“Dandelion” children are those resilient and healthy kids who can survive and thrive under most circumstances. “Orchid” children, on the other hand, are those sensitive and fragile kids who need the right kind of support in order to survive and thrive.

This is according to four decades of research by the world-renowned pediatrician Dr. W. Thomas Boyce, who coined the terms “dandelion” and “orchid” in reference to how sensitive a child is.

When orchid kids don’t get the gentle childhoods they need, they go adrift. Drugs, delinquency, depression, and all kinds of other dark forces descend upon them. The silver lining of this cloud, though, is that orchid kids often turn to creativity as a way of trying to make sense of a world that seems upside-down.

That’s because the world is made by dandelions, for dandelions. If you’re a dandelion, you’re lucky, you naturally fit into society. Enjoy it! This post, however, is for the orchids. Why? Well, because I’m an orchid. And to be sure, the researchers tell us about all the advantages of being an orchid, and that we’re lucky too, just for different reasons. But, most days it really doesn’t feel like we’re lucky.

A quick sidebar. As with all categorizations, in reality this is more of a spectrum. In fact, further research identified “tulip” children. They’re the group in the middle. Not as robust as dandelions, but not as sensitive as orchids. Tulips apparently make up the largest portion of the population, at 40%. The low-sensitivity dandelions account for 30%, and us highly-sensitive orchids are the other 30%.

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This breakdown is slightly different to the research done by one of the other pioneers in this field, the psychologist Dr. Elaine Aron. Her data shows that about 20 to 30% of the population are Highly Sensitive Persons, or HSPs, a term she coined. Either way, the exact percentage doesn’t matter, what matters is that we’re not alone. About one in four or five people are also orchids, like us.

Let’s remember that next time we’re doing our grocery shopping and feeling overwhelmed by the intensity of noise, lights, smells, and most overwhelming of all, the frantic energy of other people. At that moment, look around. If you can see at least 10 people, then one of them is probably also an orchid. See if you can spot them. It’s pretty easy. They’ll be the one who looks as uncomfortable as you feel.

By the way, if you’re not sure whether you’re an orchid, you can take Dr. Aron’s online test for high sensitivity over at hsperson.com. And to be clear, orchids and HSPs are referring to the same group of highly sensitive people, they’re just different terms coined by different doctors.

Now, I mentioned earlier that orchids often turn to creativity as a way to cope with a world made by dandelions. This is why HSPs are over-represented in all of the arts. In fact, if you scroll through your personal music library, most of the artists in there will probably be fellow orchids. That brings me to one of the most important takeaways from the research in this field: Orchids are not failed dandelions!

Yes, the world is an overwhelming place for us orchids, but our high sensitivity is to everything. Bad stuff, yes. But good stuff, too. That’s why beautiful music can move us to mystical experiences. And fun music can lift our spirits within seconds. When we listen to music, it saturates our souls. We become the music.

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I’ve mainly been listening to soothing instrumental music lately. I discuss the reason for this in a previous post, titled This Is The Only Pure Music. One of the many reasons, though, is for music therapy. You see, mental health problems like anxiety and OCD are common in orchids. That’s because childhood traumas imprint themselves far more deeply into the unconscious patterns of orchid kids.

Many of those traumatic events occurred before we learned to talk. Therefore, we weren’t able to process them in a rational way. Instrumental music has a magical ability to reach right back into our pre-talking baby brains and sooth them. Maybe that’s the reason why God gave us music? Music heals.

So if you’re a fellow orchid kid, this is my invitation to you. Start listening to soothing instrumental music today. And listen when you’re safe and sound at home, with headphones, and your eyes closed. If you’re not sure what to choose, I recommend John Field’s Nocturnes. My favourite recording is by Elizabeth Joy Roe.

And if you’re feeling inspired to play a more active role in your healing, and you’d like to actually create your own soothing music, then I’ve got you covered. From beginner to advanced, there are tons of helpful resources for you over on my website. If you’re a beginner, start by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. Next, you can work your way through 30 free PDF tutorials. They’re step-by-step musical “recipes” that you can follow to instantly make music in any genre. Electronic to hip-hop, classical to metal, and everything in between. It’s all there. Enjoy!

On top of the free book, 30 free PDFs, and over 220 free YouTube tutorials, I don’t paywall any of these posts either. I don’t want to exclude anyone. But, if you’re enjoying all these free offerings and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work. To sign up, please visit HackMusicTheory.com/Join.

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too. Either way, thank you so much! And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

Help keep the Songwriter's Ark afloat.

Photo by Mart Production

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more.

Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

Photo by itschansy

Outro music by Ray Harmony, based on the music theory from GoGo Penguin "Everything Is Going to Be OK".

Listen below, or on any podcast app.

These two things make songs feel good…

In my previous essay Who Killed the Fun, Fun, Fun? I told the story of how music was intentionally transformed from a fun and communal activity into fear propaganda that’s consumed alone. All within a few decades. I concluded with an invitation to make something fun, and then to share it with the world. We need it!

The most revolutionary thing we can do in this age of consumption is to create. But, there’s a caveat. If our creations add to the fear and division, then the world is better off without them. That’s why it’s essential that what we make adds love and unity to society. And arguably the best way to do that is to spread light-hearted fun. Fun, and I mean healthy fun, is the antithesis of fear.

Now, when it comes to music, there’s generally two characteristics that make a song fun. These two characteristics map onto the two elements of music: pitch, and rhythm.

The first characteristic of fun music is an uplifting vibe. That’s the pitch element. The second characteristic is a dancey groove. That’s the rhythmic element. So in this essay we’ll be taking a look at what specific features make music uplifting and dancey.

