Greenhouse Environmental Humanities Book Talks

Josephine Taylor, Postdoctoral Research Fellow at University College Dublin (Ireland), discussed her book The Nonhuman Narratives of Energy: Multispecies Encounters in Extraction Zones (Palgrave Macmillan, 2025) in the Greenhouse environmental humanities book talk series on Monday, 16 March 2026.

This book brings the emerging field of petrocultures and energy humanities discourse into conversation with the field of animal studies. Taylor examines how fossil fuels have frequently been described as the lifeblood of capitalist modernity, making petroleum appear as something intrinsic to human life. Through examining works such as Herman Melville's Moby Dick, Nnedi Okorafor’s Lagoon and Michel Faber’s Under the Skin, this book highlights the commodification of nonhuman life in the history of energy and, paradoxically, how these nonhuman actors have been unacknowledged and silenced through time.

Kip Hutchins, visiting assistant professor in the Department of Anthropology at Oberlin College (USA), discussed his book A Song for the Horses: Musical Heritage for More-than-Human Futures in Mongolia (University of Arizona Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 16 February 2026.

As permafrost in Siberia continues to melt and the steppe in the Gobi turns to desert, people in Mongolia are faced with overlapping climate crises. Some nomadic herders describe climate change as the end of a world. They are quick to add that the world has ended before for Indigenous people in North Asia, as waves of colonialism have left the steppe with a complicated web of apocalypses. A Song for the Horses by K. G. Hutchins examines cases in which people respond to the pressures of climate change by drawing on cultural heritage to foster social resiliency. 

Hutchins’s ethnographic research, spanning more than a decade, provides a vivid and intimate portrayal of Mongolian life. Musicians use the morin khuur, or ‘horse fiddle,’ to engage with the subjectivities and agencies of nonhuman animals and other beings. This work is a significant contribution to the posthuman turn in social sciences, engaging with theories from prominent scholars such as Donna Haraway and Anna Tsing. 

As climate change continues to impact communities worldwide, this book offers a unique perspective on how cultural heritage can be mobilized to address environmental challenges, providing valuable lessons for global efforts to build sustainable and resilient futures. At the intersection of music, environment, and posthumanism, A Song for the Horses shows how Mongolian musicians use cultural traditions to imagine and build toward alternative futures beyond climate change and neoliberalism.

Christopher Jones, associate professor of history at Arizona State University (USA), discussed his book The Invention of Infinite Growth: How Economists Came to Believe a Dangerous Delusion (University of Chicago Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 2 February 2026.

Most economists believe that growth is the surest path to better lives. This has proven to be one of humanity’s most powerful and dangerous ideas. It shapes policy across the globe, but it fatally undermines the natural ecosystems necessary to sustain human life. How did we get here? In The Invention of Infinite Growth, environmental historian Christopher F. Jones takes us through two hundred and fifty years of economic thinking to examine the ideal of growth, its powerful influence, and the crippling burdens many decisions made in its name have placed on us all. Jones argues that the pursuit of growth has never reflected its costs, because economists downplay environmental degradation. What’s worse, skyrocketing inequality and diminishing improvements in most people’s well-being mean growth too often delivers too little for too many. Jones urges economists to engage more broadly with other ways of thinking, as well as with citizens and governments to recognize and slow infinite growth’s impact on the real world. 

Both accessible and eye-opening, The Invention of Infinite Growth offers hope for the future. Humans have not always believed that economic growth could or should continue, and so it is possible for us to change course. We can still create new ideas about how to promote environmental sustainability, human welfare, and even responsible growth, without killing the planet and ourselves.

Katja Bruisch, Ussher Assistant Professor in Modern Environmental History at Trinity College Dublin (Ireland), discussed her book Burning Swamps: Peat and the Forgotten Margins of Russia’s Fossil Economy (Cambridge University Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 26 January 2026.

This groundbreaking environmental history recounts the story of Russia’s fossil economy from its margins. Unpacking the forgotten history of how peat fuelled manufacturing industries and power plants in late Imperial and Soviet Russia, Katja Bruisch provides a corrective to more familiar historical narratives dominated by coal, oil, and gas. Attentive to the intertwined histories of matter and labor during a century of industrial peat extraction, she offers a fresh perspective on the modern Russian economy that moves beyond the socialism/capitalism binary. By identifying peat extraction in modern Russia as a crucial chapter in the degradation of the world’s peatlands, Bruisch makes a compelling case for paying attention to seemingly marginal places, people, and resources as we tell the histories of the planetary emergency.

In our first episode of Season 7, Isabelle Gapp, Interdisciplinary Fellow in the Department of Art History and Co-Director of The Centre for the North at University of Aberdeen (UK), discussed her book A Circumpolar Landscape: Art and Environment in Scandinavia and North America, 1890-1930 (Lund Humphries, 2024) in the Greenhouse environmental humanities book talk series on Monday, 19 January 2026.

A Circumpolar Landscape demonstrates that Canadian and Scandinavian landscape painting reaches far beyond national identity and a preoccupation with Eurocentrism. This study brings together the work of Emily Carr, the Canadian Group of Seven, Anna Boberg, and Gustaf Fjaestad among others, with each chapter highlighting the high level of interactivity between artists and the environment. Simultaneously, this book highlights the lack of awareness of the respective ecosystems in which many of these works were produced. Working around northern hemispheric latitudinal lines, this book considers how a similar ecology and topography - orientated around the themes of forests, wilderness, lakes, mountains, aurorae, and ice – was depicted and is shared across these northern landscapes.

This powerful and timely book takes these respective art histories in the direction of the environmental humanities and an ecocritical art history, recognising the broader transnational and ecological framework of the Circumpolar North.

