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We’re getting to the “dessert” portion of this banquet of a book; sounds great, right? Well, dismiss those visions of truffles and gelato from your mind because these “afters” are more akin to lettuce-plated Jell-O replete with creepy, suspended fruits. Why? Because in this episode we get the big breakup scene and it is a doozy. Dido gets wind that Aeneas is trying to shuffle out the back door without so much as a text and corners him. Does Aeneas get the tongue-lashing he deserves or is her response so unhinged as to be completely irrational? Is Fate’s prodding of Aeneas toward Italy the ultimate get-out-of-the-relationship card or is he just this year’s C. Caddy McCadderson? See if you agree with William Anderson’s hot take that Aeneas is actually “heroic” in his response. There’s a pyre on fire and baby it’s getting dire. More Jell-O, anyone?
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8787 ratings
We’re getting to the “dessert” portion of this banquet of a book; sounds great, right? Well, dismiss those visions of truffles and gelato from your mind because these “afters” are more akin to lettuce-plated Jell-O replete with creepy, suspended fruits. Why? Because in this episode we get the big breakup scene and it is a doozy. Dido gets wind that Aeneas is trying to shuffle out the back door without so much as a text and corners him. Does Aeneas get the tongue-lashing he deserves or is her response so unhinged as to be completely irrational? Is Fate’s prodding of Aeneas toward Italy the ultimate get-out-of-the-relationship card or is he just this year’s C. Caddy McCadderson? See if you agree with William Anderson’s hot take that Aeneas is actually “heroic” in his response. There’s a pyre on fire and baby it’s getting dire. More Jell-O, anyone?

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