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When it comes to uplifting songs, they tend to be in major keys, and inspire us to sing along. As this characteristic falls into the pitch category, what we’re talking about here in practical terms is melody and harmony. In most songs, the main melody will be the vocal line, and the harmony will be the accompanying chords, usually played on a guitar or synth. So, put simply: singing a melody in a major scale makes us feel good. 

And by the way, if you’re new to music and you want to understand scales and chords, you can learn all the basics in my Free Book 12 Music Theory Hacks to Learn Scales & Chords.

Now let’s look at the second characteristic, danceability, which falls into the rhythm category. Songs with dancey grooves tend to have a backbeat snare drum on the 2 and 4, and often include a syncopated rhythm played on the kick drum and/or bass guitar. This moves us to dance along. And by the way, if you’re new to syncopation, it’s just the fancy word for accenting an off-beat. To learn about this and everything else you need to know about drums, read my Hack Drum Beats PDF.

It’s worth mentioning here that the classic four-on-the-flour kick drum pattern, which pretty much every song in the Dance genre uses, is also a great way to get people moving. However, unless a syncopated rhythm is added to it (perhaps in the bass line), it gets really boring, really quickly!

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Okay so let’s bring this music theory to life with a couple examples. For uplifting music, listen to “Don’t Worry Baby” by The Beach Boys. You’ll instantly feel that  this song is in a major key. It’s almost impossible not to sing along, and it feels so good when you do. Go on, I dare you, just surrender and sing along!

And for an example of dancey music, check out “Get Up, Get Into It, Get Involved” by James Brown. It’s almost impossible not to move to that groove. And don’t resist. Resistance is futile. Let your body dance, you know you want to!

Now, while the Beach Boys song is obviously in a major key, the James Brown song is actually in a minor key, which is normally considered to sound sad. But, in the context of a super funky groove, minor keys can feel super fun, especially when they’re using the minor pentatonic scale, like in this song.

If you’re new to pentatonic scales, the minor pentatonic is simply the natural minor scale without its second and sixth notes. This scale is a funk favourite, along with its even funkier sister: the blues scale. To learn my hacks for these scales, as well as all the modes, check out my Songwriting & Producing PDF.

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This James Brown song is a great example of how fun music doesn’t need to have both characteristics. You can either use a major key to create an uplifting vibe, or you can use a backbeat snare and syncopated rhythm to create a dancey groove. However, while you don’t need to use both characteristics, please feel free to do so if you want double the fun!

Lastly, if you’re interested in reading my free book or any of the PDFs I mentioned, you can download them from my website. There’s also 30 free PDF tutorials over there, which are step-by-step musical “recipes” you can follow to instantly make music in any genre. Electronic to hip-hop, classical to metal, and everything in between. They also cover all the instruments, from piano to synth to vocals to bass to drums. It’s all there. Enjoy!

On top of the free book, 30 free PDFs, and over 220 free YouTube tutorials, I don’t paywall any of these essays either. I don’t want to exclude anyone. But, if you’re enjoying all these free offerings and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work. To sign up, please visit HackMusicTheory.com/Join.

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too. Either way, thank you so much! And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

Help keep the Songwriter's Ark afloat.

Photo by Mart Production

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more.

Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

Photo by Andrea Piacquadio

Outro music by Ray Harmony, based on the music theory from GoGo Penguin "Everything Is Going to Be OK".

Listen below, or on any podcast app.

Music used to be our greatest joy, then this happened…

1964. Fun, Fun, Fun. That was a song on the album “Shut Down, Volume 2” by my childhood heroes, The Beach Boys. Go have a quick listen, the song is only two minutes long. But they’re two minutes of pure joy!

“Fun, Fun, Fun” was released 62 years ago. So now I’d like you to compare it to any new single from 2026 in the New Music Friday playlist. What do you notice?

Yep! Somewhere between the mid-1960s and the mid-2020s it seems we lost all the fun. In six decades we’ve gone from musicians playing real instruments while their fans dance together, to AI-generated songs that are consumed alone via earphones. Wow! It’s no wonder so many people are depressed nowadays.

This is the story of who killed the fun, fun, fun in music. And more importantly… Why?

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The first thing we need to understand is that music is only one piece of the puzzle. Take a quick look at the new releases on Netflix, and compare those to the movies from the mid ‘60s. Then take a quick look at the new books on Amazon, and compare those to the ones from the mid ‘60s. It won’t take long to see the pattern. The majority of media being pumped out to the masses nowadays is designed to cause fear.

Whether it’s nonfiction books about climate change, fiction books about the end of the world (and to be honest, it’s almost impossible to tell those two apart), or whether it’s movies about pandemics, TV shows about serial killers, YouTube videos about alien invasions, or Substack essays on global financial collapse. It’s obvious to anyone with eyes to see that the Fun, Fun, Fun has been thoroughly replaced with Fear, Fear, Fear. Welcome to the future.

And yes, there have always been fear narratives in human civilizations. It’s how emperors control the masses. But, what’s vastly different now is the ubiquity of media. In the past, if an emperor wanted to pump out a new fear narrative to the people, it took years to circulate. And even then, vast areas of the empire were utterly oblivious to what they were supposed to be scared of.

Nowadays, though, thanks to social media. When the emperor decides to circulate a new fear narrative, within hours it’s implanted into the consciousness of the masses all around the world. If it’s an extremely scary narrative, it can be global within minutes. These are the conditions we’re living in today. Once again, it’s hardly surprising that the majority of people are suffering from mental and physical health problems. So what’s the solution? You guessed it! Fun, fun, fun :)

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Sadly, though, with the fear propaganda constantly attacking us from every angle, it’s become extremely difficult to have fun. And for the record, when I say fun, I mean healthy enjoyment, not self-medicating.

