In the premiere episode of season four, Ana Miljački talks with Germane Barnes about storytelling-as-design impetus, delivering on promises, and his skeptical relationship to emails, among other topics.

Ana Miljački speaks with Rodrigo Escandón Cesarman and Guillermo Gonzalez Ceballos of Mexico City-based practice APRDELESP about their case studies, the creation of architectural institutions, and designing appealing “spaces of encounter.”

In this episode of I Would Prefer Not To, Ana Miljački speaks with Adam Yarinsky, Stephen Cassell, and Kim Yao of Architecture Research Office about professional versus

Ana Miljački and Studio Gang founder Jeanne Gang discuss architects as the nexus of intersecting issues, advocating on behalf of animals as constituents, and growing one’s own building materials.

Ana Miljački speaks with members of the Mexico City-based group about the tumultuous nature of collective practice and a shifting paradigm in civic architecture.

Ana Miljački speaks with Ann Lui and Craig Reschke of Chicago-based studio Future Firm about expanding the role of the architect, absorbing risk, and how to respond when asked to do magic.

In the Season 3 premiere, Ana Miljački speaks with Annabelle Selldorf about how falling in love with projects can result in heartbreak, what it means to transcend style, and the limitations of typological experience.

Ana is joined by Nina Cooke John in this episode to discuss the impulses of feedback loops in the design process, slowness, the different ways in which institutions engage with communities and figuration as it relates to seeing oneself in a monument.

In this episode, Ana speaks with Claire Weisz, founding partner of WXY, on structural flexibility as an office, sharing ethical burdens with clients, advocating on behalf of built and material histories, and using work at large scales to catalyze work for other architectural practices.

Ana talks with Andres Jaque of Office for Political Innovation on what it means to be anarchitectural dissident, the status of formal decisions in his work, and how listening can be animportant tool for architects.