Cabo brothers and friends jam at Savage Wonder
The Everything Zine is a guerrilla marketing tool for the Everything Jam, held every Sunday evening at Savage Wonder in Beacon for the time being. Though the all-inclusive titles conjure images of visual and musical mayhem, there is method to the madness.
The plain-Jane zine includes black-and-white drawings, event listings and reminders about the jam — a series of improvised seven-minute-or-so sessions performed by an ever-rotating cast of musicians and instrumental combinations.
The explorations could extend far longer, but all good things must end, which usually occurs when the drummer drops out or the group builds to a cohesive climax. Though jazz-based, vocalists, violinists, a melodion and a harmonica fit right in.
There's been so much buzz that on Aug. 23, for the first time, hosts Zohar and Adam Cabo set up in-the-round at Savage Wonder's 4,000-square-foot art gallery, outside their usual home in the small basement performance space.
"We always wanted to move to the big room, especially after 120 people showed up one night," says Zohar, who plays keyboards.
Along with extensive experience, Al Hemberger (who lives in Philipstown) brings a comprehensive backline of mics, amps and a 24-channel mixing board. Video art by Rooster, a Beacon denizen, adds a far-out touch.
After Beacon-based brothers Zohar and drummer Adam release their first album, Osmosis, on Nov. 4 and play a record-release gig at the Blue Note in Manhattan on Nov. 30, they will head out on tour, and the jam will likely take a hiatus until their return, says Adam.
Kicking off every show, the duo establishes the sonic template — a simple keyboard groove accompanied by a chunky drumbeat that provides enough inspiration to delve into the unknown.
"People are taking risks onstage," says Adam. "In this crazy world, it's a beautiful thing."
Yet free jazz, where musicians go off in different directions and create intentionally chaotic cacophonies, is frowned upon. Success is predicated on listening and gelling, not playing any old thing or hogging the spotlight.
"Players have to collaborate by being present in the moment and keeping their eyes and ears open onstage," says Adam.
As vocalists and instrumentalists focus, songs gel as supporting parts blossom into solos. During one soundscape, Adam's snare snaps increased intensity and shifted the dynamics. Zohar zeroes in on odd sounds, like singing whales or dinosaurs.
Playing harmonica, Cold Spring resident Adam Osterfeld provided atmospheric accompaniment to a heady jam. Classically trained violinist and Beacon resident Jossey Bieler is a regular who also plays with restraint.
About halfway through one ambient expedition, bass player Ricky Kinyon from Kingston locked into a funky repetitive line that lifted the tune. Chogyi Marco, who brought his guitar from Woodstock, scratched out understated lines at first, but found enough footing when his turn arrived to unleash a furious solo.
Ensembles are assembled on the fly, ensuring that every jam takes its own course. There's no sign-up sheet, just speak with Adam or Zohar, who let other drummers and keyboard players take over as they cobble together groups of musicians who might play well together.
"We know these cats and can figure out how they'll fit in," says Adam. The event, which started off twice a month in November, is now weekly.
On Aug. 16, Lily Labe and Kirsten Nunez arrived early to claim choice seats and stayed for the entire three hours. On Aug. 23, Labe (who plays piano and guitar, but not at the jam) staked out a comfortable chair in the front row.
"The talent is amazing, and the artists adapt so well," she said. "It's cool that this is all made up in the moment."
Savage Wonder is located at 139 Main St. in Beacon. The Everything Jam is free and begins each Sunday at 7 p.m.