If you’re also a highly sensitive person (HSP) like me, then you’ll feel everyone else’s emotions as if they’re your own. So even if you’re staying offline and away from screens, you still absorb that fearful energy from other people. Therefore, the first step in this process is to snap ourselves out of the fear trance. And the best way to do that is to laugh. Whatever it takes to make you laugh. Do it every day, as a matter of utmost importance. For me, a short YouTube video of dogs eating peanut butter does the trick. Even just thinking about them makes me smile.

And now that we’ve broken the spell of fear, the next step is to create something from this place of light-hearted energy. Being a music teacher, obviously I’d love it if you felt inspired to make music, but that doesn’t matter. What matters is that you bring something joyful into the world. A song, a drawing, a dance, a flower arrangement, a story, a joke, a cake, whatever you feel like creating in the moment.

As long as you’re having fun making it. That’s the sole purpose! Enjoy every moment of the process. You’re creating something that wasn’t there before. It’s magic. How cool is that?! Then when you’re done. Share it. If you can, share it with someone in person. If not, that’s okay, share it online. But if you do that, be prepared for some trolling, as the internet doesn’t much appreciate cheerful things.

This is how change happens, though. Because fun, like fear, is contagious. The more fun we share, the more positive the world becomes (including us). And the change will be exponential. We know that’s true, because it’s exactly how fear was spread over the last few years.

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If you’re still reading this, you obviously care deeply about the world. We need you. We need your fun creations. So please make something light-hearted this week, and share it with as many as possible. And please share it here in the comments too, so we can all enjoy your positivity.

On that note, if you need some help writing music, I’ve got you covered. From beginner to advanced, there’s something for you on my website! If you’re a beginner, start by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. Next, you can work your way through 30 free PDF tutorials. They’re step-by-step musical “recipes” that you can follow to instantly make music in any genre. Electronic to hip-hop, classical to metal, and everything in between. It’s all there. Enjoy!

On top of the free book, 30 free PDFs, and over 220 free YouTube tutorials, I don’t paywall any of these essays either. I don’t want to exclude anyone. But, if you’re enjoying all these free offerings and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work. To sign up, please visit HackMusicTheory.com/Join.

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too. Either way, thank you so much! And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

Help keep the Songwriter's Ark afloat.

Photo by Mart Production

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more.

Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

Photo by Pixabay

Outro music by Ray Harmony, based on the music theory from GoGo Penguin "Everything Is Going to Be OK".

Listen below, or on any podcast app.

How to find purpose, passion, and meaning in your life.

Okay so what’s a musical memoir? Well, the Oxford Dictionary defines a memoir as “an account written by somebody about their life and experiences”. So a musical memoir is a musical account written by somebody about their life and experiences.

This is an idea that’s been on my mind for a while, so I’d like to share it with you in this essay with the hope that you may find it inspiring. It’s a totally different way of approaching music, which we desperately need in this new AI age.

Depending on the person, music is usually considered to be in one of the following six categories. And obviously this list is not exhaustive, but these are the most common ways of approaching music:

Artistic, where the focus is on creativity and originality. Entertainment, where the focus is on performance and enjoyment. Social, where the focus is on community cohesion and bonding. Spiritual, where the focus is on connecting with the divine and worshipping. Soundtrack, where the focus is on enhancing and/or manipulating emotions. And for some, business, where the focus is on profit and revenue growth. So those are the conventional categories: artistic, entertainment, social, spiritual, soundtrack, and business.

But as AI-generated music steals more and more work from all of these categories, we’re facing a meaning crisis as musicians. When the world doesn’t want our gifts any more, what do we do? And where do we find meaning and purpose in our lives now?

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That’s where my “musical memoir” idea comes in. I suggest we start approaching music in the same way that we approach photos. Most people have a smart phone in their pocket nowadays, so they tend to document their daily lives through pictures. Like a photographic memoir.

These captured memories then get uploaded to an online gallery, which is the modern equivalent of those dusty old-school photo albums that used to fill our shelves. On a side note. Don’t you think it’s weird that so many people share their online galleries with the public? Any stranger can look at them. How creepy is that?!

Back in the day, photo albums were private. Only family members got to look at them, and even that was embarrassing. I don’t remember ever letting any of my friends open my photo albums. No way! They were strictly family-only. What does it say about our modern culture that people are so willing to share their photos with strangers? Interesting times. But I digress.

So I’m sure you can see where I’m going with this. I’m proposing that we start capturing our memories in sound as well, by making autobiographical music. In other words, music as a memoir. And in between creating our musical memoir, we can constantly be working on our sonic scrapbooks. A sonic scrapbook is where we can keep all our musical ideas, which may or may not be turned into songs later.

There’s no need to turn every idea into a song. Sometimes ideas are perfectly happy exactly the way they are. If you write a beautiful melody or chord progression or whatever, and you never feel the desire to turn it into anything more, then it’s complete. It has served its purpose. Don’t let anyone tell you otherwise. When Picasso did a pencil sketch and left it at that, it was complete. If he’d wanted to turn it into a painting, he would have. That’s what our sonic scrapbooks should be: A place where all our ideas are collected. They form a vital part of our musical journey, even if they don’t make it into the final narrative.

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The reason I feel so excited about this new approach to music, is that the work and its meaning can’t be stolen by AI. Remember, a memoir is “an account written by somebody about their life and experiences”. Let that sink in. AI will never be able to do that. Because, a memoir must be written by the person it’s about, as it’s an account of their life and experiences. AI will never know what it’s like to be you. Therefore, AI can never steal this work and its meaning from you.

