This week Jeff and Dave wrap up their 3-parter on Aeschylus' famous play. When Io mooves onto the scene, her first impulse is to show compassion for the shackled Promy, even though she herself is writhing in gadfly-induced agony. Why? To seek an answer, we take a long look at the thesis of Stephen White, namely that the play subtly reinforces ancient Greek gender roles: women are to be complaisant and domestic (something Io has transgressed), while men's ingenuity ought not threaten the social order (as Prometheus has done). But is this a persuasive way to look at the plot, or even helpful? What does the play mean, and can Bernad Knox shed any light on that question? Stick around, and we'll get it all sorted.