The Mekons arrived during the late 70's UK post-punk scene and still perform today as one of the longest running artists from this era. The band never achieved mainstream commercial success, but has consistently received critical acclaim throughout their career especially in the mid-1980's while blending punk rock with traditional folk and country music to pioneer the alternative-country genre.
The Mekons, or just Mekons, formed in Leeds in 1976 as an art collective with many musicians contributing over the years as they operated on principles that everything is created by the band and not individuals. This uncompromising band has always maintained their political edge with their lyrics and their style has constantly evolved over time to incorporate aspects many genres including country music, folk music, and alternative rock, among others.  

Although The Mekons' lineup has changed from time to time over the years, the core line-up gathered in the mid-80s and is still together today. This includes Sally Timms on vocals and Susie Honeyman on violin, along with founders Jon Langford on vocals and guitar, and Tom Greenhalgh on vocals and guitars.
The Mekons, well known for their exuberant live performances, have released a total of 16 studio albums, starting with the 1979 debut and the most recent in 2025. 
This episode tells the story of the band from formation through the creative work of their albums of the 80’s and into the early 90’s. 

The Cult formed in 1983, behind vocalist Ian Astbury and guitarist Billy Duffy. Initially known as Death Cult before changing their name in early 1984, this English band would establish a following with their post-punk and gothic rock sound before changing to a more hard rock sound in the later 80’s.

The Cult's debut studio album, Dreamtime, was released in 1984 and their second studio album, Love, followed in 1985. Love was the band's breakthrough success and included the classic singles, "She Sells Sanctuary" and "Rain⁠⁠⁠".

The Cult’s early work mixed dark, atmospheric sounds with heavy guitar riffs while adding spiritual themes and Native American imagery. The band would be influential for bridging the gap between gothic rock/post-punk with later 80’s hard rock as they changed their musical direction working with producer Rick Rubin for the album Electric in 1987. The Cult would finish out the 80’s with the fourth studio album, Sonic Temple, which included the song “Fire Woman”. 

This podcast episode will explore the origins of The Cult from before the Death Cult days and through the first four albums as The Cult, all before the end of the 80’s.

After starting on the pub rock scene in England, the core line-up of The Stranglers would form in 1975, and they would release their debut album in 1977 during the British punk explosion.  During the band's early years, the aggressive and uncompromising approach of The Stranglers would result in the press and critics grouping them with the emerging UK punk rock scene. 

However The Stranglers, beyond dressing in all black outfits, were different. After the first two albums and over the following years the sound of the band would gradually shift through various genres and styles as the music matured and became more refined. 

Throughout the band’s history, The Stranglers have had multiple hit singles while releasing 18 studio albums, of which the first ten albums hit top 20 on the UK top album charts. The Stranglers are amongst the longest-surviving bands to have originated in the British punk scene, and one of the most commercially successful band from the UK punk era. 

This episode tells the story of the band through the first six albums, all by 1981 over a 4 and a half year span, including The Raven, Black and White, and The Gospel According to Meninblack.

Originally from Berkeley, California as the Warfield Foxes, this band relocated to Los Angeles in the mid-70’s and became The Motels.  

During the late 70's in L.A., The Motels became a vital part of the club circuit that helped launch the local punk and new wave scenes.  The band’s early tracks were along punk rock lines, but by the early 80’s The Motels were more new wave and alternative rock behind atmospheric sound, theatrical style, and the sultry vocals of lead singer Martha Davis.

Following their third studio album, The Motels became a fixture of the early 1980s MTV. Their music blended moody, melancholic lyrics with catchy, melodic pop-rock and synth-driven arrangements as they achieved commercial success with hit singles, "Only the Lonely" and "Suddenly Last Summer".

Led by the charismatic Martha Davis, The Motels were one of the most successful and acclaimed bands to emerge from the Los Angeles new wave scene.  The initial run of the band would end in 1987, but Martha Davis later revived the band that is currently known as "The Motels featuring Martha Davis." 

This episode will tell the story of the band from their early years through the 1980’s.

Originating from Haledon, New Jersey in 1976, The Feelies would play a post-punk, indie rock, jangle pop style of music. By 1980, The Feelies had become one of the more unique bands from the New York City underground music scene.

Arriving during the early post-punk era, the band’s debut album was 1980’s Crazy Rhythms. This trend setting and influential album combined jangly guitars with chiming and droning guitar patterns, along with fast and sharp percussive beats setting the rhythm.  

The band was not commercially successful, but The Feelies  would help shape the sound of American alternative and indie rock music in the 80’s and 90’s, influencing many artists.  

It would not be until six years after the debut when album number two would be released. That second album, The Good Earth, was co-produced with Peter Buck of R.E.M. By 1992, The Feelies would create two more studio albums before the end of their first run as a band.  