So if you’re like me, and AI has stolen over 80% of your work and over 80% of your income (and yes, that’s true), then I offer you this idea as a way to rebuild your musical life from the devastation of this global AI flood.

Then at the end of your life you’ll have a one-of-a-kind musical memoir to show for your time here. How meaningful is that? Now that’s what I call a life well lived!

On that note, if you’re feeling inspired to begin your musical memoir and sonic scrapbook, I invite you to join my online apprenticeship course. Through a series of in-depth videos, you’ll learn my Song-Whispering method. It’s an intuitive way of writing, where you let the music guide you from blank screen to finished song.

If you’re new to music, though, no problem. You can start your journey right now by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. Next, you can work your way through my 30 free PDF tutorials. They’re step-by-step musical “recipes” that you can follow to instantly make music. All genres are covered, from electronic to hip-hop, classical to metal, and everything in between!

And on top of the free book, 30 free PDFs, and over 220 free YouTube tutorials, I don’t paywall any of these essays either. I don’t want to exclude anyone. But, if you’re enjoying all these free offerings and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work. To sign up, please visit HackMusicTheory.com/Join.

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too.

Either way, thank you so much! And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

Help keep the Songwriter's Ark afloat.

Photo by Mart Production

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more.

Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

Photo by Pixabay

Outro music by Ray Harmony, based on the music theory from GoGo Penguin "Everything Is Going to Be OK".

Listen below, or on any podcast app.

One simple question that will change your future.

New year’s resolutions don’t work. All the studies on them reveal this same finding. Yet every January 1st, millions of people make them. Again. Knowing that they’ve never worked before. In fact, the only thing that works about a new year’s resolution is its ability to make people feel bad about themselves. Because when they inevitably fail, they need a way to numb that pain. And whatever that involves, it usually ends up with them in a worse state than they were in before they started. One step forward, two steps back.

If new year’s resolutions work for you, great. Keep on keeping on! If they don’t, though, then this essay is for you. I’m offering a completely different approach. And the best thing of all is that it requires no effort.

So have you ever picked up your phone for a quick scroll, and then after what seems like a few minutes, you look at the time and realise you’ve been scrolling for an hour? This is what happens when we stop being aware. We shift into autopilot. There are many techniques available to help with this problem. But once we’re on autopilot it’s already too late, because even if we can become aware, it requires a huge amount of will power to snap ourselves out of this type of trance state.

A far easier way, which requires no will power, is to simply ask yourself this one question before you begin any activity: What is the opportunity cost of doing this?

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If you don’t know what an opportunity cost is, let me explain. Whenever you choose to do something (like scrolling on your phone), you’re sacrificing all the other activities that you could be doing instead (like making music). But more importantly, you’re sacrificing all the benefits that you’d get from doing the other activity. In this example, the opportunity cost is the benefit you would have got from making music. That’s the true price you’re paying when you choose to scroll.

And the longer you scroll, the higher the price you pay. If you scroll for one hour every day, that’s 365 hours this year that you could have been making music. And even if you forget about all the health benefits you’ll enjoy from making music, that’s still a heavy price to pay. Because imagine how many songs you could write in 365 hours. And sadly, most people scroll a lot more than one hour a day.

So there you go. That’s my effortless alternative to the usual new year’s resolution! Before embarking on any activity, ask yourself: What’s the opportunity cost of doing this? Then consciously decide if you’re happy to miss out on the benefits you’d gain from doing that other activity.

Those lost benefits add up really quickly, too. Imagine two versions of yourself, one that chooses to scroll for an hour every day, and one that chooses to make music instead. Due to the compound effect, the difference between these two versions of you will be vast by the end of this year. Which one do you want to be?

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Remember, the trick is to ask yourself about the opportunity cost before you begin an activity. If you need to, write “Opportunity Cost?” on your hand every morning. Do whatever it takes to ask this question before you start doing something, especially if that thing involves looking at a screen. Screens hypnotize us. Literally. So before you give the screen that control over your mind, ask the big question!

Even if you ask this question and then decide that scrolling is worth it, by asking it you’ve created some cognitive dissonance. This will bother your unconscious mind. And as this builds over time, you’ll find that you start choosing healthier activities simply to relieve your cognitive dissonance.

Now, if you’re ready to begin your musical journey, you can start right now by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. And if you’re already making music but want to improve, then I’ve got 30 free PDF tutorials for you. They’re step-by-step musical “recipes” that you can follow to instantly make better music.

And on top of the free book, 30 free PDFs, and over 220 free YouTube tutorials, I don’t paywall any of these essays either. I don’t want to exclude anyone. But, if you’re enjoying all these free offerings and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work. To sign up, please visit HackMusicTheory.com/Join.

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too. Either way, thank you so much. Happy New Year! And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

Help keep the Songwriter's Ark afloat.

Photo by Mart Production

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more.

Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

Photo by Nick Kwan.

Outro music by Ray Harmony, based on the music theory from GoGo Penguin "Everything Is Going to Be OK".

Listen below, or on any podcast app.

But that’s a good thing! Here’s why…

This essay began as a “Best Album of 2025” post, where I was going to share my favourite album of the year and what I loved about it. As you would have noticed from the title, though, it grew into something entirely different. Why?

Well, according to Spotify’s Wrapped analytics, my favourite artist of 2025 (who I listened to for 5,495 minutes) has been dead for 275 years. Yep! The genius of geniuses J.S. Bach is my favourite artist of the year. In fact, Spotify tells me I’m a top 0.07% global fan of Bach. That’s my new claim to fame!

