Imaginary Worlds

The anime series Cowboy Bebop is currently being turned into a live-action series for Netflix, but Cowboy Bebop doesn’t need to be Americanized. The original series was already an homage to Western films and movies. Authors Roland Kelts and Matt Alt talk about how Cowboy Bebop fits into a very Japanese tradition of adopting and even improving upon aspects of foreign cultures. Evan Minto of Anime News Network explains why the show was groundbreaking. And Eric Vilas-Boas and John Maher of Dot + Line discuss how Cowboy Bebop had a huge impact on them as kids, even though it took them decades to understand the characters.  

See You, Space Cowboy….

Matt Alt’s book “Pure Invention: How Japan’s Pop Culture Conquered the World.”

Roland Kelt’s book, “Japanamerica: How Japanese Culture Has Invaded the U.S.”

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You know the scene. A pair of muggers are in an alleyway when a superhero leaps down and beats them to a pulp. It’s a classic scenario, but in a year when we’re reassessing the role of law enforcement in the real world, is it time to reimagine the role of super-cops in fantasy worlds? I talk with prosecutor Patrick O’Connor and police officer Henry Wong about how Batman or The Punisher could better reflect the times. Matthew Westfox, co-host of the podcast Superhero Ethics, discusses the moral quandaries of Daredevil. Peter Nowak, author of “The Rise of Real-Life Superheroes,” explains why costumed crime fighters are no longer just in fiction, and we hear from The Grim and Violet Valkyrie, who actually patrol the streets of San Diego as their superhero alter-egos.

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Fascism is a common theme in fantasy worlds, especially the rebels vs. evil empire scenario. But what can we learn from stories about encroaching fascism? I talk with journalists Lauren Davis, Damien G. Walter, professor Jason Dittmer and podcaster Stefan Sasse – who teaches history in Germany – about Star Wars, Game of Thrones, superheroes and how fantasy itself can be a dangerous tool for authoritarians.  

Stefan also hosts The Boiled Leather Audio Hour podcast.

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If you’re the type of Star Wars fan who knows the original trilogy by heart but hasn’t seen much else, Ahsoka Tano may be the most beloved Star Wars character you’ve never heard of. In the animated series Clone Wars, she was Anakin Skywalker’s padawan who became a legendary Jedi in her own right. And if the Internet rumors are true, she will make her live action debut played by Rosario Dawson in season 2 of The Mandalorian. I talk with entertainment journalists Lauren Davis and Amy Richau about how Ahsoka captured the imagination of Star Wars fans, and why she might be important to the future of the franchise. McKenna Fellows takes us into the world of Ahsoka cosplay, and designer Rachel Roth discusses why she created a couture dress based on Ahsoka’s costume. 

See McKenna Fellows' cosplay of Ahsoka

See Rachel Roth's couture Ahsoka dress at the Her Universe Fashion Show

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Mission to Zyxx is one of my favorite and highly bingeable podcasts. It’s a sci-fi audio drama (although very much a comedy) about a ragtag crew of space adventurers ranging from humans to aliens to robots. The actors are all improvisers. Every story and every line of dialogue is made up on the spot, but when layered with stereo soundscapes and effects, it sounds like they are worldbuilding on the fly. The show has made me LOL many times with its sly references to established sci-fi franchises, and I’m happy to share it with you.

Here is the Mission to Zyxx site for Episode 202: The New Norm [ft. Dru Johnston] with the cast list and other details.

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You've probably seen Doug Jones many times without realizing it because he is best known as a creature performer. You may have been moved by his performance as Saru in Star Trek: Discovery, captivated by his portrayal of The Amphibian Man in The Shape of Water or amazed by his dual roles as The Faun and The Pale Man in Pan’s Labyrinth. He is the Lon Chaney or Boris Karloff of our time. We talk with Doug Jones about how he got started, his approach to embodying an incredible array of non-human characters, and how he and director Guillermo del Toro developed a shorthand style of communication over six films.   

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In 2016, I put out an episode about how JK Rowling’s themes in the Harry Potter series inspired a generation of progressive activists including Jackson Bird, who was the spokesperson for the Harry Potter Alliance. Jackson is also trans. Recently, JK Rowling has alienated many of her fans and supporters with her views on transgender rights. I catch up with Jackson Bird to discuss how he’s handling the cognitive dissonance of being inspired by the messages in the Harry Potter books while feeling profound disappointment in JK Rowling.

Jackson Bird’s Op-Ed response to JK Rowling in The New York Times

Responding to JK Rowlings Essay | Is It Anti-Trans? by Jamie Raines and Shaaba 

Harry Potter Saved My Life. J.K. Rowling Is Now Endangering Trans People Like Me by Kacen Callender

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The works of H. P. Lovecraft have inspired a number of Black creators and other writers of color, from the new HBO series Lovecraft Country to the novella The Ballad of Black Tom. What’s so surprising about Lovecraft’s newfound relevance is that he was exceptionally racist, and racism was folded into his stories. In the era of cancel culture, there are few people more apt to be cancelled than Lovecraft. So why are so many writers, filmmakers, and even game designers of color using Lovecraft’s mythology to illustrate the experience of being a marginalized person? I talk with novelist Victor LaValle, novelist Premee Mohamed, Michigan State University professor Kinitra Brooks, and UCR Irvine professor and illustrator John Jennings about how to separate a bigoted writer from his brilliant mythology. Also featuring readings by actor Varick Boyd.

The Ballad of Black Tom by Victor LaValle:

Beneath the Rising by Premee Mohamed

Box of Bones by John Jennings and Ayize Jama Everett

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San Diego Comic Con is the high holiday of geekiness where fans converge to cosplay, buy collectables, show their appreciation to creators, and be the first to hear big announcements and see upcoming trailers. But the road from obscurity to cultural domination hasn’t always been smooth. In a year where the future of fan conventions is in doubt, we look back at the history of Comic Con and what it might look like in a COVID-19 world. Featuring filmmaker Eric Brammer, journalist Rob Salkowitz, and University of Oregon professor and author Erin Hanna.

“Comic-Con and the Business of Pop Culture: What the World’s Wildest Trade Show Can Tell Us About the Future of Entertainment” by Rob Salkowitz

“Only at Comic-Con: Hollywood, Fans, and the Limits of Exclusivity” by Erin Hanna

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If we ever make contact with aliens, they probably won’t look like humans with pointy ears or bumpy noses, but creature makeup design is more about communicating ideas. I talk with creature and makeup designers Steve Wang (Predator, Planet of the Apes, Underworld, Gremlins,) and Neill Gorton (Doctor Who, Torchwood, Being Human, Watchmen) about the process of turning a human actor into something convincingly non-human. Also, Rosemary Chalmers of Leeds Arts University explains why she wishes more creature designers would look more to the natural world for inspiration.  

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