Greenhouse Environmental Humanities Book Talks

Elsa Devienne, Assistant Professor of Humanities at Northumbria University (UK), discussed her book Sand Rush: The Revival of the Beach in Twentieth-Century Los Angeles (Oxford University Press, 2024) in the Greenhouse environmental humanities book talk series on Monday, 2 September 2024.

The Los Angeles shoreline is one of the most iconic natural landscapes in the United States, if not the world. The vast shores of Santa Monica, Venice, and Malibu are familiar sights to film and television audiences, conveying images of pristine sand, carefree fun, and glamorous physiques. Yet, in the early twentieth century Angelenos routinely lamented the city’s crowded, polluted, and eroded sands, many of which were private and thus inaccessible to the public.

Between the 1920s and the 1960s, LA’s engineers, city officials, urban planners, and business elite worked together to transform the relatively untouched beaches into modern playgrounds for the white middle class. They cleaned up and enlarged the beaches–up to three times their original size–and destroyed old piers and barracks to make room for brand-new accommodations, parking lots, and freeways. The members of this powerful “beach lobby” reinvented the beach experience for the suburban age, effectively preventing a much-feared “white flight” from the coast. In doing so, they established Southern California as the national reference point for shoreline planning and coastal access. As they opened up vast public spaces for many Angelenos to express themselves, show off their bodies, and forge alternative communities, they made clear that certain groups of beachgoers, including African Americans, gay men and women, and bodybuilders, were no longer welcome. Despite their artificial origins, LA’s beaches have proved remarkably resilient. The drastic human interventions into nature brought social and economic benefits to the region without long-term detrimental consequences on the environment. Yet the ongoing climate crisis and rapid sea level rise will eventually force the city to reckon with its past building.

Sand Rush not only uncovers how the Los Angeles coastline was constructed but also how this major planning and engineering project affected the lives of ordinary city-dwellers and attracted many Americans to move to Southern California. Featuring a foreword by Jenny Price, it recounts the formidable beach modernization campaign that transformed Los Angeles into one of the world’s greatest coastal metropolises.

Dan Vandersommers, Assistant Professor of History at University of Dayton, USA, discussed his book Entangled Encounters at the National Zoo: Stories from the Animal Archive (University Press of Kansas, 2023) on the Greenhouse environmental humanities book talk series on Monday, 26 August 2024.

Founded amid the urban commotion of Washington, DC, before the dawn of the twentieth century, the National Zoological Park opened to “preserve, teach, and conduct research about the animal world.” Entangled Encounters at the National Zoo is a study of this important cultural landmark from 1887 to 1920. Centered on the animals themselves, each chapter looks from a different angle at the influential science of popular zoology in order to shed new light on the complex, entangled relationships between humans and animals.

Daniel Vandersommers’s goal is twofold. First, through narrative, he shows how zoo animals always ran away from the zoo. This is meant literally—animals escaped frequently—but even more so, figuratively. Living, breathing, historical zoo animals ran away from their cultural constructions, and these constructions ran away from the living bodies they were made to represent. The author shows that the resulting gaps produced by runaway animals contain concealed, distorted, and erased histories worthy of uncovering.

Second, Entangled Encounters at the National Zoo demonstrates how the popular zoology fostered by the National Zoo shaped every aspect of American science, culture, and conservation during the Gilded Age and Progressive Era. Between the 1880s and World War I, as intellectuals debated Darwinism and scientists institutionalized the laboratory, zoological parks suddenly appeared at the heart of nearly every major American city, captivating tens of millions of visitors. Vandersommers follows stories previously hidden within the National Zoo in order to help us reconsider the place of zoos and their inhabitants in the twenty-first century.

Kathleen (Kate) Murphy, Associate Dean for Student Success and Professor of History at California Polytechnic State University (USA), discussed her book Captivity’s Collections: Science, Natural History, and the British Transatlantic Slave Trade (University of North Carolina Press, 2023) in the Greenhouse environmental humanities book talks on Monday, 10 June 2024.

Cashews from Africa’s Gold Coast, butterflies from Sierra Leone, jalap root from Veracruz, shells from Jamaica—in the eighteenth century, these specimens from faraway corners of the Atlantic were tucked away onboard inhumane British slaving vessels. Kathleen S. Murphy argues that the era’s explosion of new natural knowledge was deeply connected to the circulation of individuals, objects, and ideas through the networks of the British transatlantic slave trade. Plants, seeds, preserved animals and insects, and other specimens were gathered by British slave ship surgeons, mariners, and traders at slaving factories in West Africa, in ports where captive Africans disembarked, and near the British South Sea Company’s trading factories in Spanish America. The specimens were displayed in British museums and herbaria, depicted in published natural histories, and discussed in the halls of scientific societies.