And my favourite Bach pieces of 2025 are the Goldberg Variations, which were published in 1741. So my favourite music of this year is almost 300 years old. My favourite recording of this masterpiece is by Trevor Pinnock and the Royal Academy of Music Soloists Ensemble. This album is new, but it’s not from 2025 either. It’s five years old.

So now you can see why my “Best Album of 2025” essay morphed into this post, which will be a reflection on the state of music. And unsurprisingly, my conclusion is that the best music is old. Very old. But (and it’s a big but), that’s a good thing. Very good. Let me explain why…

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The great composers of the past, like Bach, reached a level that we can’t comprehend. It’s like the architecture of ancient civilizations, which we can’t even recreate nowadays, let alone surpass. Exactly how this level of genius was achieved is beyond the scope of the present essay, though it is a fascinating question with many fascinating hypotheses. For now, though, it’s enough to simply acknowledge the fact that we can’t reach Bach’s level nowadays, let alone surpass it.

“So how’s that a good thing?”, I hear you asking. Well, there are two answers. One from a listener’s perspective. And one from a songwriter’s perspective.

For the modern-day listener, who’s being bombarded by hundreds of thousands of new songs uploaded to Spotify and Apple every day, the fact that the best music is behind us should come as a monumental relief! We can all rest assured that nothing new is ever going to come close to the great composers, so we can let go of our FOMO (fear of missing out).

By all means, listen to some new music here and there, if you want. I do. And I enjoy a lot of it, too. For example, I’m absolutely loving the new Chronixx album titled “Exile”. But, let’s all continually remind ourselves that while some new music is good and enjoyable, when we compare its level of composition to Bach and the other great composers, it doesn’t come close.

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In other words, instead of going down the bottomless rabbit-hole of new music, find your favourite handful of Bach albums (or Mozart, or whichever of the great composers resonates most with you), and get to know their music intimately. And we can all do this relaxed in the knowledge that we could not be listening to anything better.

On that note, I’d love to know which of the great composers is your favourite, so please let me know in the comments. Also, I don’t paywall any of these essays as I don’t want to exclude anyone. If you’re enjoying this and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work. To sign up, please visit HackMusicTheory.com/Join.

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too. Either way, thank you so much! Right, now back to the topic at hand…

In addition to ridding us of the fear of missing out, this minimalist approach to listening (i.e. focusing on the great composers) also decreases the stress and anxiety we feel from trying to keep up with new music. Living in this day and age of infinite music is overwhelming. It’s impossible to keep up, like trying to drink from a firehose. Yet we feel that we should try. The only thing this accomplishes, though, is turning joyful activities (like listening to music) into stressful chores.

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Now, why is the fact that the best music is in the past a good thing from a songwriter’s perspective? Because, it takes all the pressure off us. Hallelujah! We’ll never be as good as Bach, or Mozart, or any of the other great composers (of which there are hundreds). But nobody else will be as good as them either. None of us will even come close to their level. So there’s no competition. What a monumental relief, right?

In this extremely competitive world we’re living in, it’s liberating to know that this competition is closed. The winner has been announced. It’s over. So, we can all let go of our competitive tendencies, and just make music for the sheer joy of it. What a wonderful gift Bach and Mozart and all the other great composers have given us.

And it gets even better than that. There’s also a never-ending list of health benefits we get from making music. If you’re interested in learning more about that, check out my essay titled Making Music is Hard. Why Bother?.

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And if you’re ready to begin your musical journey, you can start right now by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics.

Next, you can take my Songwriting & Producing “crash course”. It’s only 1-hour long, and consists of 12 short videos. You’ll learn how to write great lead melodies, backing melodies, chord progressions, bass lines, drum beats, vocals and lyrics. It also includes my bestselling Songwriting & Producing PDF and my Hack Music Theory, Part 1 eBook.

A heartfelt thank-you for being here. And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

Help keep the Songwriter's Ark afloat.

Photo by Mart Production

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more.

Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

Portrait of J.S. Bach (1746) by Elias Gottlob Haussmann

Outro music by Ray Harmony, based on the music theory from GoGo Penguin "Everything Is Going to Be OK".

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Finding peace in pentatonic places.

It’s thought that pentatonic scales are the most ancient of all the musical scales. Regardless of whether that’s true or not, it’s worth paying attention to these five-note scales because of their unique consonance. You see, they contain two fewer notes than the scales we’re used to hearing, so they have a spaciousness that no other scales have. It’s that characteristic which makes pentatonic scales sound so peaceful.

Those two extra notes we use in seven-note scales create semitone intervals, which cause tension. But it’s precisely those tense semitones that add the excitement, which we love. So as you can see, there are pros and cons to both. Five-note scales are peaceful, but lack excitement. Seven-note scales are exciting, but lack peace. And by the way, if intervals are new to you, read my free book to learn all the basics.

What got me thinking about this topic is a brilliant book that I just finished reading. It’s called The Geography of Thought: How Asians and Westerners Think Differently... and Why by the psychologist Dr Richard E. Nisbett. It’s one of the most insightful books I’ve ever read. It’s full of fascinating psychological studies jointly conducted by American and Chinese researchers.

The results are extremely nuanced, obviously, but I’ll oversimplify them here for the purpose of brevity. The “eastern” mind is built on a cultural foundation of collectivism, which originated in Confucianism. The “western” mind is built on a cultural foundation of individualism, which originated in Ancient Greek philosophy. Over the last two and a half thousand years, these two geographical areas developed vastly different mindsets, which in turn created vastly different societies.

Before I continue, though. It’s vital to acknowledge that both mindsets have pros and cons. The book is crystal clear on that, as well as what those pros and cons are. That’s why you should read the book for yourself.

