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Every recording is made is some sort of space. It might be a room, and studio, a church, a concert hall, or even outside.
The space where the music is performed, and where the microphones pick up the music always influences the sound of the recording.
You might think that close-mic’ing in a dead room eliminates the contribution of the room, but it is still there, for better or worse. The room influences our perception of the performance. Our brain draws conclusions about the space. A listener may form a mental image of the musicians and the room, based on what they hear. Usually, most listeners are unaware of the space, unless it is very obvious. But it does influence their response to your recording.
Learn some of the basics of acoustics that can help you make your studios and control rooms sound better.
email: [email protected]
www.youtube.com/c/DWFearn
https://dwfearn.com/
4.9
3636 ratings
Send us a text
Every recording is made is some sort of space. It might be a room, and studio, a church, a concert hall, or even outside.
The space where the music is performed, and where the microphones pick up the music always influences the sound of the recording.
You might think that close-mic’ing in a dead room eliminates the contribution of the room, but it is still there, for better or worse. The room influences our perception of the performance. Our brain draws conclusions about the space. A listener may form a mental image of the musicians and the room, based on what they hear. Usually, most listeners are unaware of the space, unless it is very obvious. But it does influence their response to your recording.
Learn some of the basics of acoustics that can help you make your studios and control rooms sound better.
email: [email protected]
www.youtube.com/c/DWFearn
https://dwfearn.com/
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