Henk Bakker – Concertzender | Klassiek, Jazz, World en meer

#397. Onafhankelijke geluidskunst, radiofonische projecten en andere audio-non-visuele misverstanden en vondsten. Two productions from the Worm Studio’s.

1. A sentient recollection – Lawrence McGuire. (2021)

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A sentient recollection – Lawrence McGuire (2021)

. Follow a tiny blob of flesh on his journey to consciousness and experience his constant battle with crippling anxious episodes. 
A sonic manifestation of not knowing and not wanting to know is the outcome of this circa 30 minutes radio piece. 
Artwork: Lawrence Mc Guire.

Bio:
 Lawrence Mc Guire. (Brussels, BE) is a musician, live coder and student at The Institute of Sonology, The Hague. His practice mostly involves the use of processed and synthesized speech and algorithmic composition. 
Material recorded in Worm Studio’s during a two week long internship in February.

Royal Raymond Rife And His Mortal Oscillatory Rates by Robert Kroos. (made for radia.fm, 2011)

This radiophonic piece is inspired by the work of Royal Raymond Rife (1888 – 1971). He was a  scientist, engineer and inventor now considered ‘The Nikola Tesla of the Medical World’. In 1931 he built the Universal Microscope achieving optical magnifications of over 30,000 times. It enabled him to observe microorganisms and viruses in a living state. 
Rife believed that if he could discover the vibrational frequencies at which disease-causing microorganisms vibrated, he then could bombard them with that frequency until they shook so hard they exploded.
 By endless watching and trying out frequencies Rife claimed to have documented “Mortal Oscillatory Rates” for various pathogenic organisms and by sending out those rates with a Beam Ray Device Rife cured significant numbers of people infected with various infections.
 Incredible claims of success (including cure for cancer) and support by credible observers were institutionally avoided, minimized and obstructed so that–if there was indeed evidence to support them– would never see the light of day or any chance of acceptance by mainstream medicine. Royal Raymond Rife remains one of the unsung heroes of the fringe science underground.

For this piece original Rife radio frequencies have been scalar-converted into audible range. Two Rife frequency sets will be broadcasted claiming to destroy Covid19.
 Other healing sounds used in this work are; Solfeggio frequencies, the sound of the Multiple Wave Oscillator (Georges Lakhovsky), High Voltage Electro Therapy (Nicola Tesla), Binaural Beats (Heinrich Wilhelm Dove)).
 Made by Robert Kroos, www.duckfood.nl

#396. Onafhankelijke geluidskunst, radiofonische projecten en andere audio-non-visuele misverstanden en vondsten.

01. Show 0062: Dubphasing. (R‡dio Zero).

02. Show 0096: Long Walk (Abridged) by Claudia Wegener. (Resonance FM).

#395. Onafhankelijke geluidskunst, radiofonische projecten en andere audio-non-visuele misverstanden en vondsten.

#394. Onafhankelijke geluidskunst, radiofonische projecten en andere audio-non-visuele misverstanden en vondsten.

24 hours as a slice of the East End by Dan Beban & Martin Williams (Resonance FM). A sonic portrait of London’s East End through field recordings made during 24 hours.

#393. Onafhankelijke geluidskunst, radiofonische projecten en andere audio-non-visuele misverstanden en vondsten.

1. Radia s12 119 TapeBeatles Resonance.

2. Radia s29 n400 corax Halle Geerken Bombus Terrestris Revisited.

#392. Onafhankelijke geluidskunst, radiofonische projecten en andere audio-non-visuele misverstanden en vondsten.

1. Glorious Mono by DJ Illvibe & Infinite Livez. (Reboot.fm)

2. I Am A Strange Loop (radia mix) by Full Fucking Moon. (Radio One 91 FM)

Full Fucking Moon : ‘I Am A Strange Loop’ – Radia Mix (27:50)

 Documentation of a live event which doesn’t merely reiterate it, Full Fucking Moon’s ‘I Am a Strange Loop’, with its kaleidoscopic shifts, fragments and interwoven threads of live streams, opens the listener’s ear to the multi-dimensional non-linearity of radio space, its mazes, veils and etheric folds, its membranes and mirrorings. This piece’s original life was as a dual-stream simulcast across both FM and AM channels (the stations Radio One 91FM and Toroa Radio 1575AM, respectively), which began at 1pm and ended at 2pm on Saturday 20th April 2010, in Dunedin, New Zealand, a commissioned work by The Blue Oyster Art Project Space as part of their annual performance series.

