Filmmakers Valerio Ciriaci and Isaak Liptzin join UC Santa Barbara moderator Stephanie Malia Hom to discuss their film, Stonebreakers. They detail the origins of the project and their interest in monuments as a trigger for political action and historical discourse. They also discuss their experiences filming protests and broader political action against police brutality and systemic racism, and share perspectives on documentary film’s delicate tension between history and memory. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39636]

Filmmaker James N. Kienitz Wilkins joins moderator Tyler Morgenstern, Assistant Director of the Carsey-Wolf Center, for a discussion of Still Film. They discuss its narrative and formal structure, as well as its thematic interests in the problems plaguing contemporary Hollywood. They also reflect on the film’s use of language and larger questions of cinema, memory, and nostalgia. Moreover, Wilkins discusses his use of 35mm press kit photos in the film and multiple meanings behind the term “stillness.” Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39637]

On December 19, 1980, Shlomo Lewin, the former chairman of the Jewish community in Nuremberg, and his partner Frida Poeschke were shot dead in their house in Erlangen. Instead of pursuing the leads that led to the right-wing extremist group Wehrsportgruppe Hoffmann, investigators concentrated on Lewin’s social environment for a long time. As part of UC San Diego's Holocaust Living History Workshop, German historian Uffa Jensen reconstructs the crime and its motivations, in the process unearthing a history of violence, trivialisation and repression that continues to this day. Jensen is a historian of modern history and serves as the deputy director at the Centre for Research on Antisemitism at the Technische Universität in Berlin. Series: "Library Channel" [Humanities] [Show ID: 38976]

Lucas Hilderbrand of UC Irvine joins UC Santa Barbara moderator Graham Feyl to discuss the film Paris is Burning. They review the history of its exhibition and the film’s enduring legacy as a powerful portrait of queer life, resistance, beauty, and art. They also discuss the unique structure of the documentary, the cultural contexts of drag balls for trans communities of color, and Paris is Burning’s significance in the history of trans representation onscreen. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39635]

Nalini Malani is the 2023 Kyoto Prize Laureate in Arts and Philosophy. Using a variety of mediums including theater videos and mixed media installations, Malani is considered to be part of India's first generation of video artists. She is known for employing stop motion, erasure animations, reverse paintings and digital animations as tools for her craft. Her artwork is influenced by her family's experience of migration to the partition of India, but also showcases pressing feminist issues are part of her creativity. Malani's most recent installation, "My Reality is Different" uses the metaphor of the mythical figure of Cassandra who could foresee true prophecies but was never believed. This female side of the human psyche can open our eyes, and if therein the prognosis of the future is not suppressed, one can make sense of this life and steer it into a different, more humane direction, with the formulation of new civilizational values. Series: "Kyoto Prize Symposium" [Humanities] [Arts and Music] [Show ID: 39425]

Director Miguel Coyula and actor Lynn Cruz join UC Santa Barbara's Kiley Guyton Acosta and Cristina Venegas to discuss their film, Corazón Azul. They discuss the allegorical significance of its imagery, which draws from Cuban political and historical contexts for its alternate reality narrative. They also share insights into the long, complicated development of the film over the years and reflect on what independent cinema means in Cuba. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39634]

Filmmaker Juel Taylor joins UC Santa Barbara moderator Mireille Miller-Young for a discussion of his film They Cloned Tyrone as part of our Black Hollywood series. Taylor details the development of the film and its narrative and thematic inspirations and ideas. Together, they discuss each of the three main characters and the film’s playful subversion of racial stereotypes and Blaxploitation tropes. They also reflect on the film’s exploration of conspiracy theories in Black communities. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39633]

As part of the 2024 Writer's Symposium by the Sea, novelist, poet, and memoirist Paulette Jiles explores her life as a writer, including her newest book, "Chenneville: A Novel of Murder, Loss, and Vengeance." Jiles is known for her books "Enemy Women Stormy Weather," "The Color of Lightning," "Lighthouse Island," and "News of the World," which was a finalist for the 2016 National Book Award. Jiles talks with Ben Cater, director of the Point Loma Nazarene University Honors Program. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 39009]

Filmmaker Alejandro M. Flores Aguilar and moderator Giovanni Batz discuss the film Ixiles: Voices from the Shadows of Time. Aguilar details the origin of the project, as well as the historical contexts of Indigenous resistance in the Ixil region of Guatemala. They also discuss issues surrounding ethnographic research, the responsibilities of academics, and the future of anti-colonial resistance. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39575]

Filmmaker Anthony Banua-Simon joins moderator Patrice Petro to discuss his documentary film Cane Fire. They explore the historical and colonial relationships between the plantation economy, the film industry, and tourism in Hawai’i, and larger questions posed by the film. Banua-Simon also discusses his approach to interrogating Hollywood history and how archival materials, oral records, and conspicuous historical absences drive his central critique. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39574]