Ivory Tower Boiler Room

Humanities NY: https://humanitiesny.org/about-us/staff_board/ Adam Capitanio in “The Repurposed Ph.D.”: https://www.nytimes.com/2013/11/03/education/edlife/finding-life-after-academia-and-not-feeling-bad-about-it.html

Versatile PhD:

https://versatilephd.com/

PhDs at Work:

https://phdsatwork.com/

Watchung Review:

https://watchungreview.omeka.net/

Scholars Beyond the Tower: https://anchor.fm/erin-becker5

Twitter: @IvoryBoilerRoom Facebook: The Ivory Tower Boiler Room Adam Katz, PhD in English [email protected] Facebook: Moreh Avi Kay Andrew Rimby, Academic, Public Scholar

https://www.stonybrook.edu/commcms/english/people/_grad-students/rimby.php

https://andrewrimby.wixsite.com/website

Twitter: @AndrewDRimby

Tiffany Sowa, Writer, Professor of Creative Writing, Education Manager at Arts Partners, Wichita:

@TiffanySTwisted

Joseph Milholland, Writer

https://newreleases.substack.com/p/coming-soon?r=3559c&utm_campaign=post&utm_medium=email&utm_source=copy

Anne Sophie Andersen, Musician:

www.annesophieandersen.com

www.newmusicforstrings.org

Mary DiPipi, Writer, Full-Time Nanny:

Twitter and Instagram: @dipips

Website: http://marydipipi.com

Caitlin Casiello, PhD Candidate in East Asian Languages and Literatures & Film and Media Studies, Yale University:

Personal Website: http://www.magpiecity.com/

Gundam Wing Podcast: https://anchor.fm/untitled-tallgeese

ShI Huiwen, PhD in English Literary Studies, The University of Hong Kong.

Currently a lecturer of College of Professional and Continuing Education, the Hong Kong Polytechnic University.

https://sesamepoetry.wordpress.com/

Emily Gillcrist, Artist, PhD Candidate in Cultural Analysis & Theory at Stony Brook University

Twitter: @emilygillcrist

https://www.instagram.com/emilygillcrist/

Sophia Basaldua-Sun, Ph.D., Independent Comparative Literature Scholar Based in New York City

Instagram: @TheMetropolitanist

Twitter:@Metropolitanist

Website: www.maisonmetropolitanist.com

. Dena Moses,

FB: personal: Dena Gartenstein Moses, business: Vermont Weaving

IG: VermontWeaving, vermontweavingclubs

Websites: www.vermontweavingsupplies.com

www.vermontweaver.com,

www.vermontweavingschool.com

https://www.vermontweavingsupplies.com/blog

Moshe Callen, PhD Student, Ariel University

Research profile:

https://www.researchgate.net/profile/Moshe-Callen. Project Goals: https://docs.google.com/document/d/1schXe4s4I1kdS_9d4QwqgPEd9R3uePqdBMLix4idtQg/edit?usp=sharing

Caitlyn continues her conversation about adapting to virtual programming at the Whitman Birthplace, discussing Whitman during a period of racial and social justice movements, and her work as a professional artist. https://caitlynshea.com/

Facebook: @CaitlynSheaPainter

Instagram: @CaitlynArtist

https://www.waltwhitman.org/

https://www.youtube.com/channel/UC9DgJ6frgKbvBhToZsBn64A

https://www.waltwhitman.org/product/bicentennial-poster/ https://www.waltwhitman.org/product/bicentennial-poster-framed/Recommended Books: https://www.zinnedproject.org/materials/indigenous-peoples-history-of-the-us/ https://yalebooks.yale.edu/book/9780300227116/slaves-cause Music: (Donizetti's "Allegro in C Major")

In Honor of Greg Trupiano (the late Whitman specialist and director of the Walt Whitman Project):

This Donizetti is dedicated to your memory and spirit.

http://waltwhitmaninitiative.org/event/local-heart-global-impact-a-tribute-to-whitman-specialist-greg-trupiano/ ("Blackberry Blossom," Emily O'Brien and Michael O'Brien)

