Director Miguel Coyula and actor Lynn Cruz join UC Santa Barbara's Kiley Guyton Acosta and Cristina Venegas to discuss their film, Corazón Azul. They discuss the allegorical significance of its imagery, which draws from Cuban political and historical contexts for its alternate reality narrative. They also share insights into the long, complicated development of the film over the years and reflect on what independent cinema means in Cuba. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39634]

Filmmaker Juel Taylor joins UC Santa Barbara moderator Mireille Miller-Young for a discussion of his film They Cloned Tyrone as part of our Black Hollywood series. Taylor details the development of the film and its narrative and thematic inspirations and ideas. Together, they discuss each of the three main characters and the film’s playful subversion of racial stereotypes and Blaxploitation tropes. They also reflect on the film’s exploration of conspiracy theories in Black communities. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39633]

As part of the 2024 Writer's Symposium by the Sea, novelist, poet, and memoirist Paulette Jiles explores her life as a writer, including her newest book, "Chenneville: A Novel of Murder, Loss, and Vengeance." Jiles is known for her books "Enemy Women Stormy Weather," "The Color of Lightning," "Lighthouse Island," and "News of the World," which was a finalist for the 2016 National Book Award. Jiles talks with Ben Cater, director of the Point Loma Nazarene University Honors Program. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 39009]

Filmmaker Alejandro M. Flores Aguilar and moderator Giovanni Batz discuss the film Ixiles: Voices from the Shadows of Time. Aguilar details the origin of the project, as well as the historical contexts of Indigenous resistance in the Ixil region of Guatemala. They also discuss issues surrounding ethnographic research, the responsibilities of academics, and the future of anti-colonial resistance. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39575]

Filmmaker Anthony Banua-Simon joins moderator Patrice Petro to discuss his documentary film Cane Fire. They explore the historical and colonial relationships between the plantation economy, the film industry, and tourism in Hawai’i, and larger questions posed by the film. Banua-Simon also discusses his approach to interrogating Hollywood history and how archival materials, oral records, and conspicuous historical absences drive his central critique. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39574]

Writer/producer Gabe Liedman and moderator Tyler Morgenstern discuss the film Barb and Star Go to Vista Del Mar, a screening programmed alongside a workshop on comedy writing. Liedman discusses the collaborative work of comedy and the unique comedic style of the film. He also shares his favorite jokes and moments in the movie, and how the film has been impactful for their own work as a comedian and screenwriter. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39565]

As part of the 2024 Writer's Symposium by the Sea, writers Nick Hornby and Susan Orlean have a far-reaching conversation about their work, inspirations and human connections with Dean Nelson, director of Point Loma Nazarene University's journalism program. Hornby is an award-winning author and Oscar-nominated screenwriter whose books include the best-selling novels "High Fidelity" and "About A Boy." His latest nonfiction book is "Dickens and Prince: A Particular Kind of Genius." Orlean is the New York Times best-selling author of seven books, including "The Library Book," "Rin Tin Tin," and "The Orchid Thief." Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 39011]

Permanent body modification is a unique and variable practice among humans, not observed in other mammals. Despite being costly and risky, it is regularly performed. Scientific understanding of this phenomenon is nascent, prompting a symposium aiming to assess current research status and prioritize questions for the next decade. The event brings together academics and industry practitioners, exploring historical and contemporary practices like tattooing, piercing, finger amputation, and cranial modification. The symposium aims to investigate the 'when' and 'where' of permanent body modification and understand the motivations behind it, considering personal justifications and scientific hypotheses. Series: "CARTA - Center for Academic Research and Training in Anthropogeny" [Humanities] [Science] [Show ID: 39476]

Director Arthur Jones and producer Giorgio Angelini join moderator Chelsea Kai Roesch from UC Santa Barbara to discuss their film "Feels Good Man." They talk about working with artist Matt Furie and unpack the social and political contexts behind Pepe the Frog and its cooptation by the alt-right. They also reflect on the cinematic challenges in telling a story about the internet and discuss the larger implications of internet culture and political polarization in the United States. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39567]

Timothy Corrigan of the University of Pennsylvania joins moderator Patrice Petro to discuss Rainer Werner Fassbinder’s classic film Ali: Fear Eats the

Soul. Together, they examine the larger body of work and influences of the German filmmaker, which include Brechtian aesthetics and classical Hollywood melodramas like that of Douglas Sirk. They also offer close readings of scenes from the film, analyzing themes of class, race, and gender and the social relations of melodrama. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39573]