This article is by Yoon Seung-jin and read by an artificial voice.
[Hired in Korea]
Claudia Petzova's interest in Korea began when she first watched a performance by K-pop boy band Big Bang at her cousin's recommendation. She recalls falling in love with their singing and stage presence almost "immediately," a spark that later led her to a career as a professional dancer in Korea.
Although she has appeared in K-pop music videos for groups such as Sistar and Monsta X, what ultimately drew her in was, of all things, trot — a semitraditional pop genre, popular among older audiences, which blends ballads, dance and jazz, often paired with equally eclectic choreography.
"I came to Korea as a Global Korea Scholarship student and majored in human resources at Konkuk University, hoping to get a job in the music industry in case I didn't make it as an artist myself," said trot dancer Petzova. "However, I had some great opportunities and took on numerous dance and choreography projects across different genres based on my previous experience working as a professional dancer back in Bulgaria."
"Now I specialize in trot, aiming to make a mark in the trot world, just like Kany did in K-pop," Petzova added, referring to French choreographer Kany Diabate Ahn, who has created choreography for many K-pop artists, including SHINee, Jisoo and Hwasa.
The Korea JoongAng Daily sat down with Petzova to hear more about her journey, the challenges of being a foreign trot dancer in Korea and her advice to those hoping to build a career here.
Q. What kind of work are you doing as a dancer in Korea?
A. I work as both a backup dancer and choreographer for trot artists like Leo and Changho.
I'm also part of a dance team made up of foreign dancers. We perform samba, flamenco, Arabic dance and various traditional folk dances at festivals and events.
In addition, I have worked as a backup dancer for K-pop artists before and have performed on major music shows such as "Music Bank" (1998-) and "Inkigayo" (2007-).
At this point, I'd say I'm one of the very few foreign dancers who specialize in trot.
Can you share more about the process of becoming a dancer, how you found your agency and what auditions are typically like?
I started dancing when I was 10 and worked as a professional dancer in Bulgaria.
As for Korea, I initially went to an interview with my first agency just to accompany my roommate. But the interviewer asked about my experience too, and I ended up auditioning and eventually working with them.
In this industry, you have to audition constantly, and the process is usually quite similar each time. You find a job posting and submit your resume outlining your experience, along with videos featuring your dancing.
If you pass the initial screening, you move on to in-person auditions, where you're expected to demonstrate your dancing skills very quickly.
It's a simple process overall, but everything moves at a fast pace, which can feel a bit intense at times.
What drew you to trot?
I fell in love with trot because I think it represents Korea so well and has a unique way of bringing fans together.
I've danced with K-pop groups and artists, which was an amazing experience and something I had always dreamed of. However, I happened to perform on a trot stage by chance, and that's when I realized I enjoyed it even more. There's something about trot that really makes people want to dance and stay engaged, which creates a more fun, livelier atmosphere.
The lyrics are also deeply emotional and reflect different aspects of Korean culture, which helps create a strong sense of connection and community among listeners. Because of this, the fan culture is incredibly warm, energetic and welcoming.
My biggest dream is to share the charm of trot with audiences around the world and help elevate the genre's profile internationally.
What's the culture in the industry like?
Here in Korea, there's a strong collectivist culture, so dancers and artists rehearse together ver...