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How did the right get their vice grip of the airwaves, all the while arguing that they were being silenced and censored by a liberal media? This week, we look at the early history of American radio to reveal that censorship of far-right and progressive voices alike was once common on radio. And reporter Katie Thornton explains how, in the post-war and Civil Rights period, the US government encouraged more diverse viewpoints on the airwaves — until it didn’t. Plus, the technological and legal changes that led to conservative talk radio hosts like Rush Limbaugh taking over the airwaves.
The Divided Dial is reported and hosted by journalist and Fulbright Fellow Katie Thornton. You can follow her work on Instagram or on her website. The Divided Dial was edited by On the Media's executive producer, Katya Rogers. With production support from Max Balton and fact-checking by Tom Colligan, Sona Avakian, and Graham Hacia. Music and sound design by Jared Paul. Jennifer Munson is our technical director. Art by Michael Brennan. With support from the Fund for Investigative Journalism.
On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].
By WNYC Studios4.6
88498,849 ratings
How did the right get their vice grip of the airwaves, all the while arguing that they were being silenced and censored by a liberal media? This week, we look at the early history of American radio to reveal that censorship of far-right and progressive voices alike was once common on radio. And reporter Katie Thornton explains how, in the post-war and Civil Rights period, the US government encouraged more diverse viewpoints on the airwaves — until it didn’t. Plus, the technological and legal changes that led to conservative talk radio hosts like Rush Limbaugh taking over the airwaves.
The Divided Dial is reported and hosted by journalist and Fulbright Fellow Katie Thornton. You can follow her work on Instagram or on her website. The Divided Dial was edited by On the Media's executive producer, Katya Rogers. With production support from Max Balton and fact-checking by Tom Colligan, Sona Avakian, and Graham Hacia. Music and sound design by Jared Paul. Jennifer Munson is our technical director. Art by Michael Brennan. With support from the Fund for Investigative Journalism.
On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

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