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The Booker prize-winning author of Atonement and Saturday joins us for the launch of his audacious new novel — a genre-bending, time-traveling tour de force.
For decades, Ian McEwan's novels have probed the depths of the human heart, creating unforgettable and utterly relatable characters of extraordinary moral complexity, caught in the crosscurrents of memory, history, and desire.
His new novel, What We Can Know, begins at a dinner party in 2014 with the recitation of a love poem among friends and follows to 2119, in the wake of a catastrophic nuclear accident, as a lonely scholar and researcher chases the ghost of that poem. When he stumbles across a clue that may lead to the elusive poem's discovery, a story is revealed of entangled loves and a brutal crime that destroy his assumptions about the world he thought he knew. It is at once a love story and a literary detective story, reclaiming the present from our sense of looming catastrophe, imagining a future world where all is not quite lost.
In a special reading and conversation with The New Yorker's editor David Remnick, hear McEwan discuss the genesis of the new novel, his creation of a new kind of speculative literary fiction, why we will never stop longing for the literature of the past even as we reach inexorably toward the future, and much more. The conversation will air on The New Yorker Radio Hour.
By 92NY4
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The Booker prize-winning author of Atonement and Saturday joins us for the launch of his audacious new novel — a genre-bending, time-traveling tour de force.
For decades, Ian McEwan's novels have probed the depths of the human heart, creating unforgettable and utterly relatable characters of extraordinary moral complexity, caught in the crosscurrents of memory, history, and desire.
His new novel, What We Can Know, begins at a dinner party in 2014 with the recitation of a love poem among friends and follows to 2119, in the wake of a catastrophic nuclear accident, as a lonely scholar and researcher chases the ghost of that poem. When he stumbles across a clue that may lead to the elusive poem's discovery, a story is revealed of entangled loves and a brutal crime that destroy his assumptions about the world he thought he knew. It is at once a love story and a literary detective story, reclaiming the present from our sense of looming catastrophe, imagining a future world where all is not quite lost.
In a special reading and conversation with The New Yorker's editor David Remnick, hear McEwan discuss the genesis of the new novel, his creation of a new kind of speculative literary fiction, why we will never stop longing for the literature of the past even as we reach inexorably toward the future, and much more. The conversation will air on The New Yorker Radio Hour.

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