Share GrottoPod
Share to email
Share to Facebook
Share to X
By The Writers Grotto
4.9
4949 ratings
The podcast currently has 150 episodes available.
Roberto Lovato, Doug Henderson and T. K. Rex discuss scarlet macaws, breaking down structural inequality in publishing, and Rooted & Written—the first tuition-free professional conference for Writers of Color in the United States.
Stuff we talked about in the episode:
Jonathan Escoffery, Celeste Chan, and T. K. Rex discuss education without a safety net, the intersection of racism, capitalism and belonging, ticking clocks and how to break them, finding Jamaican patties in the Bay Area, the intimacy of the second person, and needing the fear.
Stuff we talked about in the episode:
Jonathan's recommendations for Jamaican patties in the Bay Area:
Hugh Ryan, Mark Wallace and T. K. Rex discuss MFAs, finding out what kind of writer you are, queer history, pitching niche topics, tarantulas, finding the right peers and instructors for your writing, and the punkest thing ever.
Stuff we talked about in the episode:
Lori Ostlund, Doug Henderson, and T. K. Rex discuss hopeful fiction, metaphor, the Midwest, balancing humor and darkness, crafting characters who feel like real people, the Flannery O’Connor award, and a third addition to the pantser/plotter dichotomy: poet.
Stuff we mentioned in the episode:
Sam J. Miller, Doug Henderson and T. K. Rex discuss tapping into who you really are, going too far first, the Clarion writers workshop, writing stories with a structural conceit, filing off the serial numbers, writing from a marginalized point of view, loneliness, climate anxiety, hope, inhale and exhale phases, video games, writing as programming, AI, writing to a specific audience, and writing the gayest sh*t imaginable.
Stuff we mentioned in the episode:
The GrottoPod is back! In this kickoff episode for the new season, writers T. K. Rex and Doug Henderson discuss upcoming guests, their favorite writing craft tips, the importance of finding local writing community, and writing weird.
Stuff we mentioned in the episode:
T. K. Rex
Doug Henderson
Novelist Dallas Woodburn joins us on the GrottoPod this week to read from her recent book, The Best Week that Never Happened, described as a “captivating, poignant story is perfect for teens on the brink of discovering who they are and what really matters.” Woodburn is a former Steinbeck fellow in creative writing and the author of two earlier books of short fiction, Woman, Running Late, in a Dress and 3 a.m. She is also the host of the popular book-lovers podcast “Overflowing Bookshelves,” and founder of the organization Write On! Books.
We hope that this message finds you as well as can be. 2020 has contained a great deal of change for the GrottoPod, and for our production team. To fill you in: the Writers Grotto recently moved out of its physical offices in San Francisco, and we at GrottoPod consequently moved out of the podcast studio where we recorded so many of the interviews that we’ve broadcast on this show. Given these changes, we’ve decided to take an indefinite break from our regular release schedule; however, we will likely be bringing you the occasional reading from a Grotto member, so please stay subscribed. We’ll be looking forward to reconvening with all of you down the line. Be well.
Preeti Vangani joins the GrottoPod this week to talk with producer Brad Balukjian about her evocative essay, “A Meditation on Bitterness,” published in Bending Genres. Vangani is a brand manager turned poet and personal essayist who authored Mother Tongue Apologize (RLFPA Editions), and won the RL India Poetry Prize. Her work has appeared in BOAAT, Juked, Gulf Coast and Threepenny Review, among other journals. She is the Poetry Editor for Glass Journal.
Poet Tess Taylor, who published two collections this year, Last West: Roadsongs for Dorothea Lange and Rift Zone, joins us on the GrottoPod this week to read some of her poetry. Taylor is the author of three other books of poetry, including The Misremembered World, selected by Eavan Boland for the Poetry Society of America’s inaugural chapbook fellowship, and The Forage House, called “stunning” by The San Francisco Chronicle. Work & Days was named one of The New York Times best books of poetry of 2016. She’s also currently on the faculty of Ashland University’s Low-Res MFA Creative Writing Program.
The podcast currently has 150 episodes available.