Imaginary Worlds

In my 2017 episode Winning the Larp, I looked at the history of larps (live action role plays) and how the larping experience is deeply personal for each of the players. But I hadn’t done any larps myself. So this year, I delved deep into larping, where I discovered the thrill of stepping into someone else’s world, and the out-of-body experience of feeling emotions that aren’t yours. Featuring Ashwick Planation, DexCon and Sinking Ship Creations, along with readings by George Morafetis, Nicole Greevy and Luisa Tripoli. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Long ago, before we found out about new movies from tweets about teaser trailers that advertised full-length trailers – the first glimpse of a new movie would be the poster. Movie posters used to be hand-drawn illustrations, and many of them became iconic. Not so much anymore. But a growing movement of artists, galleries and print companies are creating alternative movie posters that re-imagine ad campaigns for current and former blockbusters of sci-fi, fantasy and horror genres. I talk with Rob Jones and Eric Garza of Mondo, author Matthew Chojnacki and artists Matt Taylor, Sara Deck, Tracie Ching, and Tim Doyle about the art of alternative movie posters, and a business model that has become controversial. Here is the link to the episode page with a slideshow.Learn more about your ad choices. Visit megaphone.fm/adchoices

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Science fiction has not always been compatible with religion -- in fact many futuristic settings imagine no religion at all. But sci-fi and fantasy have long fascinated people of different faiths because the genres wrestle with the big questions of life. I recently moderated a discussion between Minister Oscar Sinclair, Rabbi Rachel Barenblat and Alwaez Hussein Rashid about why SF worlds intrigue and inspire them.

List of References: "Lord of the Rings" by J.R.R. TolkienX-Men comicsDoctor Who Season 6 Episode 13 “The Big Bang” “The Mists of Avalon” by Marion Zimmer Bradley Isaac Asimov, novelist“Speaker for the Dead” by Orson Scott Card “Rendezvous with Rama” by Arthur C. Clarke“Stranger in a Strange Land” by Robert Heinlein “Record of a Spaceborn Few” from The Wayfarers Series by Becky Chambers“Small Gods” by Terry Pratchett Octavia Butler, novelistStar Trek: Deep Space Nine- Broken Earth series by N.K. Jemisin Monstress comics by Marjorie Liu “Lucifer’s Hammer” by Larry NivenMelancholia, film by Lars von Trier The Dragonlance series by Margaret Weis and Tracy Hickman The Bloodprint Series by Ausma Khan“City of Brass” from The Daevabad series by S.A. Chakraborty Sabaa Tahir, novelistNarnia series by C.S. Lewis "Seven Commentaries on an Imperfect Land" by Ruthanna Emrys"The Sparrow" by Mary Doria RussellFirefly TV series “Harry Potter and the Cursed Child” play by Jack Thorne 

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Forget Tinkerbell or those Victorian paintings of spritely pixies with wings. Traditional fairy folklore is much darker and weirder. Irish storytellers Philip Byrne, Helena Byrne, Eddie Lenihan, and professor Martha Bayless explore how fairy folklore dominated Celtic culture for centuries, and why belief in fairies is not an unreasonable way of understanding the world. Learn more about your ad choices. Visit megaphone.fm/adchoices

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There has been a renaissance of audio drama podcasts over the last several years, so picking up where I left off in the previous episode, I bring the history of audio dramas up to date with the help of Ann Heppermann, creator of The Sarah Awards for audio fiction. I also talk with Jonathan Mitchell of The Truth about the quest for realism and the pitfalls of fake interviews. Plus we hear the third audio drama that I wrote with The Truth, called "Nuclear Winter," about a pair of missile launch officers working in a silo that may be haunted. Learn more about your ad choices. Visit megaphone.fm/adchoices

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The "golden age of radio drama" may have been a stellar period for storytelling -- but the stories weren't all golden bright. Science fiction and horror were the ideal genres to explore the deep anxieties people felt from the Depression through the Cold War. And these radio dramas set the stage for fantastical stories that couldn't be told yet without advanced special effects. Dallas Taylor of the podcast Twenty Thousand Hertz co-hosts this episode as we hear from radio historians Neil Verma and Richard J. Hand, and radio drama veterans Dirk Maggs and Richard Toscan. Plus Emory Braswell recalls the day he thought Martians had invaded New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices

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What is the role of food in worldbuilding? Characters usually have to eat to stay alive -- but food is also culture, and if you're creating a fantasy culture, food will be an expression of those values. Chef Chelsea Monroe-Cassell talks about the origin of her fantasy cookbooks while chef Jenn de la Vega makes us a dish based on the novel "The Lies of Locke Lamora." Authors Elizabeth Bear and Fran Wilde break down the tropes and cliches around SF foods. Chef and author Jason Sheehan talks about his favorite dystopian food. And writer Scott Lynch reveals the fantasy beverage he's always wanted to try.Here's the episode show page with Jenn's Pears and Sausages recipe: https://www.imaginaryworldspodcast.org/fantastical-feasts.htmlLearn more about your ad choices. Visit megaphone.fm/adchoices

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Stubborn Lippi a.k.a. Stubbs is a halfling, a bard, and a sorcerer. He's also the character I've been playing since I produced my 2015 episode "Rolling the Twenty Sided Dice," where I learned how to play Dungeons & Dragons. This week, I discuss the epic and surprisingly personal journey I've been on over the past three years with my co-player Adam Boretz and our Dungeon Master Arlin Foley. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Last year, I interviewed Francesca Coppa for my episode Fanfiction (Don't Judge.) She's the author of the book "The Fanfiction Reader," and one of the founders of the fanfic site Archive of Our Own. Francesca was such a great source of information that I always regretted the fascinating parts of our interview which ended up on the proverbial cutting room floor. So this week, I'm featuring a full version of our conversation -- ranging from the ancient roots of fanfiction to the reasons why a TV showrunner might anonymously publish fanfic of their own show.Learn more about your ad choices. Visit megaphone.fm/adchoices

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Sci-fi fantasy worlds often use constructed languages (or conlangs for short) as a worldbuilding tool that can make us believe the characters come from an ancient or alien culture. But art can take on a life of its own once it's released into the world -- and so do languages. Marc Okrand, inventor of the Klingon language, and David J. Peterson, inventor of the Dothraki language and The 100's Trigedasleng, talk about the surprises they encountered. I also talk with Lawrence M. Schoen of the Klingon Language Institute and Robyn Stewart, the language consultant for Star Trek: Discovery, about why the Klingon culture spilled over into the real world. And Jen Usellis -- a.k.a. Klingon Pop Warrior -- will give you a serious case of earworms, and we're not talking about the mind-controlling earworms from Star Trek II. To hear Matt Fiddler's episode from Very Bad Words on cursing in conlangs:http://www.verybadwords.com/shows/constructed-curses-in-sci-fi-fantasy Learn more about your ad choices. Visit megaphone.fm/adchoices

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