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Now, when it comes to the music that these two different mindsets invented, things get even more interesting. In the west, our music has traditionally been more complex. The scales have more notes, and therefore more tension. Western musicians also invented counterpoint, where individual melodies are played simultaneously. While these layered melodies create harmony, which is beautiful, they also create tension. How perfectly does that reflect western individualism?

And in the east, their music has traditionally been simpler. The scales are pentatonic, so they have fewer notes, and therefore less tension. Not only that, but they don’t layer melodies either, as that would create competition between them. If two musicians play together, they play the same melody, or very similar melodies. How perfectly does that reflect eastern collectivism?

You can think of these two different approaches in terms of a choir. In the east, they would all sing the same (or similar) pentatonic melody. In the west, the choir would be divided up into different ranges, and each group would sing a different melody. For a breathtakingly beautiful example of this, listen to the Renaissance composer, Palestrina. And for an equally beautiful example of the eastern mind’s music, listen to the album Emerging Lotus by the pipa player, Liu Fang.

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In these stressful times we’re living in, I invite you to find peace in pentatonic places by making music using the major or minor pentatonic scales. For the major, if you begin on C as your root, the scale is C, D, E, G, and A. For the minor, if you begin on A as your root, the scale is A, C, D, E, and G. As soon as you start playing around with these pentatonic scales, you’ll feel in your body exactly how peaceful they are. And for extra peace, keep your song instrumental. If you want to know why, check out my previous essay titled This Is The Only Pure Music. 

And if you’re not making music yet, then you can begin your journey right now by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. And if you’re already making music but wanna improve, then I’ve got 30 free PDF tutorials for you. They’re step-by-step musical “recipes” that you can follow to instantly make better music.

Lastly, I don’t paywall any of these essays. I don’t want to exclude anyone. But if you enjoy my work and want me to keep doing this, please support me by heading over to HackMusicTheory.com/Join. Becoming a paid subscriber is only about the cost of one coffee per month for you, but if enough people join, then I can pay the rent and keep helping you every week.

A heartfelt thank-you for being here. And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

Help keep the Songwriter's Ark afloat.

Photo by Mart Production

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more.

Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

Photo by SAM LIM

Outro music by Ray Harmony, based on the music theory from GoGo Penguin "Everything Is Going to Be OK".

Listen below, or on any podcast app.

Lyrics are little Derren Brown’s in your brain.

Do we have free will? That ancient question actually misses the point, because the concept of free will implies that we’re free to act on our desires. Okay. That’s fine. But where do our desires come from? That’s the real question!

For example, if you get home from work and you’re trying to decide whether to go for a run or lie down on the couch. The concept of free will says that you have the freedom to choose. But whichever choice you make, underneath that decision is a desire. In this example, it’s the desire to be healthy versus the desire to relax. The strongest desire wins. Always. Because, whatever you end up doing, the desire to do that was obviously stronger than the desire not to. Otherwise you wouldn’t have done it.

Think about it. Let’s say you decide to lie down on the couch, but then after 10 minutes of chilling you start feeling guilty. You wriggle around for a few minutes, and then muttering some distasteful words to yourself, you get up, put on your running shoes, and head out the door. It was the desire to be healthy that ended up overpowering the desire to relax, despite the fact that you would have preferred to be chilling on the couch. But clearly, if the desire to chill was stronger, you’d still be on the couch. So, the free will debate is pointless. Desire is the real issue here.

And that’s where things get interesting. Very interesting. You’ve probably seen videos of Derren Brown, right? He can get people to do anything, literally. The scariest thing, though, is that he never makes them do it. They use their free will and choose to do the most horrific things. Of course, they don’t actually do them in real life, it’s all a set-up for the TV show. However, the people genuinely believe they’re doing these things. And more importantly, they believe it was their own conscious choice. But we, the viewers, know better.

Derren Brown’s method is simple, yet extremely effective. All he does is implant a desire into people’s minds. That’s it. Then he stands back and lets free will do its thing. Derren Brown perfectly demonstrates how easy mind control is. And whoever controls the people’s desires, controls their thoughts and their actions, and therefore, their life. What do we think of free will now?

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We’ve seen this playout in the real world over the last few years. Seemingly “normal” people say and do crazy things nowadays! But they’re saying and doing them because of the social media, TV, movies, and music they’re letting into their minds every day. That’s what is programming their desires. Even the desire to allow that pollution into their minds in the first place has been programmed. For example, does scrolling on social media make people happier? No, obviously not. So why do they do it? Because they’ve been programmed with the desire to scroll.

I know this is true, because I deleted all my social media accounts over 10 years ago, and ever since, I’ve had absolutely no desire to scroll. In fact, I have no desire to reach for my phone at all, because I don’t have any apps on it other than Spotify. My phone is a telephone and a music player combined. Nothing more.

And while it’s far more difficult to control the desires of people who are not on social media and don’t watch TV shows or movies, it is still possible. And that brings me to the point of this essay. Music is arguably the most powerful mind control there is. Yes, even more powerful than Derren Brown.

You see, song lyrics find their way directly into our unconscious mind through an unguarded backdoor. That’s because music manipulates our emotions, which gives our critical thinking mind a break. We’re feeling creatures, so feelings always win our attention. It feels so good to just feel. It’s like a mini-holiday from thinking. And we all need these breaks on a daily basis. They’re a positive thing, when the music causing the emotion is positive. But when it’s not, that’s dangerous territory!

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In my last essay, titled This Is the Only Pure Music, I sang the praises of absolute music, which is instrumental music but without any conceptual ideas attached to it. Not even song titles. Check out that essay for more on the benefits of listening to absolute music, and the benefits of making it too. For now, though, it’s worth noting that listening exclusively to absolute music is the easiest way to avoid being brainwashed by lyrics. No lyrics, no problem.

