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Title: The Indian Tomb
Author: Thea von Harbou
Narrator: Richard Felnagle
Format: Unabridged
Length: 5 hrs and 28 mins
Language: English
Release date: 01-10-17
Publisher: Thea von Harbou
Genres: Fiction, Historical
Publisher's Summary:
The mysterious, fabulously wealthy Maharajah of Eschnapur kidnaps famous architect Michael Furbringer and offers him unlimited resources to build a tomb to exceed the grandeur of the Taj Mahal. But the calculating, all-powerful prince is not what he seems, and the commission is actually the centerpiece of a diabolical murder plot. An unwilling journey into the heart of darkness begins Furbringer's descent into a sinister, dream-like India, where he is imprisoned in a labyrinthine palace full of dark secrets and is ultimately forced to run for his life. Although filmed three times, Thea von Harbou's mystery-suspense-fantasy is presented here in English for the first time since its original publication in 1918.
Members Reviews:
Twist and turns in an escape from an island palace
excellent suspenseful book about an architect , an Indian prince , a murder plot and the building of a tomb. It has an unexpected ending that I did not see coming.
Very imaginative!
Very imaginative! Excellent translation work from the German. I can see why this book has been made into a movie more than once!
A fascinating anthropological look at cultural appropriation gone wild
This book is seriously trippy. And it's not just the eyeless horses, dancing cobras, and murderous Rajah that make it trippy. The Indian Tomb is a fascinating peek into the heads of colonial-minded Europeans just prior to WWII. Which is to say, the heads of creepy nationalists obsessed with racial superiority. This is a textbook example of cultural appropriation, as the author, Thea von Harbou, was clearly enamored with all things Indian, and yet just as clearly had never stepped foot in India at the time of this book's writing. Reading such an historical relic feels a bit like an anthropological experiment in spot-the-misogynist-and-racist-drivel. And given today's political realities, perhaps it's an experiment we all should run. I promise you'll never think of the Indiana Jones movies quite the same way again.
Special hat tip to the translators' preface, which is easily the most interesting part of this particular version of The Indian Tomb. Thea von Harbou was a feminist ahead of her time and later an advocate for Indian independence, yet she was unfortunately stuck in Nazi Germany and definitely a product of her era. A complicated and fascinating individual! Thus the translators' preface is an invaluable (and eminently readable) lens for taking in this historically significant gem.
The book is a fun read. There is plenty of dialog
Thea von Harbou writes with the fluorish of a typical early 20th century author--each scene is painted in the typical garish color of overwrought furnishings, gigantic edifices as a testament to its owner, and stereotypical conceptions of Asian culture.
The book is a fun read. There is plenty of dialog, as befits this narrative. The perspective of the protagonist is the only perspective you're offered, and so the perception of the setting, surrounding, characters, and conflict are from the narrow view of our "hero".
The translation I'm sure is literal. The English makes for a very easy read--more modern than classical. The story itself crescendos at the very end with a nice climax and resolution.