HWMS Audio Theatre

“To everything there is a season.”

So we’ve been told.

A time to sit.  A time to stand.  A time to stay in camp.  A time to go down to the end of the town,  And, of course, a time to come back 

A military camp is a novelty to Alec Effson.  It holds stories that she does not yet know and yearns to understand,  Tonight, she is looking for her friend, Captain Pritel, and agrees to stand guard while the captain is sought.  

Guard.  What is she guarding.  A scene from “Your Results May Vary.”

Cast, in order of appearance:

[24360 S.3.0]

Full Show Coming Fall 2024

You think you can be strong.  You think there is nothing to fear.  Not even fear itself.  

Alec certainly believes that she has the qualities that will allow her to survive on the battlefield until she meets that grim visage, “The Records Clerk of Death.”

Monologue from the upcoming production by HWMS Audio Theatre: “Your Results May Vary.”  

Cast, in order of appearance:

[24300 S2.0]

Full Show Coming Fall 2024

Alec Effson.  A scholar.  A researcher.  A small town teacher.  Comes to a battle zone to learn something about leadership.  Quickly, she finds that death is standing nearby.  As a good student of the natural world, she asks the obvious question:

How close is close?

And how might you measure that closeness?

And it is closer than your nearest friend?

Monologue from the upcoming production by HWMS Audio Theatre: “Your Results May Vary.”

Cast, in order of appearance:

[24300 S1.0]

Full Show Coming Fall 2024

For any mental heal professional, one patient follows another.

When the walls are thin enough, (as they often were for Black doctors in the 1960s, one patient can hear the session can hear the prior session.

So now our psych faces a patient who objects to the advice given in the an earlier patient. He has “do no harm,” try to provide a little help to a patient in need, and make sense of his own thoughts at this time.  

A second scene from the practice of a San Franciscan Black Psychiatrist. 

Cast, in order of appearance:

[24210]

Warning: This episode contains language that some may find offensive.

Produced by San Francisco Recovery Theatre and HWMS Audio Theatre

San Francisco

Once the Harlem of the West.

Once a city with a vibrant and exciting Black culture.

It then faces the Civil Rights movement.

The Black Power Movement.

And a pair of Black Psychiatrists trying to make sense of of this thing called racism

Cast, in order of appearance:

[24205]

Warning: This episode contains language that some may find offensive. 

Produced by San Francisco Recovery Theatre and HWMS Audio Theatre

Rosy Fingered Dawn stretches her hand across the morning sky. 

As least that is what one of Chorus believes. 

(He’s kind of that way.  The other is not so sure.)

A little snippet of a classic story in a modern setting about a timeless conflict.

“Life is a Dream (or at least a wee nap”)  

New full-ength drama from HWMS Audio Theatre. 

Cast, in order of appearance:

[22675.p2]

What is real?

When we’re awake?  Or when we’re asleep.

A Dublin business has spent twenty years carefully crafting her company, her position, her identity.

No one questions her role.  

She gets the business.  She gets the revenue.  She pays the salaries.

She is in control of all, until a memory from the past appears and starts to ask a few questions.

A new approach to a classic story.

Cast, in order of appearance:

[22675]

Dublin.

Rain.

Business.

Money.

Power. 

Two lost souls wandering the streets and getting wet.

A first look at a new show on an old  subject with a classic approach.  

Cast, in order of appearance:

[22671.p1]

Fancy Club.

Fatty Foods.

Formal Music in the Background.

This is where business is done.

Or where we believe business is done.

Or perhaps where we pretend that something like business might be done on a good day with a favorable wind.

Three investors try to out bluff each other.  

Cast, in order of appearance:

Written and Produced by David Alan Grier

Musical and Sound Design by Hilbert Space

Dramaturgy by Steve Harper of Theatre503

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