In the last episode of the fourth season of Kunafa and Shay—which was a historical and classical Middle Wastern and North African (MENA) and Southwest Asian and North African (SWANA) theatre season—Marina Johnson and Nabra Nelson reflect on the season, give some additional insight, and provide a broader overview of their framework for historical and classical theatre.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

Dr. Samer Al-Saber joins hosts Marina Johnson and Nabra Nelson for a conversation around resistant ventriloquism and postcolonial courtesy. Dr. Al-Saber also shares stories from his upcoming book about the Palestinian theatre movement in the 1970s and 1980s.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

Hosts Marina Johnson and Nabra Nelson learn from Dr. Amir Al-Azraki about Iraqi theatrical traditions, the birth of modern Iraqi theatre springing from church drama in Mosul in the late nineteenth century, Iraqi plays in translation, and Afro-Iraqi theatre. 
Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

Hosts Marina Johnson and Nabra Nelson are joined by Fidaa Ataya, a Palestinian storyteller who talks with us about the tradition of the hakawati and how she and her work are looking at different forms of storytelling from ancient traditions to new ways of storytelling in Palestine.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

Nubia has a long history of theatre, both before and after the displacement of the 1960s. In this episode, hosts Marina Johnson and Nabra Nelson highlight Nubian theatre, including the only Nubian opera, Opera El Aml by Mohy El Din Sherif. With special guest Mazen Alaa from Nubian Geographic, this episode focus on Nubian theatre in Abu Simbel and the effect that the displacement had and continues to have on theatre in Nubia and the Nubian diaspora today.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

Hosts Marina Johnson and Nabra Nelson look at MENA and SWANA puppetry traditions with guest artivist Dr. Sarah Fahmy. They talk about her production of the first recorded full play in English of Ibn Daniyal, The Shadow Spirit; the Aragoz Puppet; and, coming more into current puppetry practice by MENA folks, Fahmy's own ecofeminist puppetry practice.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

Hosts Marina Johnson and Nabra Nelson discuss Ottoman theatre, emphasizing its significance in global theatre history. They highlight the Ottoman Empire as a pivotal point of cultural exchange comparable to the Greek and Roman empires. They focus on three major forms of traditional theatre—Ortaoyunu, Karagöz, and Meddah—and dive into these forms of “plays performed in the open,” shadow theatre, and storytelling.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

Hosts Marina Johnson and Nabra Nelson talk about Egyptian playwright Tawfiq al-Hakim and his “unstageable” classic play People of the Cave. They provide historical context of the play, al-Hakim’s career, and the Christian and Islamic stories that served as al-Hakim’s inspiration.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

Audiences pack houses to see stories about forbidden love. Romeo and Juliet is a famous Western example of this phenomenon, but the trope goes back much further, to a poem that likely inspired even inadvertently Shakespeare's famous play. In this episode, we look at the timeless tale of Layla and Majnun made famous by Nizami Ganjavi as a poem and later adopted for the stage and the screen countless times.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

In episode, hosts Nabra Nelson and Marina Johnson discuss the oldest surviving play, The Triumph of Horus. The play is an Ancient Egyptian script from the thirteenth century BCE that tells the story of the triumph of the god Horus over Set. Nabra and Marina go through the plot of the play, its history and significance, and give an overview of other forms of Ancient Egyptian theatre. Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.