How has the idea of the afterlife shaped Iran’s moral and political imagination?

This episode dives into the historical evolution of the afterlife in Iranian thought—from ancient Zoroastrian visions and early Islamic doctrines centered on divine judgment to its use as a tool of authority under the Safavid and Qajar states. We then explore how the Baháʼí Faith introduced a radically different view: the afterlife as a process of spiritual growth, with ethical action grounded in this life, not fear of the next.

As Iran entered the post-revolutionary era, growing disillusionment with traditional eschatology gave rise to a renewed focus on justice in the present world. This conversation sheds light on how shifting views of the afterlife mirror deeper transformations in Iranian society, ethics, and aspirations.

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Building on earlier publications by the Iran 1400 Project — including our coverage of Abbas Amanat’s insights into the dilemmas of modernity and Hessami’s reflections on civic agency — this essay offers a holistic view of how citizenship in Iran has evolved: from inherited cultural frameworks to modern legal definitions, and ultimately, to an emerging ethos of democratic responsibility.

This article examines how the name “Khalij-e Fars” has been preserved, politicized, and contested over time. Drawing on historical sources, state practices, and reactions from the Iranian diaspora, it reflects the Iran 1400 Project’s commitment to understanding how ideas and institutions evolve—and how symbols like names help nations tell their stories, stake their claims, and respond to external pressures.

This reflection is offered as part of the Iran 1400 Project’s commitment to exploring the evolution of ideas and institutions that have shaped Iranian society. In honor of Mother’s Day, we present this light yet layered examination as a tribute to the enduring strength, complexity, and courage of Iranian mothers across generations.

Looking ahead, the question is not simply which narrative will dominate, but whether a new kind of civic meta-narrative can emerge—inclusive, pluralistic, and historically grounded. Such a framework could offer a path beyond the binaries of revolution and reaction, faith and secularism, resistance and capitulation. This space of imaginative rethinking, rooted in shared dignity and layered memory, holds the most promise for Iran’s democratic renewal.

This podcast reviews Aram Hessami's book, Do Se Kalameh, describing it as an intellectual manifesto on Iran's sociopolitical landscape. The review highlights Hessami's critical perspective on power, governance, and the complexities of democracy and justice, particularly within the context of authoritarian regimes and the ongoing struggle for justice. Furthermore, it examines the cultural battle between modernity and tradition and emphasizes the power of collective action and civic engagement as keys to political transformation. Ultimately, the book is presented as a manifesto for democratic renewal, offering a vision for a new Iran rooted in justice and participatory governance.

Audiobook available here.

What if the path to a more pluralistic and globally engaged Iran could be found not in imported ideologies or outdated sectarian divides, but in a suppressed native tradition?

In this episode, we talk with political theorist Dr. Reza Parchizadeh about Japanese influence on Iranian society. After exploring how Japan’s victory over Russia and its Constitutional movement inspired Iran, Dr. Parchizadeh analyzes President Rafsanjani’s Japan-inspired development vision, the migration of Iranian workers to Japan, Japan’s cultural impact on Iran, and more. 

This is the second part of a two-part conversation with Dr. Michelle Langford about her book Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance. In this episode, she delves into the progression of censorship in Iranian cinema, highlighting the distinction between allegory as a reaction to censorship versus its response to broader socio-political influences. She also discusses Iranian cinema’s recent shift away from allegory, and its relation to the Woman, Life, Freedom movement. 

Dr. Michelle Langford is an ​​Associate Professor in Film Studies at the University of New South Wales Sydney. You can find her book here.

This is the first part of a two part conversation with Dr. Michelle Langford about her book Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance. In this episode, she discusses the motivations behind writing her book and explores the evolution of Iranian films, spanning from early silent movies to contemporary productions. In doing so, she examines the reflective insights of the films into the sociopolitical and cultural fabric of Iran. 

Dr. Michelle Langford is an ​​Associate Professor in Film Studies at the University of New South Wales Sydney. You can find her book here.