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Playwright Daniel Guyton stops by to discuss competitions, publishing and dead bodies. In this episode, we also span the spectrum of playwriting including - compensation, dialogue, feedback and criticism, the future of remote productions, and the pitfalls of cinematic fashion in the playwriting medium.

Daniel Guyton has been a playwright for well over 20 years having won many awards, nationally and internationally, and also teaches playwriting at Georgia State University.

To view the video version of this podcast, please visit YouTube at the link below -

https://youtu.be/XiiyaYCYuTI

Websites and Social Media information for Daniel -
www.danguyton.com
Twitter - @dguyton21
IG - @dguyton21
FB - www.fb.com/daniel.guyton
YouTube - https://www.youtube.com/c/DanielGuyton
Amazon - https://www.amazon.com/Daniel-Guyton/e/B002I0OQJG?ref=sr_ntt_srch_lnk_1&qid=1637968904&sr=8-1

Links to websites mentioned in the episode -
The O'Neill (National Playwright's Conference) - www.theoneill.org
NYC Playwrights - https://www.nycplaywrights.org
Playwright Binge - https://groups.io/g/playwrightbinge
New Play Exchange - https://newplayexchange.org
Pioneer Drama Service - https://www.pioneerdrama.com

Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer

Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
                  - @playnoirla
IG - @punkmonkeyprods
      - @playnoir_la
FB - fb.com/playnoir
       - fb.com/punkmonkeyproductions

Playwright's Spotlight
Twitter - @wrightlightpod
IG - @playwrights_spotlight

Writing services through Los Angeles Collegiate Playwrights Festival

https://www.losangelescollegiateplaywrightsfestival.com/services.html

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Playwright David-Matthew Barnes and I talk about character, names, collaboration, rejection and perseverance, and the business of playwriting - and that's just scratching the surface.

David-Matthew Barnes has been writing plays for over 25 years and has been produced internationally and featured in multiple publications. 

You can find David-Matthews plays and novels at the link below - 

You can contact David-Matthew at his website or the following socials -

www.dmatthewb.com
Twitter - @dmatthewbarnes
IG - @dmatthewbarnes

To watch the video version of this episode, click or copy and paste the link below -

https://youtu.be/ZT_2zvsBj3c

For more information on PLAY Noir and Punk Monkey Productions or the Los Angeles Collegiate Playwrights Festival, click or copy and paste the appropriate link below.

PLAY Noir - www.playnoir.com
Punk Monkey Productions - www.punkmonkeyproductions.com
Los Angeles Collegiate Playwrights Festival - www.lacpfest.com

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April Littlejohn is a playwright, producer, director and actor. Her productions of L.A. Horror Stories under her theatre company, Fuzzy Bottom, has won awards at the Valley Theatre Awards in North Hollywood, and her plays have been produced in Los Angeles, Valdez, Alaska and in other cities across the country. 

In this episode, we discuss whether playwrights should produce their own work and where other opportunities for production can be found.

April's book Producing Theatre on Minimum Wage is in its second edition and can be found on Amazon at the link below as well as links to the other sites mentioned in this episode.

Producing Theatre on Minimum Wage - https://www.amazon.com/Producing-Theater-Minimum-April-Littlejohn/dp/1070181285

Writing Services - www.lacpfest.com

www.punkmonkeyproductions.com

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Actor, Director, Producer, Writer, and Host James Elden talks about his origins into the realm of live theatre and his path forward as well as his visions of the Playwrights' Spotlight.

For more information about James Elden and his production company, festivals, and playwriting services, please visit the following websites -

www.punkmonkeyproductions.com
www.lacpfest.com

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