Grounded in extensive archival research on both sides of the Atlantic, Captivity’s Collections mines scientific treatises, slaving companies’ records, naturalists’ correspondence, and museum catalogs to recover in rich detail the scope of the slave trade’s collecting operations. The book reveals the scientific and natural historical profit derived from these activities and the crucial role of specimens gathered along the routes of the slave trade on emerging ideas in natural history.

Ellen F. Arnold, Senior Lecturer at Ohio State University (USA), discussed her book Medieval Riverscapes: Environment and Memory in Northwest Europe, c.300-1100 (Cambridge University Press, 2024) in the Greenhouse environmental humanities book talk series on Monday, 3 June 2024.

Fishermen, monks, saints, and dragons met in medieval riverscapes; their interactions reveal a rich and complex world. Using religious narrative sources to evaluate the environmental mentalities of medieval communities, Ellen F. Arnold explores the cultural meanings applied to rivers over a broad span of time, ca. 300-1100 CE. Hagiographical material, poetry, charters, chronicles, and historiographical works are explored to examine the medieval environmental imaginations about rivers, and how storytelling and memory are connected to lived experiences in riverscapes. She argues that rivers provided unique opportunities for medieval communities to understand and respond to ecological and socio-cultural transformations, and to connect their ideas about the shared religious past to hopes about the future.

Ruth Morgan, Associate Professor at the Australian National University, discussed her book Climate Change and International History: Negotiating Science, Global Change, and Environmental Justice (Bloomsbury, 2024) in the Greenhouse environmental humanities book talk series on Monday, 27 May 2024.

Exploring how climate change has configured the international arena since the 1950s, this book reveals the ways that climate change emerged and evolved as an international problem, and how states, scientists and non-governmental organizations have engaged in diplomatic efforts to address it. Developing amidst the Cold War, decolonization and a growing transnational environmental consciousness, it asks how this wider historical context has shaped international responses to the greatest threat to humankind to date.

Thinking beyond the science of climate change to the way it is received and responded to, Ruth Morgan shows how climate science has been mobilised in the political sphere, paying particular attention to the North-South dynamics of climate diplomacy. The privileging of climate science and the mobilisation of climate scepticism are explored to consider how they have undermined efforts to remedy this planetary problem. Studying climate change and international history in tandem, this book explains the origins of the debates around this environmental emergency, the response of political leaders attempting to address the threat, and the barriers to creating an international regime to resolve the climate crisis.

Matthew Holmes, postdoctoral researcher at the University of Stavanger, discussed his book The Graft Hybrid: Challenging Twentieth-Century Genetics (University of Pittsburg Press, 2024) in the Greenhouse environmental humanities book talk series on Monday, 13 May 2024.

The global triumph of Mendelian genetics in the twentieth century was not a foregone conclusion, thanks to the existence of graft hybrids. These chimeral plants and animals are created by grafting tissue from one organism to another with the goal of passing the newly hybridized genetic material on to their offspring. But prevailing genetic theory insisted that heredity was confined to the sex cells and there was no inheritance of characteristics acquired during an organism’s lifetime. Under sustained attacks from geneticists, scientific belief in the existence of graft hybrids slowly began to decline. Yet ordinary horticulturalists and breeders continued to believe in the power of grafting. Matthew Holmes tells the story of these organisms—which include multicolored chickens and black nightshades that grew tomatoes—and their enduring influence on twentieth-century biology. Their creators sought a goal as ambitious as the wildest dreams of genetic engineering today: to smash the barriers between species and freely exchange genes between organisms. The Graft Hybrid presents a greater understanding of the controversial history of graft hybrids, offering a crucial intervention in the history of genetics and the future of biological science.

Carolyn Fornoff, assistant professor of Latin American studies at Cornell University, joined the Greenhouse environmental humanities book talk to discuss her book Subjunctive Aesthetics: Mexican Cultural Production in the Era of Climate Change (Vanderbuilt University Press, 2024) on 6 May 2024 .

During the twenty-first century, Mexico has escalated extractive concessions at the same time that it has positioned itself as an international leader in the fight against climate change. Cultural production emergent from this contradiction frames this impasse as a crisis of imagination. Subjunctive Aesthetics studies how contemporary writers, filmmakers, and visual artists grapple with the threat that climate change and extractivist policies pose to Mexico’s present and future. It explores how artists rise to the challenge of envisioning alternative forms of territoriality (ways of being in relation to the environment) through strategies ranging from rewriting to counterfactual speculation.

