Join Key Change for one last spin around the season six universe. Co-hosts Anna Garcia and Olga Perez Flora recall their favorite moments, including reflections on the exciting collaboration between Santa Fe Opera and the University of New Mexico.

Then, the Key Change team transports us to the first-ever libretto reading workshop for NOVA. Meet the cast of this intergalactic opera and discover how they're interpreting familiar sci-fi tropes, such as colonization, survival, and belonging, through a uniquely Indigenous lens—featuring Robert Mesa (Navajo Nation and the Soboba Band of Mission Indians), ShanDien LaRance (Hopi, Tewa, Navajo and Assiniboine), and Ehren Kee Natay (Diné/Kewa Pueblo).

NOVA combines Indigenous futurism and humor with a choose-your-own-adventure ending to examine existential questions of personal responsibility and integrity. "That's very much how many Indigenous tribes are bringing up their children," explains Ehren, a multi-disciplinary artist who plays KID. "Not by telling them what to do or how to be, but to tell them these old stories that provide a moral compass of how your decisions will affect an outcome."

Robert, an accomplished film and TV actor who plays Doc, a member of the NOVA crew, welcomes this era of Indigenous collaboration in opera. "It's only within the past six or seven years that there has been a big burst of Native stories finally being put in the mainstream media," he observes. "We're breaking glass ceilings so generations behind us can flourish."

"To be a young Indigenous woman living in these times, I think a lot about our history, our traditions," adds ShanDien, a Native hoop dancer and instructor who plays NOVA. "But, I also carry with us that modernism and the way into the future and how we can sustain both."

KEY CHANGE RECOMMENDED EPISODES

NOVA: Opera After the End of the World

Taking Care of the Art with Chandler Johnson, Director of the Santa Fe Opera Apprentice Program for Singers

Rise to the Occasion of Your Opera Career with Chandler Johnson, Director of the Santa Fe Opera Apprentice Program for Singers

True Magic from Classroom to Stage with the Santa Fe Opera Young Voices and University of New Mexico Students

An Opportunity To Encounter Excellence (And Big News!)

Connections Across Time and Space: Opera in the Cosmos

FEATURED IN THIS EPISODE

Robert Mesa - Doc

ShanDien LaRance - NOVA

Ehren Kee Natay - Kid

MENTIONED IN THIS EPISODE

Hopi Nation

Navajo Nation

Ohkay Owingeh Pueblo

Santa Fe Opera Community Engagement

University Of New Mexico

Grey's Anatomy

Accused

Dark Winds

The Men Who Built America: Frontiersmen

Appian Way Productions

Reservation Dogs

Flash Gordon

Star Trek

Star Wars

Alcina at Santa Fe Opera 2017

Jenůfa at Santa Fe Opera 2019

No Greater Act: Pueblo Resistance

Circles: Honoring Indigenous Santa Fe

Little Globe

Liz Lehrman Critical Response Method

***

Key Change is a production of The Santa Fe Opera, Department of Community Engagement & Education.

Share your favorite opera moments and questions with Community Engagement: [email protected]

Produced and edited by Andrea Klunder at The Creative Impostor Studios

Hosted by Anna Garcia & Olga Perez Flora

Audio Engineering: Collin Ungerleider & Kabby at Kabby Sound Studios in Santa Fe

Technical Director: Edwin R. Ruiz

Production Support from Alex Riegler

Show Notes by Lisa Widder

Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello

Cover art by Dylan Crouch

This podcast is made possible due to the generous support of the Hankins Foundation, Principal Education Sponsor of the Santa Fe Opera.

To learn more, visit SantaFeOpera.org/KeyChange.

A sneak peak behind the scenes of our first reading of the libretto for NOVA, our latest new works commission at the Santa Fe Opera!

***

Key Change is a production of The Santa Fe Opera, Department of Community Engagement & Education.