Emily O’Brien:

https://www.emilysdomain.org/Recorderland/

Andrew on Scholars Beyond the Tower: https://open.spotify.com/episode/2DOzgmGy1rAPVOI88ubzHP?si=sdvi9d-1Qe-AwTKWOZ2AgQ&utm_source=copy-link

Caitlyn Shea is the Event and Media Director at the Walt Whitman Birthplace. Facebook: @CaitlynSheaPainter Instagram: @CaitlynArtist "The Nanny Reviews": @thenannyreviews (Instagram and Twitter) Show Notes: Compagnia De' Colombari: https://www.colombari.org/more-or-less-i-am Juan Felipe Herrera: https://www.poetryfoundation.org/poets/juan-felipe-herrera "A Child Went Forth": https://whitmanarchive.org/published/LG/1891/poems/202 (The Whitman Archive)

Twitter: @IvoryBoilerRoom Facebook: The Ivory Tower Boiler Room

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This episode is sponsored by

· Anchor: The easiest way to make a podcast. https://anchor.fm/app

Support this podcast: https://anchor.fm/ivorytowerboilerroom/support

Emily's YouTube Channel: https://www.youtube.com/channel/UCVs255F4L2jYlSyW5citKQw Emily's Website: https://www.emilysdomain.org/Recorderland/

Emily's Suggestion for Looking Up Music: https://imslp.org/wiki/Main_Page Side. (Music Credit: "Tant Que Vivray" and "Blackberry Blossom" (Emily O'Brien and Michael O'Brien, you can find these on Emily's album "Songs from Home"). (Adam's humorous note: Andrew totally gave me side-eye when I mentioned needing to sword-fight in order to do musical theater. So here’s a frigging list of musicals that contain sword-fights. There’s only about a half-a-dozen prominent ones, but they’re PRETTY prominent. So take that, Andrew: -Les Miserables -The Phantom of the Opera -The Three Musketeers (Lyrics by P.G. Wodehouse! Really!) -Camelot -The Three Musketeers -Aladdin.)

Emily O’Brien is a native of Washington, DC where she played recorder from a young age. She studied recorder and french horn at Boston University, and recorder and Baroque flute at the Hochschule für Musik in Karlsruhe, Germany. She performs in recorder ensembles and historical chamber music, as well as English Country Dance bands. As a teacher, she works with private students and ensembles in the Boston area as well as teaching at various summer workshop such as CDSS’s Early Music Week at Pinewoods and Amherst Early Music Festival. Emily’s solo album, “Fantasies for a Modern Recorder” explores the variety and possibilities over four centuries of repertoire offered by the Helder Harmonic Tenor recorder. In her spare time, she enjoys long distance cycling. https://www.emilysdomain.org/Recorderland/ @IvoryBoilerRoom

Matthew Aucoin is an American composer, conductor, writer, pianist, and a 2018 MacArthur Fellow. He is Artist in Residence at Los Angeles Opera, and has worked as a composer and conductor with the Metropolitan Opera, Lyric Opera of Chicago, the American Repertory Theater, the Los Angeles Philharmonic, and Music Academy of the West. He is co-Artistic Director of the American Modern Opera Company. https://docs.google.com/document/d/1Xph7m1z1Ssx3U_KNC2YII8ua_bVwg8-pSH-9nZQaYCI/edit?usp=sharing

Dr. Susan Scheckel's talk explores why readers are turning, now more than ever, to Whitman's poetry in the 21st century. And asks why does Whitman's Spirit feel so relevant right now in 2020? Dr. Scheckel's Bio: https://www.stonybrook.edu/commcms/english/people/scheckel.php. The PowerPoint Presentation: https://drive.google.com/file/d/1tVQnKm_K7Ym5LpemIHUFt5PfTptnJsHm/view?usp=drivesdk (A version of Dr. Scheckel's discussion of Whitman without music for people listening on a platform other than Spotify.)

We (Adam and Andrew) discuss the themes and interviews that happened in Season One. Think of this as our Cliffs Notes to Season One.

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This episode is sponsored by

· Anchor: The easiest way to make a podcast. https://anchor.fm/app

Support this podcast: https://anchor.fm/ivorytowerboilerroom/support