Though acknowledging connections between World War II and his "Symphony in 3 Movements," which premiered in 1946, Igor Stravinsky stated the piece was not program music based on extra-musical events, insisting that "the Symphony is not programmatic. Composers combine notes. That is all." In truth the 3 sections were each written for different purposes, then combined into a whole that, while very appealing, is not quite unified in the sense of a traditional symphony. Stravinsky himself suggested that a more accurate title might be "Three Symphonic Movements." No matter its genesis or stated ambitions, this piece is driven by the same exuberant, triumphal spirit as contemporaneous pieces written during the War. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33854]