Homegoings

***A heads up: This episode contains strong language and unbleeped swearing***

“Stereo-anti-types” is a special series from Homegoings examining some of the most troubling, most profound and most dangerous stereotypes that apply to Black men. In part two of the series, “The myth of the scary Black man” host Myra Flynn speaks with Kris Brown, a 6-foot-2, former drug dealer who was nearly fated to become a life-long statistic in the prison system, until his life took a turn that surprised even him.

Homegoings is a production of Vermont Public. Follow season 2 here.

This episode was co-reported by Myra Flynn and our associate producer James Stewart, with help from data journalist Corey Dockser. James also mixed this episode. Saidu Tejan-Thomas Jr. edited this episode and Myra Flynn composed the theme music. All other music is from Blue Dot Sessions. Elodie Reed, Zoe McDonald and Laura Nakasaka are the graphic artists behind this episode’s Homegoings artist portrait.

See you next week for part three of “Stereo-anti-types”, a special series from Homegoings.

To continue to be part of the Homegoings family:

***A heads up: This episode contains strong language and unbleeped swearing***

“Stereo-anti-types” is a special series from Homegoings examining some of the most troubling, most profound and most dangerous stereotypes that apply to Black men. In this first episode, host Myra Flynn and colleague Bryant Denton get up close and personal with podcaster Pendarvis Harshaw and comedian Marlon Fisher to tackle the myth of the deadbeat dad. Both of these men have bucked societal bias and are anything but deadbeat – but as you'll hear, it wasn't always easy.

Homegoings is a production of Vermont Public. Follow season 2 here.

This episode was mixed and reported by Myra Flynn and Bryant Denton with help from associate producer James Stewart. Myra composed the theme music with other music from Blue Dot sessions. Saidu Tejan-Thomas Jr. edits the show with help from Jane Lindholm, Corey Dockser and Liam Elder Conners. Elodie Reed, Zoe McDonald and Laura Nakasaka are the graphic artists behind this episode’s Homegoings artist portrait.

See you next week for another episode of “Stereo-anti-types”, a special series from Homegoings.

As always, you are welcome here.

To continue to be part of the Homegoings family:

Back in January, host Myra Flynn sat down with Saidu Tejan-Thomas Jr. in front of a live audience at Vermont Public studios to practice what we do best here on Homegoings: They had a very candid conversation. Together they broke down the realities of what it’s like to be a Black podcaster in a “Post-Floyd era,” the differences in African and American Blackness, and their push-pull relationship with the ever mercurial New York City. They asked each other, well — just about anything and everything. That fruitful night became a two-part video series and now, this revealing podcast episode.

Homegoings is a production of Vermont Public. Follow season 2 here.

This episode was reported and edited by Myra Flynn and mixed by associate producer James Stewart. Myra composed the theme with other music from Miles Hopper and Blue Dot Sessions. Elodie Reed is the graphic artist behind this episode’s Homegoings artist portrait.

See you in two weeks for the next episode of Homegoings. As always, you are welcome here.

To continue to be part of the Homegoings family:

There’s some irony in freedom because freedom is inherently unfree. It’s something to be defended, fought for, stood up for. It’s been hard-won in a lot of our history. It’s also elusive. Sometimes you have it, sometimes you don’t. Sometimes, it isn’t even an option. So, what is freedom? How do you know when you have it? What does it sound like? How do you get more of it? This episode works to create some cognitive dissonance, on purpose, between the sounds of freedom and the reality of it. With the live sounds of Independence Day, and a candid conversation with Speech, lead MC and singer of the band Arrested Development. He is fighting for freedom in his own way.

Homegoings is a production of Vermont Public. Follow season 2 here.

This episode was reported and mixed by Myra Flynn, with help from associate producer James Stewart and data journalist Corey Dockser. The episode was edited by Saidu Tejan-Thomas Jr. and featured field reporting by Nathaniel Wilson and Bryant Denton. The music was composed by Myra Flynn; other music by Arrested Development, the band Gumbo and Blue Dot Sessions. Zoe McDonald is the graphic artist behind this episode’s Homegoings artist portrait.

See you in two weeks for the next episode of Homegoings. As always, you are welcome here.

To continue to be part of the Homegoings family:

***A heads up: This episode contains strong language and unbleeped swearing as well as discussions of sexual abuse***

In part two of “Stories from the spotlight,” we continue our deep dive into the problematic nature of the music industry, the roots of misogyny in hip-hop, and unpack what it takes to stay safe, healthy and true to yourself as a female musician of color.

Homegoings is a production of Vermont Public. Follow season 2 here.

If you or someone you know is facing the trauma of sexual abuse, you do not have to navigate it alone. Help is available.

This episode was reported and mixed by Myra Flynn, with help from associate producer James Stewart and edited by Saidu Tejan-Thomas Jr. The music was composed by Myra Flynn and Kiran “Madame” Gandhi. Other music by Jay Green and Blue Dot Sessions. Elodie Reed is the graphic artist behind this episode’s Homegoings artist portrait.

