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Ever find yourself stumped by a tricky passage, where your fingers seem to be a little awkward and uncoordinated and they just don't do what they're supposed to do?
Maybe you tried slowing things down, or practicing with note groupings or rhythms, or doing your darnedest to identify any hints of hidden tension that might be getting in the way. All of which are excellent things to try, of course - but did you ever try practicing that passage with your other hand?
If you have, you know that this is often surprisingly helpful. And if you haven't, I think you'll enjoy adding this new tool to your toolkit.
Either way, I think you'll be intrigued to learn more of the how's and why's about this phenomenon, known as bilateral transfer.
Get all the nerdy details right here:
Improve Coordination With Opposite-Side Practice
More from The Bulletproof Musician
By Noa Kageyama4.9
156156 ratings
Ever find yourself stumped by a tricky passage, where your fingers seem to be a little awkward and uncoordinated and they just don't do what they're supposed to do?
Maybe you tried slowing things down, or practicing with note groupings or rhythms, or doing your darnedest to identify any hints of hidden tension that might be getting in the way. All of which are excellent things to try, of course - but did you ever try practicing that passage with your other hand?
If you have, you know that this is often surprisingly helpful. And if you haven't, I think you'll enjoy adding this new tool to your toolkit.
Either way, I think you'll be intrigued to learn more of the how's and why's about this phenomenon, known as bilateral transfer.
Get all the nerdy details right here:
Improve Coordination With Opposite-Side Practice
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