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Imitation is a huge part of the human experience, as we imitate role models and loved ones. Oscar Wilde called it the 'highest form of flattery'. But what did imitation – or mimesis – look like in early Christianity? To find out, Helen and Lloyd take a trip in the time machine with Professor Cornelis Bennema. They discuss what imitation meant in the ancient world, how the New Testament writers adapted the concept, and why Paul instructs his listeners to 'imitate me'.
Dr Cornelis (‘Cor’) Bennema is Head of Research and Professor of New Testament Studies at the London School of Theology. His main research interests include the Johannine literature, character studies in biblical narrative and early Christian ethics. He is the author of a number of works on mimesis, most recently Imitation in Early Christianity: Mimesis and Religious-Ethical Formation (Eerdmans, 2025).
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Theme music written and performed by Dave Roos, creator of Biblical Time Machine. Season 4 produced by John Nelson.
By Helen Bond & Lloyd Llewellyn-Jones4.6
200200 ratings
Imitation is a huge part of the human experience, as we imitate role models and loved ones. Oscar Wilde called it the 'highest form of flattery'. But what did imitation – or mimesis – look like in early Christianity? To find out, Helen and Lloyd take a trip in the time machine with Professor Cornelis Bennema. They discuss what imitation meant in the ancient world, how the New Testament writers adapted the concept, and why Paul instructs his listeners to 'imitate me'.
Dr Cornelis (‘Cor’) Bennema is Head of Research and Professor of New Testament Studies at the London School of Theology. His main research interests include the Johannine literature, character studies in biblical narrative and early Christian ethics. He is the author of a number of works on mimesis, most recently Imitation in Early Christianity: Mimesis and Religious-Ethical Formation (Eerdmans, 2025).
Support the show
Theme music written and performed by Dave Roos, creator of Biblical Time Machine. Season 4 produced by John Nelson.

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