"In my father's view, the making of a filmmaker wasn't just about teaching the art, craft, and science [of filmmaking], but also about allowing the filmmaker to find their own unique voice and have the confidence to be their authentic self." - Radha Chadha, author, The Maker of Filmmakers talks to Manjula Narayan about Jagat Murari, who played a key role in the emergence of the FTII, the conflicts that effected the DNA of the institution, Indian New Wave cinema of the 1970s, the tussles between proponents of arthouse and commercial films, and the many debates about the kind of films that India needed to make in the post-independence period. 

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