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My guest this week is Baltimore-via-Tanzania producer and musician Infinity Knives. We spoke about Ancestry.com, whether hip-hop is political, Severance, Pan’s Labyrinth, our favorite anime, fantasy novels, video games, and comic books, growing up between Tanzania and Madagascar, merging classical music with hip-hop, trusting the process, and the creative process behind he and Brian Ennals’s latest album King Cobra.
King Cobra is available wherever music is sold, streamed, or stolen. Consider copping directly from their Bandcamp page here.
Follow Infinity Knives on Twitter (@infinitykniives) and Instagram (@InfinityKnives)
Follow Brian Ennals on Twitter and Instagram: @BrianEnnals
Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), and Letterboxd (@CineMasai)
Support the show
By Dylan "CineMasai" Green5
1919 ratings
My guest this week is Baltimore-via-Tanzania producer and musician Infinity Knives. We spoke about Ancestry.com, whether hip-hop is political, Severance, Pan’s Labyrinth, our favorite anime, fantasy novels, video games, and comic books, growing up between Tanzania and Madagascar, merging classical music with hip-hop, trusting the process, and the creative process behind he and Brian Ennals’s latest album King Cobra.
King Cobra is available wherever music is sold, streamed, or stolen. Consider copping directly from their Bandcamp page here.
Follow Infinity Knives on Twitter (@infinitykniives) and Instagram (@InfinityKnives)
Follow Brian Ennals on Twitter and Instagram: @BrianEnnals
Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), and Letterboxd (@CineMasai)
Support the show

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