See you in two weeks for the next episode of Homegoings. As always, you are welcome here.

To continue to be part of the Homegoings family:

***A heads up: This episode contains strong language and unbleeped swearing as well as discussions of sexual abuse***

Fame, or the idea of it, is deeply woven into our society. It’s currency — people knowing you, knowing your name, knowing your art — can be priceless for an artist. Something to spend your whole life seeking. But fame also comes at a cost, and for young women of color in the music industry, and those costs have names. They are: financial devastation, mental health challenges, violence and sexual assault. In this two-part episode of Homegoings, we’ll pull back the curtain and hear from three female musicians and an expert about what it means to be ambitious, broke and brown and Black in the music industry.

Homegoings is a production of Vermont Public. Follow season 2 here.

If you or someone you know is facing the trauma of sexual abuse, you do not have to navigate it alone. Help is available.

This episode was reported and mixed by Myra Flynn, with help from associate producer James Stewart and edited by Saidu Tejan-Thomas Jr. The music was composed by Myra Flynn and Derick Rice. Other music from Blue Dot Sessions. Elodie Reed is the graphic artist behind this episode’s Homegoings artist portrait.

See you in two weeks for the next episode of Homegoings. As always, you are welcome here.

To continue to be part of the Homegoings family:

Earlier this year, we hosted a special night at the Chandler Center for the Arts in Randolph, Vermont. Five of the artists featured in our podcast took to the stage for a magical evening of poetry, music, dance and comedy. On this episode of Homegoings, we’ll hear highlights from that one night in February.

Homegoings is a production of Vermont Public. Follow season 2 here.

This episode was mixed by our associate producer, James Stewart, and was edited by Myra Flynn, who also composed the theme music. The episode featured the song “Dulce Canción” by Raul Pacheco. All other music is from Kiah Morris, Matthew Evan Taylor and Blue Dot Sessions. Elodie Reed is the graphic artist behind our Homegoings artist portraits. Check them all out at Homegoings dot C-O.

See you in two weeks for the next episode of Homegoings. As always, you are welcome here.

To continue to be part of the Homegoings family:

***A heads up: This episode contains strong language and unbleeped swearing***

Tracy “The D.O.C.” Curry is the OG of hip-hop, one of the originators of the genre itself. In 1989, a horrible car accident damaged his vocal cords at the height of his career. On this episode of Homegoings, Tracy shares how he found his voice and his purpose again on the other side of tragedy.

Homegoings is a production of Vermont Public. Follow season 2 here.

This episode was reported and mixed by Myra Flynn, with help from associate producer James Stewart, and edited by Saidu Tejan-Thomas. The music was composed by Myra Flynn, Tim Sonnefeld and Miles Hooper. Elodie Reed is the graphic artist behind our Homegoings artist portraits.

See you in two weeks for the next episode of Homegoings. As always, you are welcome here.

To continue to be part of the Homegoings family:

“How do people who identify as Black but have a white parent identify with that part of them? What are the complicated issues, if any? How do you manage day to day?” These are the questions posed by listener Janice Solek-Tefft that we’ll seek to answer in this episode of Homegoings. Myra Flynn shares her own experiences and speaks with three other biracial individuals as they discuss what it’s like to hold two of the world’s most opposing races in one body.

Homegoings is a production of Vermont Public. Follow season 2 here.

This episode was reported and mixed by Myra Flynn, with help from associate producer James Stewart, and edited by Saidu Tejan-Thomas. The music was composed by Myra Flynn and Hunter Paye. All other music comes from Blue Dot Sessions. Elodie Reed is the graphic artist behind our Homegoings artist portraits.

Special thanks to Janice Solek-Tefft, Martha Mathis and Vermont Public data journalist Corey Dockser.

See you in two weeks for the next episode of Homegoings. As always, you are welcome here.

To continue to be part of the Homegoings family:

***A heads up: This episode contains strong language and unbleeped swearing***

Forget about aging in place, how about aging in paradise? For the launch of season two, Homegoings goes out of the country, to Mexico, for a conversation with Angel Clouthier and her grandmother Jean, a duo who are defining elder care in their own creative and colorful way.

Homegoings is a production of Vermont Public. Follow season 2 here.

This episode was reported and mixed by Myra Flynn with help from James Stewart and edited by Saidu Tejan-Thomas Jr. Music was composed by Myra Flynn, Alan Garcia, Angel Clouthier and Anton Glamb. All other music comes from Blue Dot Sessions. Special thanks to Vermont Public data journalist, Corey Dockser and Zoe McDonald, the graphic artist behind our Homegoings artist portrait.

See you in two weeks for the next episode of Homegoings. As always, you are welcome here.

To continue to be part of the Homegoings family: