In Chapter VII, “Sculpture and Minor Arts and Crafts Outside of Italy,” James Joseph Walsh surveys how during the century of Columbus—roughly the 15th–early 16th centuries—sculpture and the ancillary arts flourished across Europe beyond Italy, developing styles that were often national or local in character even where Italian influence was felt. He discusses the rich sculptural traditions in the Low Countries: tombs, wood-carvings, and the many monuments whose makers are often unnamed, such as the Tomb of Mary of Burgundy. In Germany, there was a high level of artistry especially in wood: altarpieces, choir stalls, pulpits, and also the bronze work of the Vischer family, with their sumptuous canopy for St. Sebald’s in Nuremberg being a high point. In France, Walsh highlights sculptors such as Colombe, Jean Juste, Jean Goujon, and Germain Pilon, noting works like tombs, reliefs, and decorative sculpture that combine refinement of form with technical mastery. Besides monumental sculpture, he emphasizes how “minor arts and crafts” — such as tapestry, enamel, armor, clock‐work, and finely wrought small metal and wood objects — achieved some of their greatest expression in this period, serving both religious and secular needs. Walsh’s thesis is that although Italy may have led in many ways, the rest of Europe was in this era not merely catching up but contributing profound and distinctive artistic achievements in sculpture and craft.The Century of Columbus by James Joseph Walsh offers a comprehensive exploration of the late 15th to early 16th century, emphasizing the pivotal role of Catholic faith and culture in shaping the era’s intellectual, artistic, and exploratory achievements. Walsh, a Catholic historian, portrays the period as a golden age of Catholic civilization, highlighting figures like Christopher Columbus, whose voyages were driven by a missionary zeal to spread Christianity alongside discovery. The book celebrates the Church’s influence on the Renaissance, with its patronage of arts and sciences, and defends the Catholic worldview against secular critiques, presenting the period as a harmonious blend of faith and reason that profoundly shaped Western civilization. James Joseph Walsh (1865–1942) was an American physician, author, and Catholic intellectual born in Archbald, Pennsylvania. He graduated from Fordham College in 1884, earned a PhD in 1892, and an MD from the University of Pennsylvania in 1895, followed by postgraduate studies in Paris, Vienna, and Berlin. Settling in New York, he served as Dean and Professor of nervous diseases and medical history at Fordham University’s School of Medicine, where he founded the Fordham University Press. A prolific writer, Walsh authored numerous books and articles on medicine, science, and the Catholic Church’s contributions to both, including the bestselling The Thirteenth, Greatest of Centuries. A staunch Catholic apologist, he combated anti-Catholic sentiment, and received the Laetare Medal from Notre Dame in 1916. He died in New York City in 1942