Share your favorite opera moments and questions with Community Engagement: [email protected]

Produced and edited by Andrea Klunder at The Creative Impostor Studios

Hosted by Anna Garcia & Olga Perez Flora

Audio Engineering: Collin Ungerleider & Kabby at Kabby Sound Studios in Santa Fe

Technical Director: Edwin R. Ruiz

Production Support from Alex Riegler

Show Notes by Lisa Widder

Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello

Cover art by Dylan Crouch

This podcast is made possible due to the generous support of the Hankins Foundation, Principal Education Sponsor of the Santa Fe Opera.

To learn more, visit SantaFeOpera.org/KeyChange.

Ready for a choose-your-own cosmic adventure?

On this episode of Key Change, co-hosts Anna Garcia and Olga Perez Flora make way for old friends and new. Andrea Fellows Feinberg returns as guest host to introduce the creative team behind the intergalactic opera NOVA, a subversive meditation on responsibility and personal choice set against the end of the world––featuring Composer Brent Michael Davids, Librettist Marcie Rendon, and Music Director Sara Jobin.

"We're gonna mess with the traditional opera genre of tragedies and comedies, do something interesting with it, and make two different endings," confides Brent. He also messes with ideas around conventional sci-fi protagonists and cultural stereotypes.

NOVA, for instance, is a brilliant Native American astrophysicist and head of NASA, the Native American Space Agency. Accompanying NOVA are her chief medical officer, Doc, and KID, a bionically modified mischief-maker. Brent hopes these narrative elements will inspire and empower Native youth.

If the premise for NOVA sounds vaguely familiar, we teased its development in 2023. Back then, this Opera For All Voices commission was known as Interplanetary Opera. A lot has changed since then, notably the addition of Marcie and Sara, plus Andrea as the production's dramaturg.

What hasn't changed is the show's existential ruminations or its humor. "I think that's something I love about this piece and that people might not expect," notes Sara. "There's a lot of humor in it."

"It's Native humor," Marcie clarifies. "I wasn't sure that anybody would get it." A recent run-through alleviated her fears. "People did," she says, "and that was great!"

KEY CHANGE RECOMMENDED EPISODE

Connections Across Time and Space: Opera in the Cosmos

FEATURED IN THIS EPISODE

Brent Michael Davids - Composer

Marcie Rendon - Librettist

Sara Jobin - Music Director

Andrea Fellows Fineberg - Dramaturg and Key Change Guest Host

MENTIONED IN THIS EPISODE

Hidden Figures

Minnesota Children's Museum

Red Eye Theater

Clue

Christopher Hitchens

Key Change is a production of The Santa Fe Opera, Department of Community Engagement & Education.

Share your favorite opera moments and questions with Community Engagement: [email protected]

Produced and edited by Andrea Klunder at The Creative Impostor Studios

Hosted by Anna Garcia & Olga Perez Flora

Audio Engineering: Collin Ungerleider & Kabby at Kabby Sound Studios in Santa Fe

Technical Director: Edwin R. Ruiz

Production Support from Alex Riegler

Show Notes by Lisa Widder

Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello

Cover art by Dylan Crouch

This podcast is made possible due to the generous support of the Hankins Foundation, Principal Education Sponsor of the Santa Fe Opera.

To learn more, visit SantaFeOpera.org/KeyChange.

Set for a choose-your-own cosmic adventure? Get ready to meet the creative team behind the intergalactic opera, NOVA, on the next episode of Key Change.

***

Key Change is a production of The Santa Fe Opera, Department of Community Engagement & Education.

Share your favorite opera moments and questions with Community Engagement: [email protected]

Produced and edited by Andrea Klunder at The Creative Impostor Studios

Hosted by Anna Garcia & Olga Perez Flora

Audio Engineering: Collin Ungerleider & Kabby at Kabby Sound Studios in Santa Fe

Technical Director: Edwin R. Ruiz

Production Support from Alex Riegler

Show Notes by Lisa Widder

Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello

Cover art by Dylan Crouch

This podcast is made possible due to the generous support of the Hankins Foundation, Principal Education Sponsor of the Santa Fe Opera.

To learn more, visit SantaFeOpera.org/KeyChange.

