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My conversation with musician, producer, mixer, and mastering engineer Justin Gray continues, in this second of two parts. In this episode, Justin discusses how to provide optimum tracks for an immersive mix. He also talks about the minimum immersive monitoring system needed and why it will improve your tracks for remix into Atmos or another format.
We explore loudness and how it affects an immersive mix.
You can learn more about Justin Gray at his web sites: www.SynthesisSound.com
And www.ImmersiveMastering.com
email: [email protected]
www.youtube.com/c/DWFearn
https://dwfearn.com/
By Doug Fearn4.9
3636 ratings
Send us a text
My conversation with musician, producer, mixer, and mastering engineer Justin Gray continues, in this second of two parts. In this episode, Justin discusses how to provide optimum tracks for an immersive mix. He also talks about the minimum immersive monitoring system needed and why it will improve your tracks for remix into Atmos or another format.
We explore loudness and how it affects an immersive mix.
You can learn more about Justin Gray at his web sites: www.SynthesisSound.com
And www.ImmersiveMastering.com
email: [email protected]
www.youtube.com/c/DWFearn
https://dwfearn.com/

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