Sign up to save your podcasts
Or
Share Henk Bakker – Concertzender | Klassiek, Jazz, World en meer
Share to email
Share to Facebook
Share to X
Share to email
Share to Facebook
Share to X
Or
Henk Bakker – Concertzender | Klassiek, Jazz, World en meer
By ConcertzenderMusic
Henk Bakker – Concertzender | Klassiek, Jazz, World en meer episodes
- Dr. Klangendum
Onafhankelijke geluidskunst, radiofonische projecten en andere audio-non-visuele misverstanden en vondsten.
0 min - Dr. Klangendum
#432. Radiofonische projecten: Two shows from the Radia Network.
1. Scant_intone-winter-volute by Constantine Katsiris. (Radioart106)
Since April 2020 I have been going through the archives, my back-up hard drives, and revisiting old projects. Since the world seemed to collectively hit pause, the pandemic provided an opportune moment to take stock of the past. Presented here are two early works, recorded while I was studying audio at college in Southern Ontario during 2001 and 2002. It was around this time that I had mostly thrown away my conventional methods of making music, the bulk of which up to that point was created on computers with module trackers and other shareware. I was a few years deep into both hardware synthesizers and field recording, and I was in search of new processes and techniques for working with sound without the rigidity of programming on a grid.
The programme for this half-hour broadcast consists of Winter [21m53s] and Volute [6m20s]. The first piece was recorded during a blizzard as I sat inside a warm recording studio in Stoney Creek. I watched the snow come down for hours through the big windows while I programmed the Nord Electro all day. The second piece is an electric meditation of resonating fields and buzzing wires that was recorded in my apartment at the Victory Building in Hamilton. It was among my first forays into recording static, magnetic noise, and other such sources as sound material. I hope that these pieces from 20 years ago provide a unique listening experience.
-CK, 21 December 2021.Constantine Katsiris has been a composer of experimental electronic music for nearly three decades. An avid phonographer, he has conducted field recording expeditions around the world from urban settings like Prague and Paris to more remote regions such as the Brazilian Amazon rainforest. His compositions have been broadcast to listeners around the world from Concertzender Nederland to MTV Brasil. Katsiris has brought his live performances, installations and fixed media works to many notable venues, such as La Société des Arts Technologiques [Montréal], Whitechapel Art Gallery [London], Brut Konzerthaus [Vienna], and SESI Art & Cultural Center [São Paulo]. He is also passionate about showcasing, broadcasting, and disseminating sound works as a curator of exhibitions and concerts for galleries and festivals, as a programmer on community radio, and as the director of the Panospria record label for sonic experimentation.
http://www.scantintone.com
http://www.notype.com2. Secret Set by Milo Thesiger-Meacham. (radio Resonance)
An audio-only version of Secret Set (https://vimeo.com/653411081) which features an original script, soundtrack and set; field recordings; video found on the SD cards of secondhand cameras; digital photography; handheld, webcam and drone footage; and CGI. Narrated by Kadence Neill.
Written for Christof Migone’s online event AND, December 2021, presented by Alt Space Loop, Arraymusic, Avatar Centre, Errant Bodies Press, Fado, Radius, Resonance Extra, squint.press, Wave Farm, Western University and Zone Sound Creative.Milo Thesiger – Meacham:https://soundcloud.com/milotm1 hr - Dr. Klangendum
#431. Radiofonische netwerkmuziek. Two shows from the Radia network.
1. The Choir. (Kanal 103).
The program documents the first ever performance of the first Inclusive City Choir, founded by Trisomie 21 – Association for Support of People with Down Syndrome and created in collaboration and mentorship of the Kolektiv Veternica. It took place in Skopje’s City Walls residential area, on 22.10.2021.Mario, Stefan, Ena, Matej, Filip, Ilina, Oli, Niki, Beti, Dare and Kosta are performing famous Macedonian folk and pop songs.At one point a neighbor yells from a balcony: “Stop it, you are disturbing! Go to the National TV to do this.”Hopefully, one day, they will.Recorded and edited by Gjorgji Janevski.Photo by Jelena Belikj.2. Sound Creature from Cappaduff, by Slavek Kwy (Radio Zero).
