In this episode, playwright and dramaturg Adam Ashraf Elsayigh joins co-hosts Nabra Nelson and Marina Johnson to unpack what it means to put queer SWANA characters on stage and discuss the future of representation in the United States.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

In this special episode, Marina and Nabra sit down with Lebanese actor, theatremakers, and peacebuilder Raffi Feghali to talk about the Buffer Fringe Festival. Buffer Fringe is an annual festival with a mission for peacebuilding and social justice, organized by Home for Cooperation and situated in the buffer zone in Cyprus. Buffer Fringe runs 7-9 October 2022, presenting three days of international, interdisciplinary, experimental performances under the theme of Pockets (beyond). Join us as we explore improv in Lebanon, experimental theatre in a geographically contentious area, and artistic curation for peacebuilding. Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

To end the season, this episode will have Marina and Nabra sitting down to tea to talk about highlights from this season and what is to come in the future. Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

As politicized ethnic groups, playwriting comes with a sense of responsibility and history for many MENA/SWANA writers. Balancing drama and comedy in plays that deal with MENA politics, identity, and history can be difficult but is also crucial in inviting audiences into our stories and addressing stereotypes and historical harm. Join two prominent playwrights and pillars of the MENA community, Yussef El-Guindi & Leila Buck, as we have an open conversation about how they approach their writing and reflect on what their work means in a greater societal context. Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

Artistic identities can be complicated, and many theatremakers work equally within two or more disciplines simultaneously. The most interesting work is rarely created in a vacuum. These multidisciplinary artists create diverse projects in all senses of the word, broadening our idea of what theatre can and should be. Today, two such multihyphenate artists, Denmo Ibrahim and Sarah Fahmy, converse about their multiple identities, how they reconcile and manage their myriad expertise, and the role of multihyphenate artists in today’s theatre landscape.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

MENA artists continue to work hard to create representation in large theatrical arenas by pushing for their work to be produced on contemporary stages. However, since some major theatres only allot 1 or 2 slots a year for plays by BIPOC artists, and MENA artists have frequently been ignored. They have found other ways to create thriving artistic spaces for actors, directors, and playwrights alike. Masrah Cleveland Al Arabi has created a space for MENA artists to thrive. This artist-led organizational infrastructure serves as an example of how change can be made within existing theatrical structures. Today we are joined by Raymond Bobgan and Omar Kurdi. Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

In the greater conversation about MENA or SWANA identity, many national and ethnic groups do not neatly fit into that category or are in between geographic areas. One of the largest groups that are both within and without what is considered the “Middle East” is Iran. So many Iranian leaders are making intentional space for the diversity and specificity of their culture by creating companies for Iranian artists. In this episode, we highlight two Iranian theatre companies: Seda Iranian Theatre Ensemble in Seattle, WA, and Peydah Theatre Company in NYC.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

For artists, getting a quality review of their show is often critical to continued success. It can make or break new plays and emerging artists. However, works by BIPOC artists have often been subjected to the white critical gaze in reviews, which has frequently not made any attempt to account for the complexity of culture outside of the reviewer’s own understanding. There has been a major push by BIPOC artists to counter the white supremacy of reviews, including who writes the critiques and what they write about. In this episode, Arti Ishak and Yasmin Zacaria Mikhaiel talk about their experiences as MENA artists and critics, how they negotiate the field of criticism, and what changes can and must be made to the landscape.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

Community engagement is more than a post-show talk or touring production. These two directors and administrative leaders are community engagement practitioners in everything that they do, including their artmaking and program curation. They work both as independent artists and through organizations. We will discuss the nature of community engagement as an artistic practice, how their MENA backgrounds influence their practice, and how the theatre atmosphere is or should shift to be community engaged in an authentic and equitable way.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.

Site-specific performances have the possibility to truly make all the world a stage. To produce site-specific and devised theatre performances in the United States and abroad, artists must engage with the questions of the politics of any space, what communities inhabit or use it, and who is invited into it. Sahar Assaf, a Lebanese theatremaker and the new artistic director of Golden Thread Productions, and Zeina Daccache, an actor, director, and the founder of Catharsis: Lebanese Center for Drama Therapy come together to talk about site-specific and devised theatre pieces in Lebanon, the rest of the MENA world, and the United States. Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by

co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and

analyzes contemporary and historical Middle Eastern and North African

(MENA) and Southwest Asian and North African (SWANA) theatre from across

the region.

Kunafa and Shay highlights MENA/SWANA plays and theatremakers,

spotlights community-engaged work in the region and diaspora, and

analyzes the past, present, and future of MENA/SWANA theatre in the

United States and beyond. Theatre artists and scholars Nabra Nelson and

Marina Johnson bring their own perspectives, research, and special

guests in order to start a dialogue and encourage further learning and

discussion.

The name, Kunafa and Shay, invites you into the discussion in the best

way we know how: with complex and delicious sweets like kunafa, and

perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to

share experiences, discuss ideas, and sometimes engage with our

differences. In each country in the region, you’ll find kunafa made

differently. In that way, we also lean into the diversity, complexity,

and robust flavors of MENA/SWANA theatre.