The band reunited in 2008, and released new studio albums in 2011 and 2017.

This episode tells the story of the band from formation and early years through today. 

In late 1979 following their second album, two members of Siouxsie and the Banshees departed the band leaving them without a drummer and guitarist. By early 1980, the band had added drummer Budgie and guitarist John McGeoch, which accompanied a change in musical direction for the group.

The shift began with the addition of synthesizers and drum machines on the 1980 album, Kaleidoscope. Changes continued with the fourth studio album, the seminal JuJu which featured innovative and unconventional guitar work from McGeoch. On their fifth studio album, A Kiss in the Dreamhouse, Siouxsie and the Banshees shifted toward a more sensual and psychedelia style while incorporating string arrangements.

After the third album with McGeoch, they would part ways but not before McGeoch's work with the Banshees would influence many future alternative music guitarists.

This episode tells the story of Siouxsie and the Banshees through the three albums with the legendary John McGeoch, and continues the story of our earlier podcast for the band's early years through their first two albums.

The genre-defying band Radiohead was initially considered as just another alternative rock and grunge act as their debut single "Creep" from their debut album, Pablo Honey, became a global hit in 1993.  

Radiohead's music would quickly evolve beyond the early labels as they developed a more guitar driven and ballad oriented second album, The Bends.

Beyond Pablo Honey and The Bends, the band continued to experiment through the 90's to create a more complex sound on the 1997 landmark recording OK Computer, and abandon traditional rock structures with their 2000 album, Kid A.

Radiohead's experimental approach to music is credited with advancing the sound of alternative rock and changing the landscape of 90s alternative music. 

This episode will tell the story of: Radiohead’s early years after forming in 1985 in Oxfordshire, England under the name On a Friday; the debut album Pablo Honey; and through the second album, The Bends.
(Photo by Rupert Elvin for EMI)

The Birthday Party was an abrasive and chaotic band that mixed blues, free-jazz, and rockabilly to form a unique style of post-punk music.

Initially named The Boys Next Door when formed in Australia in 1977, the band would relocate to London and rebrand themselves as The Birthday Party in 1980. 

This band would provide the jump start to the career of their lead vocalist and frontman, the legendary Nick Cave. Driven by his vocals along with Rowland S. Howard's screeching guitar work, the band would create songs of unusual stories and violent tales behind unsettling and noisy soundscapes. 

Before disbanding in 1983, the band only had limited commercial success, but was very influential to many other artists that followed. 

The Birthday Party' s creative core was much more than the boys next door. Beyond Nick Cave as singer and primary songwriter, this included multi-instrumentalist and Mick Harvey, and guitarist Rowland S. Howard, all of which continued beyond to acclaimed careers. 

This episode will tell the story of the forming of The Boys Next Door through The Birthday Party years, and all their music.

(Photo by David Corio)

Following the break up of their previous band The Tourists at the end of 1980, Eurythmics were formed by the duo of Annie Lennox and Dave Stewart. They released their debut studio album, In the Garden, in 1981 under the production of Conny Plank, but the album was not very successful.  

Eurythmics decided on a new approach for their second album, altering their sound to minimal, cold, dark synthesizer-based pop with Annie Lennox's distinct soulful vocals and a very unique visual style. 

With this came their second album, Sweet Dreams (Are Made of This), which achieved global acclaim along with the number 1 smash hit title track. The music of this January 1983 release featured a dark undercurrent, electro-soul sound built with synthesizers, pioneering drum machines, and unconventional percussion, along with Annie Lennox's emotive lyrics. 

This was the start of a new era for Eurythmics that introduced Annie Lennox’s iconic, gender-bending visual style to the world and the MTV generation. 

This episode tells the story of Annie Lennox and Dave Stewart from their early days in The Tourists through the first two Eurythmics albums, as they rose to the top of the music world in 1983. 

The Beat, also known as The English Beat in the United States and Canada, formed in 1978 in Birmingham, England. The music of this post-punk act fused various styles including ska, soul, reggae, pop, and punk rock to become one of the key and most successful bands of the UK ska revival and the two-tone scene of the early '80s.  

The Beat's songs would often include lyrics that took on socio-political themes, while the music and the danceable sound gave the band crossover appeal to go along with their message.  

The band released multiple critically acclaimed studio albums starting with their debut album of 1980, I Just Can't StopIt, along with a number of hit singles including "Mirror in the Bathroom" and "Save It for Later".  

The Beat broke up in 1983 after the third studio album before some members went on to form two other notable bands, General Public and Fine Young Cannibals. The Beat reformed in the 2000's and continues today with a new make-up behind original member and lead singer Dave Wakeling.   

This episode tells the story of The Beat from their early days through the music of their three studio albums of the early 80’s.