"Harry gets to ask Lupin, somebody who knows what this is like, "Why is this happening to me?" and Lupin gets to tell him straight out, "There are horrors in your past that the others don't have." This is a really good thing that Dumbledore did, to bring Lupin in. The larger theme of this book being time travel and being haunted by the past, this is not only Lupin being good for Harry the character but I think this book, Prisoner of Azkaban, being good for kid readers."

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What we're seeing is the origin of Harry's 'saving people thing’; this is what Voldemort did to him to change him from being a baby to somebody who is scarred for life. This tiny baby felt he had to help his mother. And yet, Harry having this flashback… it's also restoring some of his own story and his own mother to him -- which makes it so conflicted and so bittersweet.

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For Snape to walk in, look at this kid and Lupin, be wary, deposit this tricky potion and then back out… We're not imagining that the author wrote secrets into that scene -- secrets in history and suspicion, and everybody having agendas that nobody else knows about. Also, how very wrong every character is about something in the end, and they don't all learn that about each other, either.

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JC:  If you think about Neville in this chapter… We get two lessons in a row on how to bully people. Snape has just given a masterclass on how to be cruel to a person who is powerless, and then Lupin gives a class on how to respond to that with more bullying. The kids are learning that here's how adults do it.

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"These divination methods are real subjects. There are things that you and I as Muggles know about, like scrying and tea reading and tarot cards. These are things with a human history and meaning, and even learning what they are and what they have meant to people over the ages, that is a thing that is worth studying; she can provide that even if she doesn't have the Sight most of the time."

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We know what it is, how draining it is because of dementors, to be reminded of the worst memories of your life, and that, I think, does give kid readers a boost in understanding what trauma flashbacks are: that the memory you relive during a flashback is experienced by your body and mind as happening again for real in real time.

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JC: "There's also an interesting moment when Harry comes back to the Leaky Cauldron after spending a day out in Diagon Alley where he can both hear people talking in Diagon Alley and hear the traffic on Charing Cross Road at the same time from his room."

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JC:  "Even if he can't go back to Hogwarts, even if he can't really be part of the Wizarding world, he still has this magic and he knows how to use it and he can use it in his life. It makes me think about maybe queer folks, or people who've been rejected by their family for a variety of reasons. Your family can reject you, society can reject you, but they cannot take away who you are on the inside. This identity is yours, and you get to keep it."

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LK:  “This may be the most intensely fatphobic chapter of the series. It's also full of scapegoating, corporal punishment, eugenics, dehumanization: themes that get darker in the series starting with Book Three.”

JC:  “Wow, what does it take for me to feel sorry for Petunia? Yeah.”

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MinaLima are the graphic design house that made all of the props for all of the movies. Eduardo Lima is gay, and they have extremely not-subtle Pride decorations in the House of MinaLima flagship store every June. And they also have these buttons, and they show an owl -- a barn owl, not a particular character in any fantasy series about a small wizard or anything like that. Just a barn owl flying over a Progress Pride flag background.

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