But as always, reality is nuanced, and there’s a positive side to mind control. The best example of this is hypnotism. To witness exactly how positive the effects of this can be, watch some videos on the brilliant hypnotist Paul McKenna’s official YouTube channel. I highly recommend reading his books, too. They’re life-changing. So while Derren Brown is waking us up to the dangers of mind control, Paul McKenna is inspiring us to use its healing powers.

Mind control is a neutral technique, which can be used for good or for bad. So, if there’s an artist who writes positive and loving lyrics, then by all means, let them program your mind. Remember, though, all lyrics that find their way into your ears will program your mind. There’s no way around this.

You’ve only got two choices: Avoid lyrics completely (by listening to absolute music), or consciously select songs with lyrics that align with the future you want to create for yourself and the world. Choosing the lyric option requires research, though, so unless you’re willing to do that, stick with absolute music.

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On that note. If you’re feeling inspired to write your own songs with positive lyrics, but you need some help, please don’t turn to AI. The world does not need any more soulless AI lyrics. The world needs your unique soul to express itself through words from your unique mind. So if you need help writing lyrics yourself, then read my Songwriting & Producing PDF. It contains all my techniques for writing great lyrics, as well as melodies, harmonies, chords, bass lines, and more.

And if you’re not writing songs yet, but you want to learn how, then read my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. Once you’ve worked your way through that, then you’ll be ready to read the Songwriting & Producing PDF and to begin your musical journey.

Lastly, I don’t paywall any of these essays, as I don’t want to exclude anyone. So if you can spare a few bucks, please consider becoming a paid subscriber. It’s only about the cost of one coffee per month for you, but if enough people join, then I can pay the rent and keep helping you every week. So if you enjoy my work and want me to keep doing this, please support me by heading over to HackMusicTheory.com/Join.

A heartfelt thank-you for being here. And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

Help keep the Songwriter's Ark afloat.

Photo by Mart Production

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more.

Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

Photo by cottonbro studio

Outro music by Ray Harmony, based on the music theory from GoGo Penguin "Everything Is Going to Be OK".

Listen below, or on any podcast app.

A celebration of non-classical absolute music.

Music has united people for millennia, but nowadays it’s been weaponized to divide us. I’ve personally experienced its uniting effects, though, so I know what’s possible.

You see, I was born and raised in apartheid South Africa. I lived there until 1999, leaving a few months after Mandela’s presidency ended. I loved Mandela, and he probably did everything in his power to unite the country. However, the story you don’t often hear is that musicians were more successful in bringing the people together. Two of these musical heroes were Lucky Dube and Johnny Clegg. Their crossover appeal resulted in audiences that consisted of fans who would never have come together under any other circumstances. It was magical! That’s the power of music.

But it wasn’t only their music that united the previously divided nation, it was their lyrics too. While they didn’t sugarcoat the situation, they did choose to focus on a positive future vision where South Africans were united. As a result, their songs created that more united country they had envisioned.

Now, when I listen to the new releases on Spotify every Friday, I don’t hear much in the way of positive lyrics that were written to unite people. In fact, it’s rather obvious that most lyrics were written with the exact opposite intention. But as Thumper said: “If you can’t say something nice, don’t say nothing at all.” The legendary rabbit uttered that wisdom over 80 years ago. It’s time we start living by this rabbit wisdom, which is why I’m sharing my musical method for doing this.

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In the celebrity culture we live in, most music has vocals because popular music tends to be all about the vocalists. They’re the stars. They’re the main attractions. It’s not about the song, it’s about the celebrity singing it. That is wrong for so many reasons, but that’s a topic for another essay.

What concerns us here is something I called “pure music” in the title, but the formal term is “absolute music”. What is absolute music? It’s instrumental music, but at its purest. What do I mean by purest? Music that is presented without any preconceived concepts. In other words, music without a conceptual title.

Arguably the best example of this is Beethoven’s Piano Sonata No. 14 in C-sharp minor. Beethoven composed this as absolute music. The listener could enjoy it with no preconceived ideas about what the music represented. Their imagination could conjure up whatever images it wanted. However, after Beethoven’s death, this sonata was given a nickname by a music critic. And for almost 200 years now, this breathtakingly beautiful piano piece has been painting pictures of moonlight in its listeners’ minds. How could it not? It is after all the Moonlight Sonata.

But, what did listeners imagine before it was given that nickname? We’ll never know. We only know what one man imagined. This piece perfectly highlights the power of words. Even one word. And with that one word, every listener ever since has been primed to imagine moonlight when the piece is played. Words are powerful. Words shape our reality.

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And that brings me to my main point. Songs convey their songwriters’ worldviews, but it’s precisely our differing worldviews that divide us nowadays. Up until a few years ago, it was perfectly normal to be friends with people who had different worldviews. In fact, that’s what used to make friendships interesting. Who wants to hang out with another version of themself? No thank you! I want open-minded friends who are totally different from me, with totally different worldviews from mine. That makes for fascinating conversations.

Thanks to social media, though, the masses have been programmed into thinking that we need to surround ourselves with people who believe exactly the same things we believe. These online echo chambers fuel narrow-mindedness and intolerance.

While I deleted all my social media accounts over 10 years ago, I know it’s futile trying to convince people to do the same. It’s by far the best solution, but another good solution is this: Stop listening to music with lyrics, and start listening to absolute music instead. And if you’re a songwriter, I encourage you to live by that rabbit wisdom: “If you can’t say something nice, don’t say nothing at all.”

