Indie Review

Jamal Batiste is one of many musical seeds of New Orleans’s own Batiste  Family. He is a producer and an exceptionally talented drummer, who has  been playing drums since the age of three. Jamal earned his specialized  degree in Jazz Studies from the University of New Orleans. Jamal has  performed in the New Orleans Jazz & Heritage Festival since the age  of five. He performed with the Batiste Brothers Band and had his own  show in the Kid’s tent, Congo Square stage, Fox 8 stage, and the Acura  Stage. He’s toured in Africa, Japan, Canada, Europe, and USA with  international bands such as Los Hombres Calientes, Jon Cleary and AMG,  The Wild Magnolias, and a host of others. Jamal’s rhythmical tone is a  Gumbo of funk, rhythm and blues, Latin, gospel, second Line, rock, soul,  classical, and jazz that has inspired and mesmerized his fans and  supporters of all ages. For his first project, Jamal recorded and  executive produced his father’s first solo album, “New Orleans Is Coming  Back” by David Batiste & the Gladiators. For his second project he  produced a compilation album called “The Unorthodox Drummer: The First  Assemblage,” that’s in stores and online (iTunes!). He has shared the  stage with international artists such as Drake, Lalah Hathaway, Ledisi,  Anthony Hamilton, Bonnie Rait, Musiq Soulchild, Yolanda Adams, and many  more. He’s currently recording and performing with his fire band,  Jam-All!  

Born in the Brownsville section of Brooklyn Lyonel “Kay-Kay” Rosemond  fondly remembers being enamored with the soul singers of the 70’s, which  included Marvin Gaye, Al Green and Otis Redding. However, he would soon  become entrenched in the hip-hop scene that was beginning to take over  during his adolescence. At the time, little did he know that these  musical influences would have a great deal to do with the career he  ultimately chose as an A&R with Motown/Universal Music Group. At an  early age he decided that he would pursue a career as an artist for his  favorite comic book company, Marvel Comics. Lyonel soon enrolled in a  school for cartoon illustration and shortly after began receiving  requests from friends who needed logos for the companies many of them  hoped to form. In 1994, however Lyonel began to see his career path  change course after his Uncle Jimmy Henchman Rosemond, who was about to  start his own management company, called him. Once entering the music  industry Lyonel realized that art was not his only talent, as he quickly  adapted to the scene and learned what something he feels very few  comprehend – artists don’t live what they portray. It was at this time  that Lyonel realized that the music business was in fact business first,  and he began to actively increase his contacts. He was offered a job to  work in the A&R department at the historic record label Motown  while he was at Kedar Entertainment.  Since joining the Motown family  Lyonel has worked with a bevy of artists including Erykah Badu, Chico  DeBarge, Lil’ Wayne, The Temptations and R&B crooner Joe. He feels  that his work with Badu was the most special because of the authentic  approach she took to developing her music. Kay-Kay is currently the  A&R at E1/Koch Records.  

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Shae Fiol grew up in Portland, Oregon, surrounded by family members who  were classically trained musicians such as her mother, father, both  grandmothers. She is a true performer, the complete musical package  -arranger, guitarist, lyricist, songwriter and vocalist. Her path to  music began in her sophomore year at New Mexico University when her  father came up with a great way for Shae to earn tuition - by writing  songs.  After purchasing his daughter a digital tape four track, he  agreed to pay her $250 for every song she wrote.  The result was a  nine-song demo, which not only earned her enough cash to live off but  also became the catalyst to build her indomitable song writing skills.   After college, Shae's musical ambitions helped to land her in L.A. where  she worked with Tha Liks, especially J-ro on a track "Run Wild" Just a  year later, Shae was invited to New York City by Rockwilder to work with  him on her album.  Shae now calls Brooklyn home.  She is a well-rounded  performer who has showcased her talents at well-known NYC venues  ranging from Joe's Pub, BAM and SOB's.  She describes her music as  creating the type of vibe, which allows one to travel inside their mind  and daydream while still appreciating the eclectic mix of classical,  folk, rhythm and blues, hip-hop, jazz and Latin playing in the  background.  Her music is personal, searching, and adventurous.  Shae's first full-length album, Catch a Ride, was produced mostly by her  collaborations featuring Grammy Award winners Stuart Matthewman of  Sade, Me'shell Ndegeocello, and producer Rockwilder.  