Fire up the Key Change time machine! We're charting our course for the collaborative partnership between Santa Fe Opera and the University of New Mexico (UNM).

Never experienced time-machine travel before? No problem! Key Change co-hosts Olga Perez Flora and Anna Garcia are experienced pilots. They introduce us to students participating in the Young Voices residency and steer our audience through an exciting day of master classes and workshops on the UNM campus. And don't worry if you're new to this bold, creative initiative. Olga and Anna provide episode recommendations to help you navigate the journey.

"It's such a wonderful opportunity," says Jamie Flora, esteemed tenor and professor at UNM, of the university's collaboration with Santa Fe Opera. The dynamic program includes master classes on technique, audition logistics, performance critique, and resumé building, all designed to bridge the academic and professional opera worlds.

"We're planting seeds in their minds that this is possible!" explains Kristin Ditlow, Associate Professor of Vocal Coaching at UNM and Music Director of its Opera Theater. "We have pathways and relationships that get you from school to being a working singer."

Quiara Cortez followed one of those pathways to UNM, where she is now studying. She credits the collaboration with Santa Fe Opera for nurturing her artistic development. "Being able to talk with the best of the best and seeing what our next steps as people who are already in college might be. And having something big and professional to look forward to is wonderful."

KEY CHANGE RECOMMENDED PLAYLIST

Where Talent Meets Opportunity: Career Trajectories in Opera with Kristin Ditlow & Jamie Flora

What's Opera to a Bunch of High School Students? Young Voices, "The New Crop"

Taking Care of the Art with Chandler Johnson, Director of the Santa Fe Opera Apprentice Program for Singers

Rise to the Occasion of Your Opera Career with Chandler Johnson, Director of the Santa Fe Opera Apprentice Program for Singers

Safe Space for Creative Risks with Community Engagement and Education

Hometown to the World: Discovering "Postville" with Laura Kaminsky and Kimberly Reed

Making Learning Sticky: Creative Compassion for Kids & Educators Through Opera with Charles Gamble

Harmony in Process: The Young Voices of the Santa Fe Opera with Amy "Process" Owens

An Opportunity to Encounter Excellence (and Big News!)

FEATURED IN THIS EPISODE

Kristin Ditlow - Associate Professor of Vocal Coaching, University of New Mexico; Music Director, University of New Mexico Opera Theater

James Flora - Lecturer II in Voice and Opera, University of New Mexico Opera Theater

Michael Hix - Chair, Department of Music University of New Mexico; Professor of Voice, University of New Mexico

Andrea Klunder - Producer, Key Change Podcast

Amy Owens - Director of the Young Voices of Santa Fe Opera

Santa Fe Opera Young Voices participants – Rylee Baca, Elsa Dhonau-Egan, Landen Kessler, Eleanor Lucas, Ava Mitchie, Alexander Nicholas Neas

University Of New Mexico participants - Maria Bollinger, Quiara Cortez, Alexandra King, Ryan Lopez, Taylor Stanley

MENTIONED IN THIS EPISODE

La Traviata | Santa Fe Opera

Hometown to the World | Santa Fe Opera

Eugene Onegin | Santa Fe Opera

University Of New Mexico - Department Of Music

Apprentice Program for Singers | Santa Fe Opera

Opera Storytellers Summer Camp | Santa Fe Opera

Opera Makes Sense | Santa Fe Opera

The Philadelphia Orchestra

The Inner Voice: The Making Of A Singer

Classical Singer Music Awards

Paula Corbin Swallin

***

Key Change is a production of The Santa Fe Opera, Department of Community Engagement & Education.

Share your favorite opera moments and questions with Community Engagement: [email protected]

Produced and edited by Andrea Klunder at The Creative Impostor Studios

Hosted by Anna Garcia & Olga Perez Flora

Audio Engineering: Collin Ungerleider & Kabby at Kabby Sound Studios in Santa Fe

Technical Director: Edwin R. Ruiz

Production Support from Alex Riegler

Show Notes by Lisa Widder

Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello

Cover art by Dylan Crouch

This podcast is made possible due to the generous support of the Hankins Foundation, Principal Education Sponsor of the Santa Fe Opera.