I appreciate that lyrics can be an outlet for expressing our disapproval at the “other side”. But there are better ways to do that, which don’t harm others (like journaling, for example). And until we realize that this ancient idea of the “other side” was invented by empires as a method for dividing and conquering the people, it’s best if we hold our tongues and say nothing at all.

And yes, as songwriters, holding our tongues means writing absolute music. But hey, as a consolation, this will save you countless days of your life, because writing lyrics and recording vocals is extremely time-consuming. And with regards to the music we listen to, if our audio diet exclusively contains absolute music, our minds and hearts will be healthier, kinder, and more tolerant. Everybody wins.

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Finally, when it comes to finding absolute music to listen to, that’s easy in the classical genres, but there’s not much of it in the popular genres. Here’s a hack that I use to solve this problem. When I find an instrumental album that I enjoy, I don’t read the titles of the tracks. For example, I love Bonobo, so I don’t pay any attention to the song titles, and I exclude the few tracks on each album with vocals.

Also, on Spotify (and probably all the other platforms too) there are instrumental playlists in most popular music genres. These are great places for discovering artists who make instrumental music. And if you have any recommendations for artists making great instrumental music, please leave them in the comments so everyone can check them out. Sadly, there are not many absolute artists, so we need to support them. And hopefully this essay has inspired you to join their mission, too.

On that note. If you’re interested in learning songwriting (or improving your skills) but you don’t want to spend loads of time doing it, then I invite you to visit our website and help yourself to the many free downloads.

If you’re a beginner, start with my Free Book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. And if you’re intermediate or advanced, download the Free PDF tutorials. They’re step-by-step musical “recipes” that you can follow to make better music. If you’re ready to go deeper, though, then I invite you to enroll in my online apprenticeship course, where you’ll learn one method to write unlimited songs in any genre. This method guides you through every step of the music making process, from blank screen to finished song.

And lastly, I don’t paywall any of these essays, as I don’t want to exclude anyone. So if you can spare a few bucks, please consider becoming a paid subscriber. It’s only about the cost of one coffee per month for you, but if enough people join, then I can pay the rent and keep helping you every week. So if you’d like to see my work continue, head on over to HackMusicTheory.com/Join.

A heartfelt thank-you for being here. And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

Help keep the Songwriter's Ark afloat.

Photo by Mart Production

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more.

Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

Photo by Pavel Danilyuk

Outro music by Ray Harmony, based on the music theory from GoGo Penguin "Everything Is Going to Be OK".

Listen below, or on any podcast app.

There’s no way to avoid them, unless you do this…

I’ve been speaking out against AI-generated music for a while now, but people keep telling me (proudly) that they don’t listen to songs made by AI. They also keep telling me (proudly) that AI songs are crap. Sadly, the only thing these comments tell me is that those people don’t understand that AI has a hidden presence in music.

It doesn’t matter if you listen to jazz or classical or world or whatever genre (or artist) you think is not using AI, if it’s new music, they’re probably using AI. But not in the way you think. They’re not prompting it to make their whole album. That type of AI usage is relatively easy to spot. For now. Mark my words, though, before the end of 2026, it will be indistinguishable from the real thing. But we’ll cross that bridge when we get there. In the meantime, here’s what you need to know.

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Almost all music makers are using AI. Some are proud of it, some are not. The ones who are not proud of it, are using it in secret. Sometimes they only use it to come up with an idea, sometimes to help them finish a melody they’re struggling with, sometimes to write a whole chorus, and yes, sometimes to write a whole song. You’ll never know, because it’s being used in the writing process, and that’s always carried out behind closed doors. In secret. So even if the band records their new album live, you have no way of knowing if AI was used in the writing process.

If you want to know all the ways that songwriters and producers are using AI in music, watch the YouTube video titled The AI Music Race is Over by the brilliant Rick Beato. Also, there’s an essay of mine titled AI Is Killing Music! This Is How We Save It., which offers a method for artists to write new songs and guarantee their fans that they’re 100% human-made, so check that out too.

Now, here’s the takeaway message from this essay: If you listen to new music, you’re listening to AI. And yes, you guessed it, the only way to be guaranteed that you’re listening to 100% human-made songs is to listen to older recordings (from before AI was commercially available). In other words, albums from before the 2020s.

One of my favourite collections of 100% human-made music is the MTV Unplugged series from the ‘90s. Oh man, it does not get more real than that! These recordings are infinitely more valuable than diamonds. Cherish them, please.

Alice in Chains is probably my favourite one in the series, but Pearl Jam is a close second. These albums still give me goosebumps 30 years later. That’s human magic. AI will never be able to do that. AI can’t express the human experience. AI cannot ever be in the same category as Layne Staley.

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Right, now go and listen to the Alice in Chains “Unplugged” album, and be prepared for your spine to tingle, as you’re about to be touched by true human magic.

Just before you go, though. If you’re interested in learning how to make magic yourself, or if you’re already making magic but want to improve, then I invite you to help yourself to the many free downloads here. If you’re a beginner, start with my FREE BOOK 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. And if you’re intermediate or advanced, download the Free PDF Tutorials, which teach you how to make great music in all different genres.

And lastly, I don’t paywall any of these essays, as I don’t want to exclude anyone. So if you can spare a few bucks, please consider becoming a paid subscriber. It’s only about the cost of one coffee per month for you, but if enough people join, then I can pay the rent and keep helping you every week. So if you’d like to see my work continue, head on over to HackMusicTheory.com/Join.

A heartfelt thank-you for being here. And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

Help keep the Songwriter's Ark afloat.

Photo by Mart Production

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more.

Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

Photo by Ayşe İpek

Outro music by Ray Harmony, based on the music theory from GoGo Penguin "Everything Is Going to Be OK".

Listen below, or on any podcast app.