Humanities (Audio)

Despite the explosive growth of Holocaust studies, scholars of Nazi Germany and the Shoah long neglected gender as an analytical category. It wasn’t until 1984 when the essay collection When Biology Became Destiny: Women in Weimar and Nazi Germany raised awareness of women’s experiences under fascism. It explored women’s double jeopardy as females and as Jews. In this lecture, Marion Kaplan, one of the editors the publication, takes the audience on a historical tour of her research, from the first workshops raising questions to the first publications providing answers. Since then, the gender perspective has provided significant insight into our understanding of Jewish life in Nazi Germany and during the Holocaust. Kaplan concludes her talk with a forward look at new areas of research that highlight women’s and gender studies. Series: "Library Channel" [Humanities] [Show ID: 34018]

New inflections given to old lyrics, the casting of non-professional singers in Across the Universe, and the impact of relocating Beatles tunes to American settings are topics covered in this wide-ranging discussion between acclaimed music journalist Greil Marcus and Carsey-Wolf Center director Patrice Petro. The two delve into the stylistic decisions of director Julie Taymor and the spectatorial pleasures that arise when song lyrics are unexpectedly connected to historical events. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34640]

The Taubman Symposia in Jewish Studies at UCSB hosts a live musical performance by The Three Cantors: Cantor Mark Childs (Congregation B’nai B’rith, Santa Barbara) Cantor Marcus Feldman and Organist Aryell Cohen (Sinai Temple, Los Angeles) and Cantor Shmuel Barzilai (Chief Cantor of the Vienna Jewish Community). Series: "Taubman Symposia in Jewish Studies" [Humanities] [Arts and Music] [Show ID: 34681]

The suite of international conventions and declarations about genocide, human rights, and refugees after the WWII is known as the “human rights revolution.” It is regarded as humanizing international affairs by implementing the lessons of the Holocaust. In this presentation, Dirk Moses, Professor of Modern History at the University of Sydney, questions this rosy picture by investigating how persecuted peoples have invoked the Holocaust and made analogies with Jews to gain recognition as genocide victims. Such attempts rarely succeed and have been roundly condemned as cheapening the Holocaust memory, but how and why does genocide recognition require groups to draw such comparisons? Does the human rights revolution and image of the Holocaust as the paradigmatic genocide humanize postwar international affairs as commonly supposed? Series: "Library Channel" [Humanities] [Show ID: 34019]

Sooner or later, the food requirements of nine billion people with increasing appetites for seafood must be addressed. Although aquaculture may supply the majority of the global ‘seafood’, most aquaculture is fed meal from wild caught fish, such as sardine and anchovy. To estimate the distributions and abundance of these and other small fish off the west coast, NOAA Southwest Fisheries Science Center routinely conducts “acoustic-trawl” surveys. David Demer will briefly describe the vessels, instrumentation and methods that are used to conduct these surveys, and provide a virtual tour of the world-class facilities in La Jolla that are used to develop the next generation of autonomous, ocean-sampling technologies. Join us to learn more about this exciting technology and be part of a discussion about possible ethical challenges. Series: "Exploring Ethics" [Humanities] [Science] [Agriculture] [Show ID: 34378]

Documentary filmmaking risks, the technical challenges of solar-powered flight, and attuning to the human struggle behind a quest to fly around the world without a drop of fuel are all central topics in this discussion between UCSB instructor Chris Jenkins and Point of No Return co--directors Quinn Kanaly and Noel Dockstader. The three talk frankly about the difficulty of earning trust as documentarians and how the crew adjusted filming plans when the Solar Impulse 2 mission began to falter.

  Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34593]

Director Jeremy Podeswa joins Pollock Theater Director Matt Ryan for a Script to Screen discussion of the season 7 finale of Game of Thrones, “The Dragon and the Wolf.” Podeswa recalls his admiration for the cast, the challenges of creating a show that transcends the episode length and production values of typical television programming, and his creative influences. The talk focuses in particular on shooting a complicated ensemble showdown where many main cast members finally share a scene simultaneously and what was involved in bringing that moment to the screen. Series: "Script to Screen" [Humanities] [Show ID: 34755]

It is widely held today on grounds of prudence if not realism that in designing public policy and legal systems, we should assume that people are entirely self-interested and amoral. But it is anything but prudent to let "Economic Man" be the behavioral assumption that underpins public policy. Samuel Bowles (Santa Fe Institute) supports his position using evidence from behavioral experiments mechanism design and other sources, and proposes an alternative paradigm for policy making. Series: "UC Berkeley Graduate Lectures" [Public Affairs] [Humanities] [Business] [Show ID: 34354]

John Caldwell, UCLA media studies professor, ethnographer, and filmmaker, discusses his film Land Hacks: Masculine Media Anxiety Disorder (2018). Caldwell is joined by moderator, Jennifer Holt of the Department of Film and Studies at UCSB. Their conversation covers the inspiration and significance of the film which sets out to explore white male victimization in the Trump era. Caldwell’s film uses advertisements, excerpts from Hollywood films, and documentary footage to highlight a series of masculine anxieties for the modern era, and particular to California’s Central Valley. The Q&A contextualizes Caldwell’s development of the film, which explores the politics of industry and labor in the Central Valley, the birthplace of the UFW, and a bastion for California conservatism through the lens of Caldwell’s own health concerns during the filmmaking process. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34591]

Bill Morrison, comic book writer and artist, and colorist Nathan Kane join moderator Joe Paladino in a Q&A about Yellow Submarine (1968). Kane and Morrison discuss their collaborative work on the 2018 graphic novel adaptation of the film, as well as their careers and the wider significance of the film. The conversation covers Morrison's work with Matt Groening as an illustrator for The Simpsons and as art director for Futurama, and the influence Yellow Submarine had on the art styles of these shows. Kane discusses his career in the comics industry and his work as creative director of Bongo Comics. Together, Morrison and Kane, reflect on the legacy of Yellow Submarine fifty years later, in terms of their comic adaptation, but also in terms of its pop-cultural significance and influence on directors from Terry Gilliam to John Lasseter. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34641]