To learn more, visit SantaFeOpera.org/KeyChange

What have our favorite high school aged singers been up to? Hear from the Young Voices of the Santa Fe Opera themselves on the next episode of Key Change... coming soon!

***

Key Change is a production of The Santa Fe Opera, Department of Community Engagement & Education.

Share your favorite opera moments and questions with Community Engagement: [email protected]

Produced and edited by Andrea Klunder at The Creative Impostor Studios

Hosted by Anna Garcia & Olga Perez Flora

Audio Engineering: Collin Ungerleider & Kabby at Kabby Sound Studios in Santa Fe

Technical Director: Edwin R. Ruiz

Production Support from Alex Riegler

Show Notes by Lisa Widder

Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello

Cover art by Dylan Crouch

This podcast is made possible due to the generous support of the Hankins Foundation, Principal Education Sponsor of the Santa Fe Opera.

To learn more, visit SantaFeOpera.org/KeyChange.

We often say that the road to a successful opera career can be a winding one—and we've got the receipts to prove it! Join Key Change co-hosts Anna Garcia and Olga Perez Flora as they discuss career trajectories, academic journeys, and artistic life with two legendary performers and educators: Kristin Ditlow, Associate Professor of Vocal Coaching and Opera Conductor at the University Of New Mexico, and James Flora*, acclaimed American tenor and Lecturer in Voice and Opera, also at UNM. Our conversation sets the stage for an exciting collaboration between Santa Fe Opera and UNM.

"The position that I have (at UNM) has evolved with me," says Kristin, who has worked around the world as a conductor and a pianist. "That's a testament to a healthy place that's willing to grow along with its faculty and allow them to grow in a position." It's also a verdant artistic environment where raw talent is refined, and practice leads to proficiency.

Jamie hopes that the next generation of opera professionals will bring the art form's epic storytelling and staging to a broader audience. "I'd love for opera to step away a little bit from exclusivity," he says, reflecting on how the perceived cliquishness couldn't be farther from the true experience of a live opera. "A lot of people who grew up in small towns like I did didn't understand the opera was for them," he says, adding, "Opera's for everyone!"

*That surname is no coincidence. Jamie also holds the title of spouse to our very own Olga.

KEY CHANGE RECOMMENDED PLAYLISTS

Catch up on the full story of Hometown To The World:

Season 1, Ep 6: Hometown to the World: Discovering Postville

Season 2, Ep 9: America Is Impossible Without Us

Season 3, Ep 3: Responding to the World

Season 3, Ep 8: Bridging Communities with Carmen Flórez-Mansi

Season 4, Ep 1: This Doesn't Happen Without Audience; The Hometown to the World Premiere

Season 4, Ep 2: Influence and Inclusion: The Impact of Hometown to the World with Youth Chorus

Season 4, Ep 8: Hometown to the World Debuts on Broadway

Hear the evolution of This Little Light of Mine:

Season 2, Ep 7: Mother of a Movement: This Little Light of Mine

BONUS: Is This America?

Season 3, Ep 4: Singing A Call to Action: Is This America?

Season 3, Ep 5: Making a Choice With Conviction: A conversation with Jeri Lynne Johnson

Season 3, Ep 6: Building a Better Society with Florida International University Music Students

