Singer-songwriter Gabrielle joins Chris to discuss her career as a music maker. The London born singer was a huge music fan growing up, loving the music she heard on the radio and TV from acts like Wham, Haircut 100, Duran Duran and Adam And The Ants. And she was also exposed to the records of Barry White, Motown, Michael Jackson and Bobby Womack which her mum played.

This broad love of music would make Gabrielle an artist who could touch a diverse audience, something that became evident when her very first single, 1991's 'Dreams', went to number one in the UK. Since then she's proven to be a distinctive musician with an incredible string of hit singles and albums, has toured with Al Green and even got a co-write with Bob Dylan.

On this episode of his podcast, Chris welcomes the Canadian singer-songwriter Ron Sexsmith to talk about the fine art of music making.

Starting his music career in a band that couldn't really play, then screaming his head off in a hard rock band, Ron finally found his voice making music more influenced by his Canadian forebears like Neil Young, Joni Mitchell and Gordon Lightfoot. His songs have been covered by Feist, kd Lang, Katie Melua, Rod Stewart, Emmylou Harris, Rod Stewart and Nick Lowe. He's collaborated with Chris Martin and Leonard Cohen, whilst Elvis Costello and Paul McCartney are both fans of his work. And he and Chris share a great story about meeting Macca.

Joining Chris for a chat about the fine art of music making is the amazing Norah Jones, who's released a string of albums that have constantly surprised and delighted, and which have covered a lot of ground musically; from jazz, blues and country to folk, pop and even punk.

Norah burst onto the scene in 2002 with the hit single, 'Don't Know Why', from the album 'Come Away With Me', which has now sold 27 million copies worldwide. Since then she's won 9 Grammys and worked with a dazzling array of musicians, including Ray Charles, Billie Joe Armstrong, Danger Mouse, Keith Richards, Willie Nelson, Dolly Parton and Herbie Hancock... to name just a few.

Chris Difford is back with his charming and insightful podcast series, 'I Never Thought It Would Happen'. In this first episode in the new series, Chris chats to the ever-excellent James Blunt. 

James is a hugely talented and highly respected artist who has sold over 20 million records. His self-aware, self-effacing character is just part of his charm.

His current album 'Who We Used To Be' is another deeply personal album and his book 'Loosely Based On A Made-Up Story' is typical of James. It's funny, moving and refreshingly honest. It's a pleasure to welcome James Blunt to the podcast - brought to you by our friends at the charity 'Help Musicians'.

Series 4 of the hit podcast 'I Never Thought It Would Happen' with Chris Difford is back on March 19th. We return with a joyous and eclectic guest list from James Blunt to Wolfgang Van Halen. From Norah Jones to Ron Sexsmith and all in aid of the wonderful charity Help Musicians. Find out more at www.HelpMusicians.org.uk

Alongside Chris for a candid conversation about the fine art of music-making is Chris Robertson, lead singer and guitarist for Kentucky hard rockers Black Stone Cherry. The band formed in 2001 in their teens, and this bunch of musical brothers quickly went from being hometown heroes to getting signed and then on to touring the world with key influences like Lynyrd Skynyrd, Whitesnake and Bad Company. 

In between recording vocal takes for their new album, "Screamin' At The Sky" (out September) Chris talks to Chris about his mental health battles, the influence his late dad had on his career, the night he met Jeff Beck and the joy of getting to headline the Royal Albert Hall, where so many of his heroes had played over the decades.

Chris' guest on this episode is Lauren Mayberry, the vocalist of the critically acclaimed Scottish synth-pop act Chvrches. Ten years into their career, the band have already enjoyed an amazing ride so far, from hit singles to playing the Royal Albert Hall and recording at Berlin's legendary Hansa studios.

In a fascinating chat, Lauren discusses her musical journey so far, including her move from Glasgow to Los Angeles, how lockdown changed her writing style for the better and the pleasure of touring with Coldplay.

On this episode of his podcast Chris welcomes the exciting young singer Olivia Dean, an artist who is hugely influenced by Carol King, Paul Simon and Amy Winehouse.

Olivia was raised in a house where her parents played a lot of different music, and which was proved to be hugely influential on her future career. And then when she attended the famous BRIT school she not only found her song-writing chops but also her band. During this insightful chat with Chris, Olivia discusses her approach to lyric writing, the wonder that is the Glastonbury festival and how she'd already achieved her 3 career goals by the time her debut album "Messy" was finished.

For this episode of "I Never Thought It Would Happen" Chris is joined by musical theatre pioneer Andrew Lloyd Webber, a man The New York times called "the most commercially successful composer in history". Andrew inarguably changed musical theatre forever with a an incredible run of musicals including Joseph And The Amazing Technicolour Dreamcoat, Jesus Christ Superstar, Evita, Cats, Starlight Express and The Phantom of The Opera, to name but a few.

In this conversation we learn how Joseph And The Amazing Technicolour Dreamcoat was first performed at a school, that Jesus Christ Superstar was an album before it became a play and Andrew also gives away the secret to writing a hit musical.

Alongside Chris this time is musical pioneer and stye icon, Pauline Black of the 2-Tone legends The Selecter. The Coventry ska band not only influenced many UK post-punk bands, but would also later help shape Trip-hop and the American punk scene in the 1990s.

There's much to enjoy in this warm and open conversation, including why a chance meeting at a folk club set Pauline on her musical path, how Jimi Hendrix and Angela Davis helped her find her style and why a Bob Marley gig proved to be so critical to future of The Selecter.