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In the second part of our talk with John Duncan, we get into his time in Amsterdam up to his current work. Greh and John reminisce about the “Voice Contact” performance that Greh participated in. In addition, John talks about ideas and process behind “The Crackling,” “Nazca Tranmissions,” and much more. We can’t thank John enough for taking time to let us in on his history and art.
Visit John’s website at johnduncan.org
Follow us on Instagram: @noisextra
Follow us on Twitter: @noisextraaa
Support us on Patreon: patreon.com/noisextra
5
157157 ratings
In the second part of our talk with John Duncan, we get into his time in Amsterdam up to his current work. Greh and John reminisce about the “Voice Contact” performance that Greh participated in. In addition, John talks about ideas and process behind “The Crackling,” “Nazca Tranmissions,” and much more. We can’t thank John enough for taking time to let us in on his history and art.
Visit John’s website at johnduncan.org
Follow us on Instagram: @noisextra
Follow us on Twitter: @noisextraaa
Support us on Patreon: patreon.com/noisextra
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