Season 3, Ep 7: Lighting a Fire: The Legacy of Fannie Lou Hamer

Season 4, Ep 6: A Day in the Life Before a World Premiere

Season 4, Ep 7: Telling Hard Truths

FEATURED IN THIS EPISODE

Kristin Ditlow

James Flora

MENTIONED IN THIS EPISODE

IMSLP - Petrucci Music Library for scores in public domain

Apprentice Program for Singers | Santa Fe Opera

Cold Mountain | Santa Fe Opera

The (R)evolution of Steve Jobs | Santa Fe Opera

Hometown to the World | Santa Fe Opera

This Little Light Of Mine | Santa Fe Opera

Der Rosenkavalier | Santa Fe Opera

The Turn Of The Screw | Santa Fe Opera

Die Walküre | Santa Fe Opera

La bohème | Santa Fe Opera

Rigoletto | Santa Fe Opera

A Midsummer Night's Dream | Santa Fe Opera

Little Women | UNM Opera

Oberlin Conservatory of Music

Westminster Choir College

Boston Symphony Opera

BSO | Tanglewood

San Francisco Opera | Merola Opera Program

Arizona Opera

The Glimmerglass Festival

Pittsburgh Opera

Central City Opera

Kentucky Opera

Metropolitan Opera

This is Spinal Tap

New Jersey Opera Theater

Opera Steamboat

The Three Feathers

Benjamin Britten

Star Wars

Psycho

Opera Company of Middlebury

***

Key Change is a production of The Santa Fe Opera, Department of Community Engagement & Education.

Share your favorite opera moments and questions with Community Engagement: [email protected]

Produced and edited by Andrea Klunder at The Creative Impostor Studios

Hosted by Anna Garcia & Olga Perez Flora

Audio Engineering: Collin Ungerleider & Kabby at Kabby Sound Studios in Santa Fe

Technical Director: Edwin R. Ruiz

Production Support from Alex Riegler

Show Notes by Lisa Widder

Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello

Cover art by Dylan Crouch

This podcast is made possible due to the generous support of the Hankins Foundation, Principal Education Sponsor of the Santa Fe Opera.

To learn more, visit SantaFeOpera.org/KeyChange.

Coming up on the next episode of Key Change... the trajectory of an opera career from academia to the main stage with musicians & opera educators Jamie Flora and Kirstin Ditlow.

***

Key Change is a production of The Santa Fe Opera, Department of Community Engagement & Education.

Share your favorite opera moments and questions with Community Engagement: [email protected]

Produced and edited by Andrea Klunder at The Creative Impostor Studios

Hosted by Anna Garcia & Olga Perez Flora

Audio Engineering: Collin Ungerleider & Kabby at Kabby Sound Studios in Santa Fe

Technical Director: Edwin R. Ruiz

Production Support from Alex Riegler

Show Notes by Lisa Widder

Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello

Cover art by Dylan Crouch

This podcast is made possible due to the generous support of the Hankins Foundation, Principal Education Sponsor of the Santa Fe Opera.

To learn more, visit SantaFeOpera.org/KeyChange.

We love an encore! And this one's got it all: audition trends, futurecasting, and pragmatic advice for young opera talent. Key Change co-hosts Anna Garcia and Olga Perez Flora also serve up plenty of musical memories, behind-the-scenes intel, and a little love for the Santa Fe Opera as a venue as they continue their visit with Chandler Johnson.

When we last met Chandler, he had introduced us to career paths less traveled. "There's more to this business than just singing," he continues. Chandler knows this truth better than most. After discovering opera in his early teens, he pivoted from singing to arts administration. Chandler credits his years spent auditioning and performing for exposing him to career opportunities beyond the stage.

"Singing was my path to get to this place," he confides, before launching into an impressive list of creative, collaborative opportunities within the opera ecosystem. "You can go into development, marketing and PR, media and AV. You can go into costuming and set design," he says, adding, "Having the experience of being a singer informs where you pivot in your life and in this art form."

As for the art form in question, Chandler is not one to tinker with what works. "I wouldn't change anything about opera. I truly love the glitz, the glamor, the opulence, the stories, the chaos. I love it all!" he muses before offering one final piece of advice. "We just have to keep doing good art––keep doing good opera!––and the people will come."

