Internationally acclaimed and award winning soprano Carolyn Sampson has had an unusually organic rise to the world stage – from her formative years in Bedfordshire’s exceptional youth music programs to early encouragement from influential mentors like Geoffrey Skidmore and Harry Christophers. Equally at home on the concert and opera stages, she has appeared with the Gewundhaus, BBC Philharmonic, and Opéra de Paris amongst many others, and released more than 100 albums.

In this conversation, Carolyn reflects on the transition from ensemble singing with renowned groups such as The Sixteen to major opera roles at English National Opera. She also talks about the development of her voice over time, the thrill of stagecraft, and the creative partnership behind her many recordings with pianist Joseph Middleton, including her milestone 100th album But I Like to Sing. She explores her love of music across genres and also speaks passionately about giving back through community music-making. 

In the 2024 New Year Honours, Carolyn was awarded an OBE for services to music.

 This conversation was recorded at the 2025 Australian Festival of Chamber Music, in Townsville. The next AFCM will take place in Cairns from July 24 to August 1, 2026.

A chance encounter with Mozart’s Flute and Harp Concerto changed Ana de la Vega’s life forever. It inspired her so much that she is now one of the most sought-after flautists of her generation, praised for her crystal clear and velvety tone. She has appeared in some of the world’s most prestigious venues, including Philharmonie Berlin, the Concertgebouw in Amsterdam, and London’s Wigmore Hall. No stranger to the recording studio, she’s released six albums, including the enchanting My Paris. Having been based in Europe for 15 years, Ana has returned to Australia and is now artistic director of the Snow Concert Hall in Canberra.

Ana’s career is a story of dedicated practice and determined persistence, from knocking on doors in Paris to study under teachers connected to her musical idol Jean-Pierre Rampal, to creating an entirely new concert series at the Snow Concert Hall from scratch. She describes her desire to make classical music more accessible and emotionally engaging for new audiences, reflecting on her own transformative experience of discovering it as a child. She speaks with passion about artistry, perseverance, and the expressive power of music to connect deeply with listeners regardless of background or experience.

Ana de la Vega performs at the Snow Concert Hall on Saturday 15 November. Tickets for the 2026 season are now available.

Under Richard Tognetti’s leadership, the Australian Chamber Orchestra has come to be regarded as one of the world’s finest ensembles. In this wide-ranging and candid conversation, Richard reflects on 35 years at the helm, as well as his international orchestral appearances as director or soloist. Equally at home on the period, modern and electric violins, he has also created dozens of arrangements and compositions, including for several films, and claimed six ARIA Awards.From a Wollongong childhood, Richard traces a journey defined by fierce independence and a passion for blurring musical boundaries - qualities that have shaped the ACO’s distinctive sound. He speaks compellingly of the importance of music education, sharing moving stories of his personal encounters through the ACO’s outreach, and takes pride in the orchestra’s new home at Pier 2/3 in Walsh Bay - a place to share and experience music.Personal and insightful, this conversation illuminates the energy, intellect and uncompromising spirit of one of Australia’s most influential musicians.Richard Tognetti directs the Australian Chamber Orchestra for Cocteau’s Circle around Australia until November 22. Subscriptions for the ACO’s 2026 season are now available.

A music director, pianist, composer, producer and cabaret performer, Steven Kramer has worked on a diverse array of musicals, from Little Shop of Horrors to Calamity Jane and from Assassins to Rent, winning the Sydney Theatre Award for Best Musical Director for Jekyll & Hyde. He’s played piano with the Sydney Symphony Orchestra and Kate Ceberano, and for productions of The Sound of Music and Frozen. With all that musical theatre experience under his belt, it’s little wonder that he has written his first musical based on the story of Australia’s most famous racing horse – Phar Lap: The Electro-Swing Musical.

Steven takes us through the inspiration for the musical and we take a deep dive into what it takes to get a project from idea to the stage. We hear about the key moments of his career, including his collaboration with Courtney Act for the Sydney World Pride concert. He reflects on lessons learned from theatre and cabaret, the importance of creative risk-taking, and why musical theatre should always embrace its sense of fun, heart, and a little absurdity.

Phar Lap: The Electro-Swing Musical, with music, book and lyrics by Steven Kramer, plays at The Hayes Theatre until November 22.

One of the world’s most sought-after cellists, Daniel Müller-Schott performs on all the international concert stages, whether it’s with the New York Philharmonic, the London Symphony Orchestra, or the Gewandhaus Orchestra. He’s worked with the world’s greatest conductors, including Neeme Järvi, Andris Nelsons and Simone Young, and recorded over 30 albums for a diverse array of labels. He also enjoys combining the art of music with the visual arts and literature. 

In this conversation, Daniel recounts the impact of winning the Tchaikovsky Competition in Moscow at age 15, a milestone that launched his professional career. He speaks warmly of his mentors, including Anne-Sophie Mutter, Steven Isserlis, and Mstislav Rostropovich, who taught him the expressive and human dimensions of music. 

Beyond the concert stage, we hear about Daniel’s interest in blending classical music with other art forms such as painting, dance, and film. Through his festival in Switzerland, he creates performances that invite audiences to experience music in fresh, multidimensional ways. He also reflects on the bond he shares with his centuries-old cello, his evolving creative process, and the importance of finding inspiration in art, travel, and everyday life.