In a gesture toward a form of ‘Rorschach Radio’, the AM stream became an inversion of the FM, and the artists also de-stabilised this dualism by opening up a third-space (at the historic Otago Pioneer Womans Memorial Association Hall, Dunedin) as a public listening arena / performance venue. At first empty of the physical presence of the artists and allowing the audience to roam, the space contained a scattering of radio receivers embedded in the nooks and crannies of its colonial architecture, as well as a social space where tea was drunk, conversations were had, newspapers were read, and eyes were closed in meditative listening. With the intimacy of the home-wireless set being something that could only capture the ‘total work’ in a sequence of twists and fractures, requiring the radio to be physically tuned as an instrument betwixt and between bands, (an action itself revealing the miasmic, shifting cloud of radio space), listeners present both at home and in this more public space (the latter by walking around the rooms where radios were distributed) each found their own stream within the cloud of possibilities, this listenership evoking radio as both intimate and communal, both territorial and boundless. The artists inhabiting the radiophonic streams then literalised their presence by arriving in the space, dressed in outfits that both evoked the spirits of colonial women’s meetings and more recent outsider pop ensembles, activating the instruments that had until this time remained a tableau of props amongst the other still-lifes in the room (radio receivers placed next to posies of fake flowers being a repeating theme in particular).

As befits radio’s multiform and fluid potentialities, this 1-hour performance was not the piece’s only destination, and this new edit speaks to the radia network as a series of distributed nodes, and to radio’s strangely present invisible material. ‘I Am a Strange Loop – Radia Mix’ begins with the radiophonic glossolalic cloud, clearing a way for the arrival of a human channelling of a spirit-radio, in which a psychic presence casts ideas on ÒtransmissionsÓ (dictations) from the cosmos as a poetics of the medium, and ends with a song called ‘Litany of the Oceans’, an FFM ballad about the moon, in which singer Bek Coogan intones the names of the astral body’s craters, thought to be the sites of frozen lunar seas, evoking the moon’s tug on the ethereric tides (and also perhaps calling to mind the United States military probe Clementine, whose investigation known as the ‘bistatic radar experiment’ in 1994 used a transmitter to beam radio waves into the dark regions of the moon’s south pole).

I Am a Strange Loop is a work created by artists who are deliberate misreaders of traditions, who shift mercurially within critical and primordial texts and methods. It is radio aware of its own material presence and spiritual history, as etheric and boundless as it is consolidating of community, as its artists shift effortlessly within the worlds of art and music, high art and pop culture, and their audiences and forms, calling for a listener who is equally multiple, who can inhabit not one cultural reference point, but many.

– Sally Ann McIntyre, July 2010.

——

Edited and mixed by Bek Coogan & Torben Tilly from original recordings
of the one-hour performance ‘I Am A Strange Loop’ by Full Fucking Moon
on Saturday 20th March 2010 at the Otago Pioneer Woman’s Memorial
Association, and broadcast live simultaneously on Radio One 89FM and
Toroa Radio 1575AM as part of the Blue Oyster Performance Series,

#391. Onafhankelijke geluidskunst, radiofonische projecten en andere audio-non-visuele misverstanden en vondsten.

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#390. Onafhankelijke geluidskunst, radiofonische projecten en andere audio-non-visuele misverstanden en vondsten.

01. Radia s04 _ n036_ reboot.

02. Radia s20 _ n230 _Kradioberlin _ursprung_Flare.

#389. Onafhankelijke geluidskunst, radiofonische projecten en andere audio-non-visuele misverstanden en vondsten. 2 Radia shows.

1. radia_s43_n753_soundart_radio_space_

#388. Onafhankelijke geluidskunst, radiofonische projecten en andere audio-non-visuele misverstanden en vondsten. 2 Radia shows.

1. radia_s19_n211 resonancefm – Mobileradio Nine Nights in Newcastle.

2. radia_s32_n466 JetFM Plutot Que Rien.