KEY CHANGE RECOMMENDED PLAYLIST

Taking Care of the Art with Chandler Johnson

What's Opera to a Bunch of High School Students? Young Voices, "The New Crop"

Harmony in Process: The Young Voices of the Santa Fe Opera with Amy "Process" Owens

FEATURED IN THIS EPISODE

Chandler Johnson, Director, Apprentice Program For Singers | Santa Fe Opera

MENTIONED IN THIS EPISODE

Apprentice Program For Singers | Santa Fe Opera

Preview Dinners | Santa Fe Opera

University Of New Mexico Opera Theatre | UNM Music Department

Cincinnati Opera

The Maryland State Boychoir

Atlanta Public Schools Choir

The Baltimore County Honor Choir

Leontyne Price

Messa di requiem | Giuseppe Verdi

The Defiant Requiem Foundation

Fach System

Rigoletto

Lohengrin

Verdi's Macbeth

Berlin State Opera

Bavarian State Opera

***

Key Change is a production of The Santa Fe Opera, Department of Community Engagement & Education.

Share your favorite opera moments and questions with Community Engagement: [email protected]

Produced and edited by Andrea Klunder at The Creative Impostor Studios

Hosted by Anna Garcia & Olga Perez Flora

Audio Engineering: Collin Ungerleider & Kabby at Kabby Sound Studios in Santa Fe

Technical Director: Edwin R. Ruiz

Production Support from Alex Riegler

Show Notes by Lisa Widder

Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello

Cover art by Dylan Crouch

This podcast is made possible due to the generous support of the Hankins Foundation, Principal Education Sponsor of the Santa Fe Opera.

To learn more, visit SantaFeOpera.org/KeyChange.

Pop quiz: Name an opera training initiative that creates space for self-discovery, serious fun, and a bit of Broadway adoration. Spoiler alert: there's only one answer.

On this episode of Key Change, co-hosts Anna Garcia and Olga Perez Flora get to know Chandler Johnson, Director of Santa Fe Opera's Apprentice Program for Singers, and uncover what early-career singers selected for this internationally acclaimed program can expect from their 13 weeks in the desert.

"It's a pressure cooker!" exclaims Chandler of the four-month-long apprenticeship, initially developed by John Crosby, founder of the Santa Fe Opera. How prestigious is the program, you might ask? We did the math. Out of a thousand applicants, less than 5% have a chance of making it in. That's 36-46 participants annually. And once those folks are accepted? They're met with a 360º view of the industry including an intense rehearsal regime, mainstage experience, individual scene recitals, donor events, and off-campus performances.

Chandler's circuitous route to Apprentice Program director includes five different administrative titles at Santa Fe Opera alone, proving that the stage isn't the only avenue to an illustrious career (although he's got some amazing performance credits to his name). "I still sing for fun," he says. "My roots were church music, musical theater, R & B, that kind of stuff. And, I'm always singing along to my favorite pop girlies."

Now, he's happy to guide the next generation of talent, offering honest assessment and encouragement in equal measure. "I've had some singers come back and be, like, that one thing you said to me, that really changed the trajectory."

KEY CHANGE RECOMMENDED PLAYLIST

Season 2, Episode 8: Gender is Not Genre: Women in Opera - featuring Susanne Sheston, Santa Fe Opera Chorus Master

FEATURED IN THIS EPISODE

Chandler Johnson, Director, Apprentice Program For Singers | Santa Fe Opera

MENTIONED IN THIS EPISODE

Apprentice Program For Singers | Santa Fe Opera

Apprentice Program For Technicians | Santa Fe Opera

Young Artists Program | Chautauqua Opera

The Glimmerglass Festival

Opera Santa Barbara

Jessica Vosk

Kathryn Henry

Lina González-Granados | LA Opera

Duke Kim

***

Key Change is a production of The Santa Fe Opera, Department of Community Engagement & Education.

Share your favorite opera moments and questions with Community Engagement: [email protected]

Produced and edited by Andrea Klunder at The Creative Impostor Studios

Hosted by Anna Garcia & Olga Perez Flora

Audio Engineering: Collin Ungerleider & Kabby at Kabby Sound Studios in Santa Fe

Technical Director: Edwin R. Ruiz

Production Support from Alex Riegler

Show Notes by Lisa Widder

Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello

Cover art by Dylan Crouch

This podcast is made possible due to the generous support of the Hankins Foundation, Principal Education Sponsor of the Santa Fe Opera.

To learn more, visit SantaFeOpera.org/KeyChange.