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Lewis Buzbee, Doug Henderson and T. K. Rex discuss the craft of books, and why we still love bookstores, even after (especially after) working at them.
Lewis Buzbee’s most recent novel is Diver. He is also the author of The Yellow-Lighted Bookshop, Blackboard, After the Gold Rush, Fliegelman’s Desire, as well as three award-winning books for younger readers, Steinbeck’s Ghost, The Haunting of Charles Dickens, and Bridge of Time. His essays, poems, stories, and interviews have appeared in Lit Hub, Lit Stack, GQ, The New York Times Book Review, Paris Review, ZYZZYVA, Black Warrior Review, Best American Poetry, and elsewhere. A former bookseller and publisher, he’s taught writing in the San Francisco Bay Area for a long time now.
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Shingai Njeri Kagunda, T. K. Rex and Doug Henderson discuss editing fiction publications, the triumphant return of Fantasy Magazine, and creating space for underrepresented writers.
Shingai Njeri Kagunda (they/she) is an Afrosurreal/futurist storyteller from Nairobi, Kenya with a Literary Arts MFA from Brown. Shingai’s work has been featured in The Best American Sci-fi and Fantasy 2020 and 2023 editions, Year’s Best African Speculative Fiction in 2021, and Year’s Best Dark Fantasy and Horror 2020. They have work in Omenana, Fantasy Magazine, FracturedLit, Khoreo, Baffling Magazine, Lightspeed, Psychopomp, Frivolous Comma and several anthologies including Africa Risen, Will This Be A Problem, and Afro-Centered Futurisms in Our Speculative Fiction. Their debut novella, & This is How to Stay Alive, won the Ignyte Award for best novella in 2022. Their short story "Air to Shape Lungs", was chosen in 2023 for the Best American Science Fiction and Fantasy list and anthology. Their essay "Black Futurisms vs. Systems of Domination" was nominated for the 2025 British Science Fiction Association award, and their newly released novelette, We Who Will Not Die, was named Locus Recommended Reading. Shingai is the co-founder of Voodoonauts Summer Writing Workshop, a creative writing teacher, an eternal student, and a lover of all things soft and Black.
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Nina Schuyler, Susan Kaye Quinn, Doug Henderson and T. K. Rex discuss writing climate fiction and one central theme: hope. How to have it, how to write it, and why it’s more important than ever.
Nina Schuyler’s short story collection, In This Ravishing World, won the W.S. Porter Prize and the Prism Prize for Climate Literature and was published in July 2024. Her novel, Afterword, won the 2024 PenCraft Book of the Year in Fiction, the Foreword INDIES Book of the Year Award for Science Fiction and Literary, and the PenCraft Spring Seasonal Book Award for Literary and Science Fiction. Her novel, The Translator, was shortlisted for the William Saroyan International Prize for Writing and won the Next Generation Indie Book Award for General Fiction. Her novel, The Painting, was shortlisted for the Northern California Book Award. Her books, How to Write Stunning Sentences and Stunning Sentences: A Creative Writing Journal are bestsellers. Her short stories have been published by Zyzzyva, Chicago Quarterly Review, Fugue, Nashville Review, and elsewhere, and have been nominated for a Pushcart Prize and Best of the Net. She teaches creative writing for Stanford Continuing Studies, The Writing Salon, and Book Passage.
Susan Kaye Quinn is an environmental engineer turned author, writing and publishing speculative fiction since 2011. Lately, she writes hopeful climate fiction, trying to change the narratives that are destroying the world. You can find her short fiction in Reckoning, Solarpunk Magazine, and Grist's recently released Metamorphosis collection of solarpunk stories. All her short fiction and novels are on her website, https://susankayequinn.com/. She's the host of the Bright Green Futures podcast, stories to build a better world: https://brightgreenfutures.substack.com/
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Cynthia Gomez, M. M. Olivas, Doug Henderson and T. K. Rex discuss monsters, middles, invented towns, whose fear gets centered in horror, and counternarratives.
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Margaret Juhae Lee, Doug Henderson and T. K. Rex discuss the differences between history and memoir, memoir and autobiography, research and worldbuilding, fiction and memory, plus generative writing, being a Taurus, internal reward systems, and putting yourself in the story.
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Roberto Lovato, Doug Henderson and T. K. Rex discuss scarlet macaws, breaking down structural inequality in publishing, and Rooted & Written—the first tuition-free professional conference for Writers of Color in the United States.
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Jonathan Escoffery, Celeste Chan, and T. K. Rex discuss education without a safety net, the intersection of racism, capitalism and belonging, ticking clocks and how to break them, finding Jamaican patties in the Bay Area, the intimacy of the second person, and needing the fear.
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Jonathan's recommendations for Jamaican patties in the Bay Area:
Hugh Ryan, Mark Wallace and T. K. Rex discuss MFAs, finding out what kind of writer you are, queer history, pitching niche topics, tarantulas, finding the right peers and instructors for your writing, and the punkest thing ever.
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Lori Ostlund, Doug Henderson, and T. K. Rex discuss hopeful fiction, metaphor, the Midwest, balancing humor and darkness, crafting characters who feel like real people, the Flannery O’Connor award, and a third addition to the pantser/plotter dichotomy: poet.
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From the publisher's feed