Nathan K. Hensley, Professor of English at Georgetown University (USA), discussed his book Action Without Hope: Victorian Literature After Climate Collapse (University of Chicago Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 8 December 2025.

What does it feel like to live helplessly in a world that is coming undone? Nathan Hensley turns to Victorian literature to uncover a prehistory of this deeply contemporary sense of powerlessness. For many in nineteenth-century Britain, their world seemed so scarred by human rapacity that restoring it seemed beyond the powers of any one individual. Like George Eliot’s characters in Middlemarch or the doomed lovers of Wuthering Heights, observers of the gathering carbon economy felt themselves ensnared by interlocked and broken systems. In the face of damage so vast and apparently irreversible, what could possibly be done?

To answer this question, Hensley shows that nineteenth-century writers and artists devised new ways to understand action—and hope. They rescaled action away from the grandly heroic and toward minor adjustments and collaborative interventions. They turned away from logical proofs and direct argumentation and instead called on aesthetic technologies like sonnets and fractured lyrics, watercolor sketches, and vast, multiplot novels, finding scope for action not at the level of the theme or the thesis but in gestures and details. Ranging from J. M. W. Turner’s painterly technique to Emily Brontë’s dreamlike fragments (and reading along the way works by Alfred, Lord Tennyson, H. G. Wells, Lewis Carroll, Gerard Manley Hopkins, William Berryman, Charlotte Brontë, George Eliot, and Christina Rossetti), Hensley’s study makes an important contribution to Victorian studies and the environmental humanities.

Joanna Allan, Associate Professor in global development at Northumbria University, UK, discussed her book Saharan Winds: Energy Systems and Aeolian Imaginaries in Western Sahara (West Virginia University Press, 2024) in the Greenhouse environmental humanities book talk series on Monday, 1 December 2025.

As climate crisis ensues, a transition away from fossil fuels becomes urgent. However, some renewable energy developments are propagating injustices such as landgrabs, colonial dispossession, and environmentally destructive practices. Changing the way we imagine and understand wind will help us ensure a globally just wind energy future. 

Saharan Winds contributes to a fairer energy horizon by illuminating the role of imaginaries—how we understand energy sources such as wind and the meanings we attach to wind—in determining the wider politics, whether oppressive or just, associated with energy systems. This book turns to various cultures and communities across different time periods in Western Sahara to explore how wind imaginaries affect the development, management, and promotion of wind farms; the distribution of energy that wind farms produce; and, vitally, the type of politics mediated by all these elements combined. Highlighting the wind-fueled oppression of colonial energy systems, the book shows the potential offered by nomadic, Indigenous wind imaginaries for contributing to a fairer energy future.

Dominic Hinde, Lecturer in Sociology at the University of Glasgow, discussed his book Drifting North: Finding a sustainable future in Scotland’s past (Manchester University Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 17 November 2025.

Past and future collide in this engaging journey through climate change, fossil capitalism and the struggle for a sustainable world.

Scotland’s history and future are entangled with climate change and the story of the modern world. This small country on the fringes of northern Europe pioneered fossil capitalism and played a key role in its spread across the planet. It is a living museum of the crisis of the west, of deindustrialisation, stagnation and the struggle to build a better future from the ashes.

Journalist and sociologist Dominic Hinde travels from the treeless Highlands to the lowland cities, struggling to balance memories with aspiration. Through this journey he finds that his own sensory turmoil, shaped by recovery from a near fatal accident, mirrors the disarray of the fossil fuel transition – an uncertain passage between what was and what must be.

Part memoir, part environmental history, part travelogue, this is a compelling narrative of connections – to place, energy and the possibility of renewal. Through the lens of one country, it asks a vital question: can the lessons of the past help us build a more sustainable future?

Dolly Jørgensen, Professor of History at University of Stavanger (Norway) and co-host of the Greenhouse Environmental Humanities Book Talks, presented her own book Ghosts Behind Glass: Encountering Extinction in Museums (University of Chicago Press, 2025) in conversation with co-host Finn Arne Jørgensen and special co-host Ellen Arnold on Monday, 10 November 2025.

While it’s no longer possible to encounter a dodo in the wild, we can still come face-to-face with them in museums. The remains of extinct species—whether taxidermied, skeletal, drawn, or sculpted—stare back at us from display cases.

Micah Muscolino, professor and Paul G. Pickowicz Endowed Chair in Modern Chinese History at the University of California San Diego (USA), discussed his book Remaking the Earth, Exhausting the People: The Burden of Conservation in Modern China (University of Washington Press, 2025) in the Greenhouse environmental humanities book talk series on Monday, 27 October 2025.

From the 1940s to the 1960s, soil and water conservation measures transformed both the arid, erosion-prone environment of China’s Loess Plateau and the lives of rural people. Remaking the Earth, Exhausting the People explores how the Chinese state imposed the burden of conservation on rural communities and how the communities navigated those demands. Weaving together archival research and oral history interviews, Micah S. Muscolino demonstrates that for the inhabitants of China’s countryside, conservation programs became part of an extractive mode of accumulation that intensified labor demands and entailed loss of control over resources.

Muscolino recounts how changes to the physical environment played out in villages, on farms, and within households. His multitiered investigation uncovers the relationship between the forces of nature, Chinese state policies, and the embodied experiences of rural men and women. The book also highlights the contestations and compromises that the state’s environmental interventions triggered in rural society. By illustrating how state-building and revolution in modern China altered human relationships with the natural world, Muscolino shows that examining everyday interactions with the environment is integral to understanding history from the perspectives of China’s common people. He offers a timely reminder that environmental protection cannot come at the cost of marginalized communities’ dignity, interests, or aspirations.