I am listening in awe to surrounding environment. I wonder how I, as a human being, fit in? What is my place? How can “I” be an integral part of my environment by simply being “present”: here and now _ as an equal participant _ in the same way as weather, wildlife, any other occurring event. I am instinctively seeking a sense of balance, a feeling of harmonious belonging, a being-together. Connection.The music, the sounds, seems having magical ability – superpower – to tune effortlessly together, to collide in energetic harmony. Through intensive listening everything becomes alive, every subtle sound shivering in the air in tandem with my feeling of belonging. The music rises from an unknown and I am listening – speechless – in the core of creation itself:_: just listening to the primeval tone of my soul weaving into every moment, every other moment and another: perpetually changing _ adapting _ seeking for harmony _ seeking for that feeling I am attracted to: freedom … an opening of heart to the world – fearless: …I am using the immediate surrounding environment as interface for connecting with “the rest of the world”, call it “the reality” if you wish. I have impression when I am trying to tune myself to my immediate sound environment, it helps me to be more sensitive to every perceptible miniscule fluctuations and changes between tension in my body – the emotion and the environment. Sound is my portal: a place to dream of endless possibility, of another future unfolding. A dream. Abstraction.Conceived by Slavek Kwi / Artificial Memory Trace
Slavek Kwi is a sound-artist, composer, adventurer and researcher interested in the phenomena of perception as the fundamental determinant of relations with reality. He has a long-standing fascination with sound-environments, developing what he terms ‘electro acoustic sound-paintings’ that oscillate between sound only works and interdisciplinary works exploring social, spatial and temporal processes. These complex audio-based situations are created mainly from field-recordings, resulting in subjective reports for radio broadcast, ‘cinema for ears’ for multi-channel playback, sound installations integrated into the environment and performances. From the early nineties Slavek has operated mainly under the name Artificial Memory Trace.Nowadays, since some years, he is mainly focused on exploring the deep relationship in between sound-environment and human consciousness via sound-art under moniker name of alfa00. Slavek is interested about exploring the idea of “absolute freedom” in connection to extrasensory communication possibilities via international project uni.Sol_ (United Artists for Well-Being of Solar System & Everything Else).He facilitates experimental sound workshops with children, children on autistic spectrum and those with learning disabilities. The workshop technique emphasises extensive listening and the stimulation of creativity and freedom through observation and the support of natural tendencies. Currently he is working for Creative Schools of The Arts Council of Ireland. Slavek was born in former Czechoslovakia, lived 14 years in Belgium and has been based in Ireland since 2000.www.artificialmemorytrace.bandcamp.com
www.unisol.bandcamp.com
www.alfa00.bandcamp.com
1 hr - Dr. Klangendum
# 430. Two shows from the Radia network.
1. Rituel radioactif de désenvoûtement de la finance” by Laboratoire sauvage de recherches expérimentales Désorceler la Finance – Radio Campus Bruxelles.
Le Rituel radioactif de désenvoûtement de la finance is a radio performance halfway between a magical ritual and an act of resistance.
It engages the metamorphosis of our relationship to capitalist power. The audience, the listeners, are invited to cut the link we have with this power to free ourselves from its hold on our lives.This rite of passage gives rise to a real and living collective, capable of resisting the stupefaction of disasters, and of making something new. The health, economic, social and environmental crisis has exacerbated financial imbalances, inequalities and the dysfunction of the dominant mode of production. It has underlined the way in which our rights are flouted. It has shown that what is most important, what we value most, starting with our health and that of our loved ones, is worth no more than an accounting line: apart from applause, little or nothing has been done to change the health system, and commodification continues. It is time to get rid of vertical management and austerity policies; it is time to get out of the emergency, out of the reign of experts, and to facilitate the appropriation by the population of the problems it encounters; to share our knowledge, our resources, our common actions.The Radioactive Ritual of Unblinding of Finance relies on collective intelligence, opens up imaginations and gives us the power to bring forth alternatives to power and the economy. This radio piece was made on October 15th, at dusk, we unblessed ourselves from the sorcerous power of finance on our health, on the health professions.By the Laboratoire sauvage de recherches expérimentales Désorceler la finance With : Théo Bourgeron – Brune Campos – Aline Fares – Amandine Faugère – Maxime Lacôme – Arthur Lacomme – Camille Lamy – Vincent Matyn – Emmanuelle Nizou – Fabrice Sabatier – Emilie Siaut – Suzie Suptille.Language : French onlyCuration for Radio Campus Bruxelles : Carine Demange & Jonathan Frigeri2. “KINsequences, a sculpture that wants to get made”, by Writers Kin – Soundart Radio, Devon, UK.