Whereas ecocritical studies have often focused on art’s evidentiary role—its ability to visualize and prove the urgency of environmental damage—author Carolyn Fornoff argues that what unites the artists under consideration is their use of more hypothetical, uncertain representational modes, or “subjunctive aesthetics.” In English, the subjunctive is a grammatical mode that articulates the imagined, desired, and possible. In the Spanish language, it is even more widely used to express doubts, denials, value judgments, and emotions. Each chapter of Subjunctive Aesthetics takes up one of these modalities to examine how Mexican artists, writers, and filmmakers activate approaches to the planet not just as it is, but as it could be or should be.

Jason Heppler, historian and the senior developer at the Roy Rosenzweig Center for History and New Media of George Mason University, discussed his book Silicon Valley and the Environmental Inequalities of High-Tech Urbanism (University of Oklahoma Press, 2024) in the Greenhouse environmental humanities book talk series on Monday, 29 April 2024.

In the half century after World War II, California’s Santa Clara Valley transformed from a rolling landscape of fields and orchards into the nation’s most consequential high-tech industrial corridor. How Santa Clara Valley became Silicon Valley and came to embody both the triumphs and the failures of a new vision of the American West is the question Jason A. Heppler explores in this book. A revealing look at the significance of nature in social, cultural, and economic conceptions of place, the book is also a case study on the origins of American environmentalism and debates about urban and suburban sustainability.

Between 1950 and 1990, business and community leaders pursued a new vision of the landscape stretching from Palo Alto to San Jose—a vision that melded the bucolic naturalism of orchards, pleasant weather, and green spaces with the metropolitan promise of modern industry, government-funded research, and technology. Heppler describes the success of a new, clean, future-facing economy, coupled with a pleasant, green environment, in drawing people to Silicon Valley. And in this overwhelming success, he also locates the rapidly emerging faults created by competing ideas about forming these idyllic communities—specifically, widespread environmental degradation and increasing social stratification. Cities organized around high-tech industries, suburban growth, and urban expansion were, as Heppler shows, crucibles for empowering elites, worsening human health, and spreading pollution.

What do “nature” and “place” mean, and who gets to define these terms? Key to Heppler’s work is the idea that these questions reflect and determine what, and who, matters in any conversation about the environment. Silicon Valley and the Environmental Inequalities of High-Tech Urbanism vividly traces that idea through the linked histories of Silicon Valley and environmentalism in the West.

Dana Luciano, Associate Professor of English and Women’s, Gender, and Sexuality Studies at Rutgers University, discussed her book How the Earth Feels: Geological Fantasy in the Nineteenth-Century United States (Duke University Press, 2024) in the Greenhouse environmental humanities book talk series on Monday, 22 April 2024.

In How the Earth Feels Dana Luciano examines the impacts of the new science of geology on nineteenth-century US culture. Drawing on early geological writings, Indigenous and settler accounts of earthquakes, African American antislavery literature, and other works, Luciano reveals how geology catalyzed transformative conversations regarding the intersections between humans and the nonhuman world. She shows that understanding the earth’s history geologically involved confronting the dynamic nature of inorganic matter over vast spans of time, challenging preconceived notions of human agency. Nineteenth-century Americans came to terms with these changes through a fusion of fact and imagination that Luciano calls geological fantasy. Geological fantasy transformed the science into a sensory experience, sponsoring affective and even erotic connections to the matter of the earth. At the same time, it was often used to justify accounts of evolution that posited a modern, civilized, and Anglo-American whiteness as the pinnacle of human development. By tracing geology’s relationship with biopower, Luciano illuminates how imagined connections with the earth shaped American dynamics of power, race, and colonization.

Siobhan Angus, Assistant Professor of Media Studies at Carleton University, discussed her book Camera Geologica: An Elemental History of Photography (Duke University Press, 2024) in the Greenhouse book talk series on Monday, 15 April 2024.

In Camera Geologica Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements is a precondition of photography. Photography, Angus contends, begins underground and, in photographs of mines and mining, frequently returns there. Through a materials-driven analysis of visual culture, she illustrates histories of colonization, labor, and environmental degradation to expose the ways in which photography is enmeshed within and enables global extractive capitalism. Angus places nineteenth-century photography in dialogue with digital photography and its own entangled economies of extraction, demonstrating the importance of understanding photography’s complicity in the economic, geopolitical, and social systems that order the world.