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New Jersey-based painter and immersive art museum ‘host’ Kate Sharkey talks about:
Transitioning from being a preparator (at MoMA) to getting a job as a ‘host’ at the immersive art museum ARTECHOUSE, where she also does AV/tech work w/the projectors; what her job as host entails, including interacting with and managing guests’ experiences (some who do something called ‘candyflipping')whether or not immersive art experiences are actually ‘art,’ and which immersive art shows have worked best at ARTECHOUSE, particularly a work by Julius Hosthuis; and we talk about whether immersive art exhibits qualify as ‘art’ or ‘entertainment,’ and what other forms of entertainment they’re competing with.
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New Jersey-based painter and immersive art museum ‘host’ Kate Sharkey talks about:
Transitioning from being a preparator (at MoMA) to getting a job as a ‘host’ at the immersive art museum ARTECHOUSE, where she also does AV/tech work w/the projectors; what her job as host entails, including interacting with and managing guests’ experiences (some who do something called ‘candyflipping')whether or not immersive art experiences are actually ‘art,’ and which immersive art shows have worked best at ARTECHOUSE, particularly a work by Julius Hosthuis; and we talk about whether immersive art exhibits qualify as ‘art’ or ‘entertainment,’ and what other forms of entertainment they’re competing with.
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