KINsequences is a collaborative piece of writing by Molly Allam, Sovay Berriman, Alan Braidford, Tara Casey, Rachael Coward, Joanne Dorothea-Smith, Claire Gladstone, Tina Kutter, Clementine Neild & Frances Staniforth. The text has been built by each participant writing in response to the person that has preceded them. It is both in the Surrealist tradition and a version of the parlour game known as ‘consequences’. Each writer can only see the previous participant’s contribution, with the whole only being revealed at the end. The text contains enough common threads to form a narrative arc but travels in unanticipated directions and represents a chorus of voices, both visually and through language. There are three acts; Act I: A Sculpture That Wants To Get Made, Act II: The Making, and Act III: The Viewing.Writers’ KIN is a group of artists who regularly meet through CAMP, a member led support and professional development network for artists, curators, producers and arts writers living in Devon and Cornwall. A group reading of KINsequences was performed from this co-created and illustrated text, recorded and produced by Shelley Hodgson at Soundart Radio.1 hr - Dr. Klangendum
Onafhankelijke geluidskunst, radiofonische projecten en andere audio-non-visuele misverstanden en vondsten.
0 min - Dr. Klangendum
Onafhankelijke geluidskunst, radiofonische projecten en andere audio-non-visuele misverstanden en vondsten.
0 min - Dr. Klangendum
#429. A special with Christian Ronn, who recently visited the Worm/Klangendum studio and made the soundpiece ‘Gasp’ together with Helena Berglund. We added some older material made by Ronn.
1. Gasp
2. Pink Fairies3. Primordial Chaos4. Static Broken AirMORE INFO;
1. Christian Rønn / Helena berglund – Piece: GASPA rendition of what happens when you spend 6 days in Ton studio Worm while the world is burning with war, post-pandemic dystopia nightmares, weird santa´s and the bubbling spring-time vibes of Rotterdam. The piece is an attempt to combine Christian Rønn´s freeform playing-practice on keyboard-instruments (Piano, Church Organ, Rhodes & Würlitzer in combination with electronics) with Helena Berglund´s evocative performance-poetry. The duo releases music under the name “MäRK”, and while working on this piece in Ton Studio Worm, they used a “one-take-Dogma” which involved minimal editing and post-editing, partly to separate this work from their previous releases, which are all intensively edited studio-productions.2. “Pink Fairies” (Piano, Bass & Dictaphone) by Blind Mans Band (Claus Poulsen & Christian Rønn) the piece “Pink Fairies” by the duo Blind Mans Band (Christian Rønn, piano & Claus Poulsen, bass) is the latest release to leave Christian Rønn´s studio. March 18th, 2022.
3. “Primordoal Chaos” (Resipiscent Records, Nische 2018) with Ikue Mori (DNA, John Zorn).
The piece “Primordial Chaos” (Mori/Rønn 2018) (Resipiscent / Nische), features Ikue Mori on electronics and Christian Rønn on piano & electronics), and is mentioned here to give a fuller picture of Christian Rønn´s ongoing work with combining piano & electronics.4. “Static” (Church Organ & Electronics) (Christian Rønn, 2017, Insula Records / Nische).
www.christianronn.dk
https://bit.ly/36jva0Y (Rønn´s music on Soundcloud)https://bit.ly/3IaFuWk (MäRK on Bandcamp)https://spoti.fi/3q2z2uG (MäRK on SPotify)1 hr - Dr. Klangendum
#428. Radiofonische projecten en audio-non-visuele misverstanden en vondsten. From the Vaults.
1. Idyll.
2. Colony. (radio edit)
3. Mme Bovary’s Soundscape radio.
4. Itsa Miserable Day by Xentos Fray Bentos & Titi Tabarnac.
5. Nowhere in the Baltic States.
6. Coolsingel drone. (excerpt)
1 hr - Dr. Klangendum
#427. Onafhankelijke radiofonische projecten en audio-non-visuele misverstanden en vondsten. Met Yannis Patoukas, Nowhere Sounds Band en Kenji Siratori & Henk Bakker.