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On this show we have a special industry professional guest, Tymeek of  Sun Toucher Ent. Sun Toucher is a  Booking Agency & Entertainment  Company (Est. 1994) that is a premiere source of providing you with the  best for over 20 years. Sun Toucher is Internationally known for booking  who's who's in the music, entertainment industry and has a management  division coming soon. In addition find out who The "Indie 100" artist of  the week is. The Indie 100 consists of musicians who are in the fast  lane, burning rubber towards stardom, setting stages into a tailspin  while maneuvering their high frequency equipment.  

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Russell Taylor has revived the true meaning of sacrifice, and given  sensuously starved listeners an intimate view of romantic relationships draped in musical decadence as in times past. He draws on his Southern  family roots, his Philly up bringing, and his academic prowess to create  a collection of songs that speak directly to the heart while echoing  sentiments of old Hollywood glamour intertwined with progressive yet  classic soul. These songs reverberate with the pains of unrequited love  and the elation of that first touch. Russell compels you to listen, not  just hear the jarringly honest lyrics that draw on our voyeuristic  tendencies and enliven our innate need for sincere human connection;  whether it be taboo or complicated. RT has the educational pedigree and  the street cred to bridge the chasm between the block and the yatch. He  uses this unique understanding to remain true to his musical influences  and overcome the pressure to only please the pop music industry. Russell  also infuses his work with an international flare that began with his  early musical study in the UK. His musical CV is equally impressive as  he has shared stages with some of our generation’s most respected  musicians: Mary J. Blige, Musiq, Jill Scott, India Arie, Mint Condition,  Tamia, Rahsaan Patterson, Jaguar, Eric Roberson, Lalah Hathaway and  Omar. Therefore, it is no surprise that he continues to woo audiences  from Paris and LA, where they swoon over his soulful voice, pristine  good looks, seductive smile and genuinely affable personality.  

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The daughter of strict Baptist ministers in Dallas, Texas – only two  kinds of music were allowed in N’dambi’s house, gospel and country.  Church was the center of the family’s life in every way and there was no  middle ground. Secular music was forbidden, but its irresistible allure  eventually trickled into her life and began impacting the maturing  young singer. Blessed with a deep contralto, N’dambi became especially  enamored with the male singers from the ‘70s and ‘80s she’d heard and  identified with while hanging out with cousins and friends. The funky  soul of Bar-Kays’ Larry Dodson, the sophisticated syncopation of Earth,  Wind & Fire’s Maurice White and the notorious abandon of the Ohio  Players’ Sugafoot influenced her heavily. Later, the mysterious,  uninhibited imagination of Nina Simone and Mahalia Jackson also became  musical and cultural touchstones. Her independent streak led to college  and a degree in English and creative writing from SMU. Her developing,  expressive voice, the poetic irony of her skillful writing ability and  her musicianship as a classically trained pianist spurred N’dambi’s  musical ambition. N’dambi sang back-up and collaborated with another  rising soul seeker, Erykah Badu all the while honing her artistry and  slowly building a fiercely loyal fan base that resonates with the  organic, authentic approach to her life and music. N’dambi delivered her  debut solo CD Little Lost Girl Blues in 1999. Since then she has  released the two-disc set Tunin’ Up & Cosignin’, and the 2005 set A  Weird Kind Of Wonderful, which was released only in Japan. On her latest  Pink Elephant, N’dambi ingeniously distills soul-deep inspiration into a  sensual style of elegance and power.  