Daniel Müller-Schott performs with the Sydney Symphony Orchestra from 22-25 October, before heading to Adelaide, Melbourne, Hobart and parts of New Zealand throughout November.

Award-winning Australian soprano Cathy-Di Zhang has performed extensively with Opera Australia as well as for Victorian Opera and the State Opera of South Australia. She has sung with the Melbourne Symphony Orchestra, the Perth Symphonic Chorus and as a soloist with orchestras and chamber groups throughout Europe and Asia.

In this conversation, Cathy-Di reflects on her somewhat unconventional journey to the profession, and opens up about navigating life as an artist. From lockdowns and love stories, to rediscovering her voice back home in Australia, she shares her delight in pushing artistic boundaries through projects like Opera Up Late and The Butterfly Lovers, and her belief that music should always have soul, playfulness, and heart.

Cathy-Di Zhang joins the Sydney Philharmonia Choirs for Brahms’s A German Requiem at the Sydney Opera House on Saturday, October 25.

The “Rock stars of Renaissance music” is how The New York Times described the award winning British vocal ensemble The Tallis Scholars. Founder and artistic director Peter Phillips has devoted his life to creating the ideal choral sound, and exploring many neglected gaps in the polyphonic repertoire. He’s also commissioned many contemporary composers including Eric Whitacre, John Tavener and Nico Muhly. On top of all that, he’s written columns for newspapers and magazines, presented radio lectures, and even written a novel.

In this conversation, Peter discusses how his fascination with vocal harmony began in his school days, developed at Oxford, and eventually led to the formation of The Tallis Scholars in 1973, an ensemble that would become synonymous with the purity and precision of Renaissance choral music. He shares insights into the challenges of interpreting centuries-old music, from deciphering incomplete manuscripts to navigating lost performance traditions, and how the group strives to make these works vivid for modern audiences. Warm and deeply insightful, Peter reveals the passion, intellect, and humour that have sustained his remarkable career in music.

The Tallis Scholars, under founder and artistic director Peter Phillips, perform at the Sydney Opera House on Sunday, 12 October. They will also be performing at the Adelaide Town Hall on Thursday, 9 October, and at the QPAC Concert Hall on Friday, 10 October. Performances in Canberra and Melbourne had already occurred at the time of publication of this program.

As a self-described “post-post modern diva”, Meow Meow is one of the world’s most outstanding cabaret artists. She has played to sold-out venues from London to New York, and Berlin to Sydney. Winner of the Edinburgh Fringe Prize in 2010, and a Helpmann Award in 2012, she’s performed with the great Barrie Humphries, been commissioned by David Bowie, and created roles in London’s West End. Berliner Zeitung called her “The Queen of Chanson” while London’s Evening Standard said she possessed “devilishly funny bones and heavenly vocal cords”.

Meow Meow displays her razor-sharp wit throughout this conversation, exploring her artistic evolution and inspirations, revealing the mix of parody and sincerity which are the hallmarks of her shows. We hear about her early musical influences and passions, and the impact past and present artists have had on her work and outlook.

Meow Meow’s The Red Shoes, is playing at Sydney’s Belvoir Street Theatre until November 9.

British organist Martin Baker has spent a lifetime at the keyboard, from the moment he first touched the instrument as a child to his twenty years as Master of Music at Westminster Cathedral. Along the way he has become one of the world’s most sought-after organists, known especially for his dazzling improvisations.

Martin reflects on the twists of fate that shaped his career, from early lessons on a family keyboard, to the honour and pleasure of leading music at some of the UK’s most important cathedrals. He recalls playing at unforgettable occasions, including the funeral of Diana, Princess of Wales, revealing the quick thinking required when a live event doesn’t go exactly as scheduled.

With warmth and humour, Martin talks about the joy of improvisation, whether it’s adding an unexpected burst of ABBA into a Phantom of the Opera screening, or creating music that lifts a congregation in worship, sharing insights into the rich traditions of Catholic and Anglican church music.

A candid and illuminating glimpse into the artistry, craft, and humanity of one of today’s great organists.

This program was recorded while Martin was visiting Sydney in May 2025 to perform at St James, King Street.

Tony Award-winning director John Rando has staged some of Broadway’s most inventive and entertaining productions – from Urinetown to On the Town, The Wedding Singer to Mr. Saturday Night. He was one of the creative forces behind the stage musical version of Back to the Future in both the West End and on Broadway, which he is now bringing to Australia.

In this lively and wide-ranging conversation, John takes us behind the scenes of turning a beloved movie into a dazzling theatrical spectacle – complete with a time-travelling DeLorean – and reveals how musicals can deepen characters we thought we already knew. He shares stories from his early days in Texas and New York, reflects on some career-changing moments, and talks about working with legends like Billy Crystal and Glen Ballard.

The interview is a masterclass in creativity, collaboration, and the art (and gamble) of making Broadway magic, and throughout John displays warmth, humour, and his passion for the stage.

Back to the Future: The Musical opens at Sydney’s Lyric Theatre on 26 September.