1. Spectate – Yannis Patoukas.
2. CC – Nowhere Sounds Band.3. Industrial Boy – Kenji Siratori & Henk Bakker.4. No New York.MORE INFO;
1.Yannis Patoukas (1989) is a musicologist, electroacoustic composer and improviser currently based in Rotterdam.When inside a recording studio, he usually follows a more improvisational workflow;welcoming mistakes, trusting random or open processes and always making the most of the physicality of any analogue device in the vicinity.He approaches the tape machine or the mixing desk in the same way he approaches his el. guitar; as a fully functional musical instrument.His recent research involves the exploration of historical, technological and aesthetic crossovers between electroacoustic music and experimental rock music of the late 1960s and early 1970s,focusing mostly on production and compositional techniques.“Spectate” was made using material recorded during Yannis’s residency at WORM studio on January, 2022.
These recordings derived from Yannis’s own improvisations in the studio and an improvisation concert which was streamed live on radio WORM –featuring Lucija Gregov (cello), Henk Bakker (bass clarinet), Matthias Hurtl (live electronics), Lukas Simonis (el.guitar) and Yannis Patoukas (el.guitar).Sounds were reworked and transformed by using a modular system and several analogue synthesisers. The listener is put to adapt to several spontaneous collisions ofrecorded improvisations and (not) carefully constructed noises, often combined with el.guitar and keyboard sounds or interrupted by short clips voices and dialogues.Produced for WORM / Dr. Klangendum, February 2022.yannispatoukas.com2. nOWHERE sOUND bAND.
Beginnings & ends of attempted (improvised) songs.Put together randomly – these are the parts we didnt use when mixing. several tracks of the same two songs.Played by Cantos Deus.Recorded on January 4, 2022, Rotterdam, New Grounds/L6S studio.Musicians; Bruno Ferro Xavier Da Silva, Jacco Weener, Enio Ramalho.3. Industrial Boy.
Radioplay by cyberpunk writer Kenji Siratori with sound design by Henk Bakker, 20081 hr - Dr. Klangendum
#426. 666hz for 666minute – Meditation Music For Dark Souls.
Are your chakras too wide open? Then this meditation music will surely close them and ground you like no other, it might even bring you straight to hell.
Recorded at studio WORM in first week of 2022 by Kacper Ziemianin.
Edited and mixed by ctrl freq at ctrl freq studio.Thanks and greetings to Lukas Simonis and WORM crew.This is 1st hour of 666 minute- long composition soon available on my YT channel.
BIO:
Kacper ZIemianin a.k.a. Ctrl Freq Circuit bender, sonologist, vagabond, improviser, music producer, audio-hacker, instrument designer, nomad, radio presenter, workshop leader, squatter. His works have been presented in many places across the globe. His latest endeavor, the ‘LightSeq’ has received funding from Stimuleringsfonds NL and won an award at an international electronic music festival ‘Radical dB’ in Zaragoza, Spain.Links and socials:
YT: https://www.youtube.com/c/kaziem82_ctrl_freq/featuredFB page: https://www.facebook.com/Ctrl-Freq-101193651292096/IG: https://www.instagram.com/ctrl__freq/SC: https://soundcloud.com/kaziemWEB: https://ctrlfreq.wordpress.com/BC: https://ghostman99.bandcamp.com/releasesHighly recommended to listen to on good sound system with subwoofer.
EQUIPMENT USED:
ARP2600FENIX SYNTON XI1KORG PS3010OBERHEIM 4VKORG MS20MOOG REALISTIC SNYTHKAWAI 100FTEISCO SYNTHESIZER 1107ARP ODDYSSEYSYNTON SYRINXMOOG PRODIGYPROTEUS 1YAMAHA CS10ROLAND ORGAN STRING 09YAMAHA CS 50PROPHET 5YAMAHA 40MSPACE ECHO RE-201ROLAND JD800MAX/MSPMacbeth studio systems1 hr
About Henk Bakker – Concertzender | Klassiek, Jazz, World en meer
From the publisher's feed
Radio, Themakanalen, On Demand