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After delivering nearly two decades of honest music, Angela Johnson has  nothing left to prove. A newly liberated Johnson returns ready to party.  Culling the funky sounds of that twilight period between the end of  disco and the height of the funk era, Johnson’s production rediscovers  the rhythmic grooves, propulsive basslines, and memorable chords that  once poured from live instruments instead of technology. Johnson gifts  her listeners with that rare music her fans can both step to and be  moved by, the kind once commonplace “On The Radio.” With It’s Personal,  Angela tears down the final wall between her perfected image for the  stage and the real-life woman who works hard and sometimes stumbles in  her effort to keep it sexy for her husband, be a shining example for her  daughter, maintain the esteem of her industry, and deliver the kind of  music and performances that contributes something real in the lives of  her fans. No more illusion, just Angie. Born for music, Johnson enrolled  in SUNY Purchase to further study violin. At SUNY, she met her future  Cooly’s hot-box bandmates and songwriting partner, Christian Urich.  Together the eclectic soul and acid jazz band landed a deal with  Polygram Records that ended almost before it begun. In addition to her  strong family upbringing, the secret weapon that has allowed Johnson to  keep so many balls afloat over the last 17 years is her marriage to her  manager and Purpose Music co-founder Russell Johnson. The dynamic duo  has demonstrated the anti-thesis of every stereotype about Black love,  Black family, and the legendary horror stories surrounding female  artists with managing husbands. Angela’s comic sensibilities are  complemented by Russell’s straight man stability & orderly business  savvy.   

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Nigil has been an A&R at Universal Motown for four years and has  worked with; Kid Cudi, Pac Div, & Jackie Chain.  Before coming to  Universal. , he started a indie label called Sugar Water Recordings,  which was one of the first urban labels distributed through Fontana  Distribution.  I started my career in street promotions in the  Baltimore- DC area.  

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Some people are born with jaw-dropping talent, some born with a burning  will to succeed, and some born with a spirit to help those in need. Then  there is multiple award-winning singer Maya Azucena, a vocalist so  richly talented that she's brought audiences to their feet all over the  world. Driven by an entrepreneur's spirit, she's released her own music  and toured the planet, all on her own. And, Maya's a humanitarian who  consistently uses these gifts to help make life better for those around  her.  An electric performer with commanding stage presence and passionate  delivery; Maya's concerts are often described as "spiritual" and  "riveting." Her music sounds like a cutting-edge version of Aretha  Franklin mixed with the fire of Lauryn Hill and the songwriting talent  of classic Stevie Wonder. The Chinese press summed it up by saying "Ms  Azucena has the power to 'penetrate blocks' and to touch people from  different cultural backgrounds."  

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Bursting from an array of musical brilliance, singer/songwriter/pianist  AVERY*Sunshine emerges onto the scene rooted in gospel, she reaches deep  into that cornucopia of style and sound and sings a song which  articulates the complexities of life with luminous insight. Fluent in  many languages from soul, house to classical and hip hop, AVERY*Sunshine  expresses with a voice that speaks boldly and tells a uniquely familiar  story. A story about love, loss, healing and finding the newness of  oneself in the midst of it all. AVERY is a self-proclaimed therapist who  wants to start the conversation that will lead to individual healing  and in turn will affect our collective healing. She is a native of  Chester, PA where she nurtured a natural talent by singing in church and  leading and directing choirs. A former member of the renowned  Wilmington/Chester Mass Choir, she honed her vocal instrument and  sharpened her ability to play piano in her hometown, then headed south  to Atlanta where she attended Spellman College. Making her mark on the  Atlanta-soul music scene, she and her Spellman sister, Broadway talent  Maia Wilson, teamed up to form the singing duo Daisy Rew. AVERY later  lent her voice to the soundtrack for Paramount Pictures’ The Fighting  Temptations. In 2005, she was hired as lead keyboardist for Tyler  Perry’s play Meet the Browns, and she was sought out by vocal great  Jennifer Holiday to be choral director for the theatrical production of  DREAMGIRLS during the National Black Arts Festival in Atlanta.  AVERY*Sunshine recently made history with daily performances at the DNC  in Denver and four private events during the 2009 Inauguration of  President Obama. With vocals and lyrics that are thick and strong yet  jazzy-smooth, it’s easily recognized that AVERY has been singing all her  life.   

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