Homegoings

For this intimate Homegoings Shorty, Vermonter Raph Draws asks host Myra Flynn a question that doesn’t have one right or wrong answer: “What does motherhood mean to you?” Myra sits down with her mother Martha Mathis and her daughter Avalon as three generations share the holidays and their thoughts about mothers and daughters.

Homegoings is a production of Vermont Public. Follow the series here.

This shorty was reported, edited and mixed by Myra Flynn with support from our associate producer James Stewart. Myra Flynn composed our theme music and all other music is from Blue Dot Sessions. Elodie Reed is the graphic artist behind this episode’s Homegoings artist portrait.

We have more shorties and conversation coming in the weeks ahead so stay tuned!

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Vermonter Kiah Morris wants to know why Black folks have a history of carrying hot sauce in their bag. In this spicy Homegoings Shorty we dive right into it with Torrance, California, hot sauce maker Brittney McCray, and unpack how the Great Migration impacted the portability of this spicy condiment.

Homegoings is a production of Vermont Public. Follow the series here.

This shorty was reported and edited by Myra Flynn and mixed by associate producer James Stewart. Myra Flynn composed the theme music and all other music is from Miles Hooper and Blue Dot Sessions. Elodie Reed is the graphic artist behind this episode’s Homegoings artist portrait.

We have more shorties and conversation coming in the weeks ahead so stay tuned!

To continue to be part of the Homegoings family:

Don’t call it a rerun, call it a remix! In this remixed episode of ‘How do you cook YOUR greens?’ host Myra Flynn catches up with chef Harmony Edosomwan to see what’s new in her world of business — and her collard greens, since it came out last year. Along with a world-renowned chef and Myra’s mother, they explore how the history of a once undesirable food mimics the resilience, innovation and perseverance of a once considered undesirable people.

Homegoings is a production of Vermont Public. Follow the show here.

This episode was mixed, scored and reported by Myra Flynn with support from associate producer James Stewart. Myra composed the theme music. All other music by Blue Dot Sessions and Jay Green. Brittany Patterson edits our show, and Elodie Reed is the graphic artist behind this episode’s Homegoings artist portrait.

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Here on the show, we ask a lot of our guests. We ask for their time, and a good amount of it, as most of these 40-minute Homegoings episodes are actually shaped after two-hour interviews! We unapologetically ask for their hearts. The things that make them beat, and the things that make them break. On a recent episode of the podcast Immigrantly (a show we consider a soul-sister in the world of race and identity), host Saadia Khan puts our own Myra Flynn in the hot-seat as an interviewee. This episode is personal, raw and If you’ve ever felt unseen or misjudged, this story will remind you that you’re not alone—and that it’s okay to embrace the contradictions that make you, you.

Homegoings is a production of Vermont Public. Follow the show here.

This episode was produced and written by Saadia Khan with editorial review and sound design by Shen Yu. Haziq Ahmed Fareed edited the episode. Music for Immigrantly is created by Simon Hutchinson, the Homegoings theme is by me, Myra Flynn and all other music is from Epidemic Sound. As always, you are welcome here.

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In our first Homegoings Shorty we get to go "Goth" as we answer a question from DonnCherie McKenzie about where the community of Black goths might be hiding in Vermont.

This shorty was reported and edited by Myra Flynn and mixed by associate producer James Stewart. Myra Flynn composed the theme music and all other music is from Miles Hooper and Blue Dot Sessions. Elodie Reed is the graphic artist behind this episode’s Homegoings artist portrait.

We have more shorties and conversation coming in the weeks ahead so stay tuned!

To continue to be part of the Homegoings family:

Juan Coleman, a Black man who lives in Vermont, voted for Donald Trump in the past and is planning to vote for him again in this election cycle. And he’s not alone. Though we won’t know the actual numbers until the election, there is an uptick of Black voters aligning with the GOP, Black men in particular. Why? In this season finale, we speak with Juan about his concerns for the Democratic party, and hear from CNN national politics correspondent Eva McKend about the history of the Black vote, and how no demographic is a monolith.

