 17 February 2025.

Paper, bottles, metal scrap, kitchen garbage, rubber, hair, fat, rags, and bones—the Nazi empire demanded its population obsessively collect anything that could be reused or recycled. Entrepreneurs, policy makers, and ordinary citizens conjured up countless schemes to squeeze value from waste or invent new purposes for defunct or spent material, no matter the cost to people or the environment. As World War II dragged on, rescued loot—much of it waste—clogged transport routes and piled up in warehouses across Europe.

Ángeles Picone, Assistant Professor of History at Boston College (USA), discussed her book Landscaping Patagonia: Spatial History and Nation-Making in Chile and Argentina (University of North Carolina Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 10 February 2025.

In late nineteenth-century Latin America, governments used new scientific, technological, and geographical knowledge not only to consolidate power and protect borders but also to define the physical contours of their respective nations. Chilean and Argentine authorities in particular attempted to transform northern Patagonia, a space they perceived as “desert,” through a myriad of nationalizing policies, from military campaigns to hotels. But beyond the urban governing halls of Chile and Argentina, explorers, migrants, local authorities, bandits, and visitors also made sense of the nation by inhabiting the physical space of the northern Patagonian Andes. They surveyed passes, opened roads, claimed land titles or leases, traveled miles to the nearest police station, rode miles on horseback to escape the police, and hiked the landscape.

Picone tells the story of how people living, governing, and traveling through northern Patagonia sought to construct versions of Chile and Argentina based on their ideas about and experiences in geographical space in the late nineteenth and early twentieth centuries. By repositioning the analytical focus from Santiago and Buenos Aires to northern Patagonia, Picone reveals how a wide array of actors, with varying degrees of political, economic, and social power, assigned distinctive—and sometimes conflicting—meanings to space and national identity.

Wilko Graf von Hardenberg, Research Scholar at Humboldt-Universität zu Berlin (Germany), discused his book Sea Level: A History (University of Chicago Press, 2024) in the Greenhouse environmental humanities book talk series on Monday, 27 January 2025. Wilko is our first “second book appearance” on the book talk series (which also shows how long we’ve been doing these talks!).

News reports warn of rising sea levels spurred by climate change. Waters inch ever higher, disrupting delicate ecosystems and threatening island and coastal communities. The baseline for these measurements—sea level—may seem unremarkable, a long-familiar zero point for altitude. But as Wilko Graf von Hardenberg reveals, the history of defining and measuring sea level is intertwined with national ambitions, commercial concerns, and shifting relationships between people and the ocean.

Bronwyn Bailey-Charteris, curator and Research Fellow in Art and Design at University of New South Wales (Australia), kicked off a new year of the Greenhouse environmental humanities book talks with a discussion of The Hydrocene: Eco-Aesthetics in the Age of Water (Routledge, 2024) on Monday, 20 January 2025.

This book challenges conventional notions of the Anthropocene and champions the Hydrocene: the Age of Water. It presents the Hydrocene as a disruptive, conceptual epoch and curatorial theory, emphasising water's pivotal role in the climate crisis and contemporary art.

The Hydrocene is a wet ontological shift in eco-aesthetics which redefines our approach to water, transcending anthropocentric, neo-colonial and environmentally destructive ways of relating to water. As the most fundamental of elements, water has become increasingly politicised, threatened and challenged by the climate crisis. In response, The Hydrocene articulates and embodies the distinctive ways contemporary artists relate and engage with water, offering valuable lessons towards climate action. Through five compelling case studies across swamp, river, ocean, fog and ice, this book binds feminist environmental humanities theories with the practices of eco-visionary artists. Focusing on Nordic and Oceanic water-based artworks, it demonstrates how art can disrupt established human–water dynamics. By engaging hydrofeminist, care-based and planetary thinking, The Hydrocene learns from the knowledge and agency of water itself within the tide of art going into the blue.

The Hydrocene urgently highlights the transformative power of eco-visionary artists in reshaping human–water relations. At the confluence of contemporary art, curatorial theory, climate concerns and environmental humanities, this book is essential reading for researchers, curators, artists, students and those seeking to reconsider their connection with water and advocate for climate justice amid the ongoing natural-cultural water crisis.