Homegoings is a production of Vermont Public. Follow season 2 here.

This episode was reported and mixed by Myra Flynn, with support from associate producer James Stewart. The episode was edited by Brittany Patterson with help from Jane Lindholm and Elodie Reed. Myra Flynn composed the theme music and all other music is from Blue Dot Sessions. Elodie Reed is the graphic artist behind this episode’s Homegoings artist portrait.

Thank you for listening to season two. Stay tuned for more content as Homegoings: Shorties are starting soon! As always, you are welcome here.

To continue to be part of the Homegoings family:

How do you talk about Black death, in the media, in a way that is consistent, and intentional? How do you memorialize and humanize Black grief without perpetuating trauma? Here on Homegoings, we believe the answer is, and always has been, art. In this episode, we revisit some of the very first episodes of Homegoings, and embark on a quest with Vermont-based musicians to find out: Does grief have a sound?

Homegoings is a production of Vermont Public. Follow season 2 here.

This episode was mixed by associate producer James Stewart. Myra Flynn reported and edited this episode. Myra also composed the theme music. Other music by Rough Frances, Rivan Calderin, the Listen Up Project and Blue Dot Sessions. Elodie Reed is the graphic artist behind this episode’s Homegoings artist portrait.

See you in two weeks for the next episode of Homegoings. As always, you are welcome here.

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***A heads up: This episode contains strong language, unbleeped swearing and explicit adult content***

In our fourth and final episode of the special series “Stereo-anti-types,” we tackle one of the most “biggest” stereotypes out there about the Black body today: the myth of the big Black penis. Host Myra Flynn speaks with Black men, including a porn star, about how this myth affects their lives and their profession, and a female sexologist who knows a lot about the origin of this stereotype that plagues Black men. A heads up that this episode is explicit, and maybe even hard to listen to. But here on Homegoings we believe most of the important stuff usually is.

Homegoings is a production of Vermont Public. Follow season 2 here.

This episode was mixed and reported by Myra Flynn with help from associate producer James Stewart. Jane Lindholm edited this episode with help from James Stewart. Myra Flynn composed our theme music. All other music by Jay Green, King Noire and Blue Dot sessions. Zoe McDonald is the graphic artist behind this episode’s Homegoings artist portrait.

See you in two weeks for the next episode of Homegoings. As always, you are welcome here.

To continue to be part of the Homegoings family:

Dianne Bondy is a yoga teacher and social justice activist who works to make wellness accessible for everyone – no matter their shape, size, level of ability or ethnicity. In this episode Laura Cathcart Robbins, host of the podcast The Only One in the Room, speaks with Dianne to unpack the world of wellness, and the many barriers to it.

Homegoings is a production of Vermont Public. Follow season 2 here.

The Only One in the Room is hosted by Laura Cathcart Robbins and produced by Calin Bean and Scott Slaughter. This episode of Homegoings was mixed and edited by associate producer James Stewart. Myra Flynn composed the theme music and all other music comes from Blue Dot Sessions.

See you next week for the next episode of our special series Stereo-anti-types. As always, you are welcome here.

To continue to be part of the Homegoings family:

“Stereo-anti-types” is a special series from Homegoings examining some of the most troubling, most profound and most dangerous stereotypes that apply to Black men. In part three of the series, “The myth of the stupid Black person” host Myra Flynn speaks with Tinotenda Charles Rutanhira, who came to the United States as a refugee from Zimbabwe. When he arrived, he already had a bachelor’s of commerce in business and information systems from Rhodes University in South Africa, and went on to more schooling in the U.S. to obtain a computer science degree. And still — no one would hire him.

Homegoings is a production of Vermont Public. Follow season 2 here.

This episode was reported and mixed by Myra Flynn with help from our associate producer James Stewart. Saidu Tejan-Thomas Jr. edited this episode and Myra Flynn composed the theme music. All other music is from Blue Dot Sessions. Zoe McDonald is the graphic artist behind this episode’s Homegoings artist portrait.

See you next week for part four of “Stereo-anti-types,” a special series from Homegoings.

To continue to be part of the Homegoings family: